Between 1949 and 1959, Stanley Donen was either the key creative force behind or an essential element in the production of some of the most critically acclaimed musicals in Hollywood history. A former...
Columbia, South Carolina, USA
|Love Is Better Than Ever||Director||n/a||4|
|Take Me Out to the Ball Game||Screen Story||n/a||1|
|A Date with Judy||Choreography||n/a||1|
|Holiday in Mexico||Choreography||n/a||1|
|Take Me Out to the Ball Game||Choreography||n/a||1|
|The Big City||Choreography||n/a||1|
|Living in a Big Way||Choreography||n/a||1|
|This Time for Keeps||Choreography||n/a||1|
|The Moviemakers: Stanley Donen||1995 1994 - 1995||Actor||Himself||19957|
|The Story of Film: An Odyssey||2013||Actor||Himself||20137|
|Lionel Richie: Making of Dancing on the Ceiling||Actor||n/a||7|
|Musicals Great Musicals||1995||Actor||n/a||19957|
|The Hollywood Fashion Machine||1994 1993 - 1994||Actor||n/a||19947|
|Nichols and May -- Take Two||1995 1994 - 1995||Actor||Interviewee||19957|
|Musicals Great Musicals: The Arthur Freed Unit at MGM||Actor||n/a||7|
|Diamonds on the Silver Screen||1992 1991 - 1992||Actor||n/a||19927|
|Cary Grant: The Leading Man||1987 1986 - 1987||Actor||Interviewee||19877|
|MGM: When the Lion Roars||1991 1990 - 1991||Actor||n/a||19917|
|AFI's 100 Years... 100 Movies||1997 1996 - 1997||Actor||n/a||19977|
|Audrey Hepburn Remembered||1992 1991 - 1992||Actor||n/a||19927|
|The 70th Annual Academy Awards||1997 1996 - 1997||Actor||(Honorary Award)||19977|
|Evening at Pops||2001 1968 - 2001||Actor||n/a||20017|
|Deep in My Heart||1953||Director||n/a||4|
|Give a Girl a Break||1952||Director||n/a||4|
|The Grass Is Greener||1960||Director||n/a||4|
|The Little Prince||1973||Director||n/a||4|
|Once More, With Feeling||1960||Director||n/a||4|
|Kiss Them For Me||1957||Director||n/a||4|
|Two For the Road||1967||Director||n/a||4|
|Seven Brides For Seven Brothers||1954||Director||n/a||4|
|Blame It on Rio||1984||Director||n/a||4|
|The Pajama Game||1957||Director||n/a||4|
|It's Always Fair Weather||1955||Director||n/a||4|
|Singin' in the Rain||1952||Director||n/a||4|
|On the Town||1948||Director||n/a||4|
|The Grass Is Greener||1960||Producer||n/a||3|
|The 58th Annual Academy Awards Presentation||1985 1984 - 1985||Producer||n/a||3|
|Blame It on Rio||1984||Producer||n/a||3|
|The Little Prince||1973||Producer||n/a||3|
|Once More, With Feeling||1960||Producer||n/a||3|
|Two For the Road||1967||Producer||n/a||3|
|The Pajama Game||1957||Producer||n/a||3|
|Indiscreet||Story By||from film("Indiscreet")||1|
|The Moviemakers: Stanley Donen||1995 1994 - 1995||Photography||still photographs||1|
|Give a Girl a Break||1952||Choreographer||choreography||1|
|It's Always Fair Weather||1955||Choreographer||choreography||1|
|Singin' in the Rain||1952||Choreographer||choreography||1|
|Pretty Woman||1990||Other||film extract("Charade" (1963))||1|
|Bert Rigby, You're a Fool||1989||Other||film extract("Singin' in the Rain")||1|
|Directed Audrey Hepburn in "Funny Face"; film nominated for Palme d'Or at Cannes|
|Helmed the homage to old Hollywood "Movie Movie"|
|Debut as co-director and co-story writer (with Kelly) of "Strictly USA" number in "Take Me Out to the Ball Game"|
|Made Broadway debut as director of ill-fated musical "The Red Shoes"|
|Produced and directed the stylish comedy-mystery "Charade," starring Cary Grant and Audrey Hepburn|
|Received honorary Academy Award for career achievement (March)|
|Film co-directing debut (with Kelly), "On the Town"|
|Co-directed the film classic "Singin' in the Rain" with Kelly|
|Helmed Oscar Best Picture nominated "Seven Brides for Seven Brothers"|
|Worked with Kelly on choreography for "Cover Girl"|
|Solo film directing debut, "Royal Wedding"|
|Broadway debut (as chorus boy) in "Pal Joey," starring Gene Kelly|
|Produced and directed last feature "Blame It on Rio"|
|Directed Audrey Hepburn and Albert Finney in "Two for the Road"|
|Reteamed with Abbott to direct musical "Damn Yankees!"|
|Made TV directorial debut with adaptation of A.R. Gurney's "Love Letters" (ABC)|
|Worked as assistant choreographer (to Kelly) in Broadway musical "Best Foot Forward"|
|First film as producer, "The Pajama Game"; also co-directed with George Abbott|
|Went to Hollywood as assistant choreographer and member of dancing chorus of film version of "Best Foot Forward"|
