|Show Boat||Actor||Magnolia Hawks||7|
|That Midnight Kiss||Actor||Prudence Budell||7|
|Thousands Cheer||Actor||Kathryn Jones||7|
|The Toast of New Orleans||Actor||Suzette Micheline||7|
|Seven Sweethearts||Actor||Billie Van Maaster||7|
|So This Is Love?||Actor||Grace Moore||7|
|Two Sisters from Boston||Actor||Abigail Chandler||7|
|It Happened in Brooklyn||Actor||Anne Fielding||7|
|Grounds for Marriage||Actor||Ina Massine||7|
|Rio Rita||Actor||Rita Winslow||7|
|Andy Hardy Gets Spring Fever||Actor||Bit Part||7|
|Till the Clouds Roll By||Actor||Magnolia||7|
|Andy Hardy's Private Secretary||Actor||Kathryn Land||7|
|Lovely to Look At||1951||Actor||n/a||19517|
|The Desert Song||1952||Actor||n/a||19527|
|Mario Lanza: The American Caruso||Actor||n/a||7|
|The Vagabond King||1956||Actor||Catherine DeVaucelles||19567|
|Kiss Me Kate||1953||Actor||Lilli Vanessi/Katherine||19537|
|The Kissing Bandit||1948||Actor||n/a||19487|
|Gene Kelly... An American in Pasadena||1978-01-01T00:00:00+0000 1977-01-01T00:00:00+0000 - 1978-01-01T00:00:00+0000||Actor||n/a||1978-01-01T00:00:00+00007|
|America's All-Star Tribute to Elizabeth Taylor||1989-01-01T00:00:00+0000 1988-01-01T00:00:00+0000 - 1989-01-01T00:00:00+0000||Actor||n/a||1989-01-01T00:00:00+00007|
|The Golden Globe's 50th Anniversary Celebration||1994-01-01T00:00:00+0000 1993-01-01T00:00:00+0000 - 1994-01-01T00:00:00+0000||Actor||n/a||1994-01-01T00:00:00+00007|
|That's Entertainment! III||1994||Actor||Song Performer||19947|
|The General Electric Theater||1962-01-01T00:00:00+0000 1952-01-01T00:00:00+0000 - 1962-01-01T00:00:00+0000||Actor||Performer||1962-01-01T00:00:00+00007|
|Murder, She Wrote||1996-01-01T00:00:00+0000 1984-01-01T00:00:00+0000 - 1996-01-01T00:00:00+0000||Actor||Ideal Molloy||1996-01-01T00:00:00+00007|
|Replaced Julie Andrews as Guinevere in the Broadway production of "Camelot"|
|First romantic lead, "Seven Sweethearts"|
|Had recurring role of Ideal Malloy on "Murder, She Wrote" (CBS)|
|Last film for MGM, "Kiss Me, Kate"|
|Put under contract by MGM; abandoned recording career|
|Made TV appearance on "America's All-Star Tribute to Elizabeth Taylor"|
|First film appearance was in "Andy Hardy's Private Secretary" as Andy Hardy's secretary Kathryn Land|
|Played first dramatic stage role in "Night Watch"|
|First TV appearance, "General Electric Theater" (CBS); received an Emmy nomination for her performance in the episode "Shadow on the Heart"|
|Studied voice at the Chicago Civic Opera|
|Starred in the film adaptation of the musical, "Show Boat," opposite Ava Gardner and Howard Keel|
|Made operatic debut in "Madame Butterfly"|
|Featured in "A Celebration of the Glorious MGM Musicals" at NYC's Carnegie Hall|
|Starred in a stage production of the British farce, "Noises Off"|
|Signed to a recording contract by RCA at age 15|
|Appeared on TV in "Gene Kelly... An American in Pasadena"|
|Co-starred in the musical film remake of "The Vagabond King"|
Born Zelma Kathryn Elizabeth Hedrick in Winston-Salem, NC on Feb. 9, 1922, she moved to St. Louis, MO with her family in 1927, where she later studied voice training with singer Frances Marshall of the Chicago Civic Opera. Grayson's vocal talents were evident at an early age. After moving to Los Angeles with her family for more professional training, she was signed to a contract with RCA Redseal Records at the age of 15 after a label executive heard her performing in church. Her goal during this period was the operatic stage, but it was soon squashed by MGM executive Sam Katz, who sought a rival for Universal's singing ingénue Deanna Durbin, and signed Grayson to a contract with the studio. At the time, Grayson was prepared to make her debut at the Metropolitan Opera House, but MGM chief Louis B. Mayer convinced her to direct her attention towards her burgeoning film career, reportedly by faking a heart attack.