Born April 13, 1924 in Columbia, SC, Donen struggled to grow up Jewish in a region marked by intolerance for his particular faith. He found refuge at the movies, and fell in love with dancing after viewing one of Fred Astaire's effortless performances. He took tap lessons in his home town and graduated early from high school at 16, whereupon Donen lit out for New York City to make his way in show business. He earned his first Broadway credits as a member of the chorus in 1940's "Pal Joey," starring Gene Kelly. The veteran dancer befriended the younger man and later called on him to assist with the choreography for the play "Best Foot Forward." When Kelly lit out for Hollywood, he brought Donen with him, and the pair began their collaborations in film with the movie version of "Best Foot Forward" (1943). Donen soon began accumulating choreography credits on countless musicals, both with and without Kelly, including "Cover Girl" (1944), "The Kissing Bandit" (1948) with Frank Sinatra, and "Take Me Out to the Ball Game" (1948) with both Kelly and Sinatra. The following year, he and Kelly shared directorial credit on "On the Town" (1949), a sprightly Comden and Green tune fest with Kelly, Sinatra and Jules Munshin as sailors on leave and in love in New York City. The Big Apple locations - the first for a movie musical - and memorable tunes like "New York, New York" made it a box office and critical hit, as well as an Oscar winner for Best Music.
The picture established the Donen-Kelly team as one of the freshest and most innovative in Hollywood, and together, they were responsible for some of the genre's most enduring classics. "Singin' in the Rain" (1952) was perhaps the most iconic of these; an unflaggingly charming take on Hollywood's transition from silent pictures to talkies, it featured what was unquestionably one of the most indelible screen images of all time - the sight of Kelly crooning the title song while dancing through a studio-produced downpour. So great was its impact upon generations of viewers - many of whom were moved to explore dance and musicals after seeing the film - that it was later placed at #5 on the American Film Institute's Top Films of All Time and the top spot on its list of 100 Greatest Musicals.
Had Stanley Donen stopped directing musicals after "Singin' in the Rain," his legacy would have been ensured for time in memoriam, but he continued to work on some of the form's best efforts for the better part of the next decade. He directed Fred Astaire - arguably the greatest of all musical film performers - in two projects. "Royal Wedding" (1951) was his first turn as a solo director, and featured the spectacular "You're All the World to Me" number, which saw Astaire literally dancing up the walls and across the ceiling of a room. It would later serve as the inspiration for countless scenes in other films and television shows, as well as the 1986 music video for Lionel Richie's pop hit "Dancing on the Ceiling," which Donen also directed. Donen also helmed "Funny Face" for Astaire and Audrey Hepburn, which earned him a Golden Palm nomination at the 1957 Cannes Film Festival.
The success of his efforts with Kelly and Astaire made Donen one of the top musical directors of the fifties, with perhaps only Vincente Minnelli ranking above him. As a solo director, he helmed such hits as "Seven Brides for Seven Brothers" (1954) and "The Pajama Game" (1957) with Doris Day. Having firmly established himself as a top director of musicals, he was reluctant to rejoin Kelly in 1955 for "It's Always Fair Weather," and the experience - already tainted by Kelly's disintegrating relationship with MGM - was reportedly an unpleasant one. But "Damn Yankees" (1958), which Donen co-directed with the director of the Broadway production, George Abbott, brought the most active phase of his musical career to a close on a high note, as well as his fourth of five nominations from the Directors Guild of America, which had previously honored him for "Singin' in the Rain," "Seven Brides for Seven Brothers" and "Funny Face."
With the decline of the Hollywood musical in the late 1950s, Donen began making inroads to other genres. He made his first foray into romantic comedies with the delightful "Indiscreet" (1958), which marked the reunion of "Notorious" co-stars Cary Grant and Ingrid Bergman. The film was nominated for Best Picture at both the Golden Globes and BAFTA Film Awards. His next collaboration with Grant - 1960's "The Grass is Always Greener" - was a critical and financial flop, but their third go-round was "Charade" (1962), an engaging and polished thriller marked by Grant's repartee with co-star Audrey Hepburn and a terrific score by Henry Mancini. "Arabesque" (1966) attempted to recreate that film's chemistry with Gregory Peck and Sophia Loren, but not even their star power could elevate the ponderous end result.
Donen reunited with Hepburn for "Two for the Road" (1967), a bittersweet comedy-drama that explored the dissolution of a marriage between two seemingly hopeless romantics (Hepburn and Albert Finney). Told in a non-linear fashion that evoked the arthouse scene of Europe, the film was praised as Donen's boldest non-musical effort. He followed this with "Bedazzled" (1967), a cult favorite built around the then-popular comedy duo of Peter Cook and Dudley Moore. A colorful pop revamp of the Faustian legend, Moore starred as a nebbish short order cook who is granted his every wish - including a bedroom romp with Raquel Welch as the embodiment of lust - by a sardonic Devil (Cook) with a sense of coal-black humor. The film was a sizable hit with college audiences, who appreciated its fractured structure and nose-thumbing attitude towards religion.
"Bedazzled" would prove to be Donen's last successful film. His follow-up, "Staircase" (1969), was a comedy-drama with Richard Burton and Rex Harrison as an aging gay couple. The offbeat casting led Fox to market the film as camp, which resulted in a backlash of negative reviews that lambasted the film as being in bad taste. "The Little Prince" (1974) failed to generate the same sense of wonder as the classic Antoine de Saint-Exupery book on which it was based, despite a score by Lerner and Lowe and the presence of Gene Wilder and Bob Fosse in its cast. "Lucky Lady" (1975) squandered the star power of its leads - Gene Hackman, Burt Reynolds and Liza Minelli - in a moribund dramedy about romance between bootleggers in the 1930s. "Movie Movie" (1978) was the sole standout of the decade for Donen - an amusing send-up of genre pictures from the 1930s by Larry Gelbart, the film's two-movies-in-one structure offered some terrific comic turns from the likes of George C. Scott and Eli Wallach. Sadly, the momentum it generated was squelched by "Saturn 3" (1980), an ill-advised foray into science fiction with Kirk Douglas and a badly miscast Farrah Fawcett as astronauts terrorized by a dubbed Harvey Keitel and his colossal, amorous robot. The film did manage to generate some attention for brief nude scenes by Fawcett, who at the time was still riding high on her post-"Charlie's Angels" (ABC, 1976-1981) popularity.
Donen's final turn in the director's chair for a major motion picture was "Blame It on Rio" (1984), an uncomfortable sex comedy which asked viewers to find Michael Caine's attempts to seduce his daughter's nubile teenage friend (Michelle Johnson) amusing. The abundance of nudity helped to make the film a modest hit, but Donen's heart was clearly not in the picture. He was absent from directing for most of the 1980s, save for a lovely musical number on an episode of "Moonlighting" (ABC, 1985-89) in 1986. Donen also lent his name and legacy to the Academy Awards telecast by serving as producer of the 58th annual ceremony that same year.
In 1993, Donen made his stage musical directing debut with an adaptation of Michael Powell's classic ballet fantasy-drama, "The Red Shoes" (1948), but the production was not a success. He returned behind the camera for the 1999 TV-movie "Love Letters," based on the long-running play by A.R. Gurney, with Steven Weber and Laura Linney as the lovers whose romantic history is played out over the course of several decades' worth of correspondence. As befitting a director of his stature, Donen received his share of lifetime achievement awards in the 1990s, which culminated in an honorary Oscar from the Academy of Motion Picture Arts and Sciences in 1998. His acceptance speech was marked by the charm and grace that he brought to his classic musicals - upon receiving his award, he executed a gentle dance with the trophy while crooning Irving Berlin's "Cheek to Cheek." The moment served as a heart-warming reminder of Donen's legacy, as well as the whimsy and joy he brought to moviegoers throughout his career.
|Adele Beatty||Wife||Married Sept. 23, 1960; Divorced Feb. 18, 1971; Died in 1990|
|Pamela Braden||Wife||Married in 1990; Divorced in 1994|
|Jeanne Coyne||Wife||Met through mutual friend Gene Kelly (Coyne had been Kelly's student and later his assistant in the 1940s); Married April 12, 1948; Divorced May 17, 1951; Coyne later married to Kelly from 1960 until her death in 1973|
|Josh Donen||Son||Born Aug. 10, 1955; mother, Marion Marshall; Produced "The Quick and the Dead" (1995); named senior vice president at William Morris in July 1996|
|Peter Donen||Son||Born Dec. 20, 1953; mother, Marion Marshall; Died Dec. 31, 2003|
|Mark Donen||Son||Born in 1962; mother, Adele O'Connor Beatty|
|Marion Marshall||Wife||Married May 20, 1952; Divorced in 1959|
|Elaine May||Companion||Donen reportedly proposed spring 2000|
|Yvette Mimieux||Wife||Married Nov. 4, 1972; Divorced Jan. 13, 1985|
|Elizabeth Taylor||Companion||Briefly dated 1951|
|"If we remade 'Singin' in the Rain' today, when Gene Kelly sing in the rain I think he'd be looking around to make sure he wasn't going to get mugged." - Donnen quoted in The New York Times, Feb. 9, 1996|
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