As Kathryn Grayson - a stage name built from her middle name and her mother's maiden name - she made her film debut in the low-budget comedy programmer "Andy Hardy's Private Secretary" (1941), which allowed moviegoers to hear her singing voice for the first time. More films of that ilk soon followed, including "Rio Rita" (1942), which teamed her with Abbott & Costello, but by the mid-1940s, she was firmly ensconced as a musical star, thanks to pictures like the World War II morale booster "Thousands Cheer" (1943) and the Oscar-winning "Anchors Aweigh" (1945). In both films, Grayson held her own with Gene Kelly, as well as newly minted movie actor Frank Sinatra, which signified to audiences and studio execs alike that she was a bonafide star.
More musicals followed, including "Till the Clouds Roll By" (1946), the fictionalized biopic of composer Jerome Kern - which served as a preview of her turn in "Show Boat" six years later - and two additional teamings with Sinatra - "It Happened in Brooklyn" (1947) and the campy "Kissing Bandit" (1947). The 1950s proved to be Grayson's most popular and successful decade on film ; she earned top billing in "That Midnight Kiss" (1949), which marked the debut of opera talent Mario Lanza, and the pair reunited for "The Toast of New Orleans" (1950), which proved an even bigger hit. Off-screen, their partnership was marred by a public feud. Grayson, who had a reputation for being one of the most charming and pleasant actresses in Hollywood, lashed out at Lanza after he was quoted in the press as saying that he had a soft spot in his heart for the actress for starring in "his" first pictures. Grayson, the established studio star of the pair, fired back with complaints about Lanza's ego and propensity for foul language.
Stage musical star Howard Keel was her ideal screen partner - the duo first joined forces on the 1951 Technicolor remake of "Show Boat," and its success led to additional screen collaborations in "Lovely to Look At" (1952) and their most enduring film musical, "Kiss Me Kate" (1953), which gave her not only some of her best musical numbers, but a chance to flex an acting muscle as the hot-headed theater diva Lili Vanessi, who matches wits and words with her ex-husband (Keel) while co-starring in a musical version of "The Taming of the Shrew." Grayson was also leading lady and musical partner to such top male musical stars of the period as Gordon MacRae in "The Desert Song" (1953) and Van Johnson in "Grounds for Marriage" (1951).
The decline in popularity of film musicals also contributed to the eclipse of Grayson's film career; her final screen acting role came in "The Vagabond King" (1956), opposite Maltese opera star Oreste Kirkop, who was a last minute replacement for the temperamental Lanza. She segued briefly into television, where she earned an Emmy nomination for a 1955 episode of "General Electric Theatre" (CBS, 1953-1962), but by the following decade, she was appearing exclusively on stage. In 1960, she finally achieved her earliest goal by making her operatic debut in some of the medium's most iconic productions, including "Madame Butterfly" and "La Boheme." Grayson also replaced Julie Andrews in the Broadway production of "Camelot," and later crisscrossed the United States for over a year with the wildly successful national tour. Grayson also reunited with Keel for a popular nightclub and Las Vegas act, as well as a tour of Australia.
Grayson remained active on stage throughout the 1970s and 1980s, including turns in drama with "Night Watch" in 1982 and farce with "Noises Off" in 1987. She also returned to television during this period with a recurring role on "Murder, She Wrote" (CBS, 1984-1996), and toured the country with a one-woman show, "An Evening with Kathryn Grayson" into the late 1990s. In her final years, Grayson gave private singing lessons in her Los Angeles home, and served as supervisor for a Voice and Choral Studies Program at Idaho State University that bore her name. Grayson died in her sleep at the age of 88 on Feb. 17, 2010.
|Robert Evans||Companion||Dated in the late 1950s|
|Lillian Hedrick||Mother||Died at age 56 in December 1954|
|Michael Hedrick||Brother||Born c. 1917|
|Patricia Johnston||Daughter||Born in October 1948; father, Johnnie Johnston|
|Mildred Kurstin||Sister||Born c. 1924|
|Chicago Civic Opera|
|Manual Arts High School|
|Some sources give Ms. Grayson's birth year as 1923.|
|Grayson supervised the Voice and Choral Studies Program at the Idaho State University.|
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