A highly popular actress known for her fresh, radiant beauty, Ingrid Bergman was a natural for virtuous roles but equally adept at playing notorious women. Either way, she had few peers when it came t...
|Autumn Sonata (1978)||Actor||Charlotte||1978||1|
|Aimez-Vous Brahms? (1961)||Actor||Paula Tessier||1961||1|
|La Paura (1955)||Actor||Irene Wagner||1955||1|
|Viaggio in Italia (1954)||Actor||Katherine Joyce||1954||1|
|Europa '51 (1954)||Actor||Irene||1954||1|
|Giovanna d'Arco al Rogo (1953)||Actor||Joan of Arc||1953||1|
|Stromboli (1950)||Actor||Karin Bjiorsen||1950||1|
|The Count of the Old Town||Actor||n/a||N/A||1|
|24 Hours in a Woman's Life||Actor||n/a||N/A||1|
|En Enda Natt||Actor||Eva Beckman||N/A||1|
|Under Capricorn||Actor||Lady Henrietta Flusky||N/A||1|
|A Woman Called Golda||Actor||Golda Meir||N/A||1|
|En Kvinnas Ansikte||Actor||Anna Holm||N/A||1|
|The Count of the Monk's Bridge||Actor||n/a||N/A||1|
|Ocean Breakers||Actor||Karin Ingman||N/A||1|
|We the Women||Actor||n/a||N/A||1|
|Hedda Gabler||Actor||Hedda Gabler||N/A||1|
|The Human Voice||Actor||n/a||N/A||1|
|The Bells of St. Mary's (1945)||Actor||Sister Benedict||1945||1|
|Arch of Triumph||Actor||Joan Madou||N/A||1|
|Best of Bogart||Actor||n/a||N/A||1|
|For Whom the Bell Tolls||Actor||Maria||N/A||1|
|On the Sunnyside||Actor||Eva Bergh||N/A||1|
|Rage in Heaven||Actor||Stella Bergen||N/A||1|
|Saratoga Trunk||Actor||Clio Dulaine||N/A||1|
|The Four Companions||Actor||Marianne||N/A||1|
|Siamo donne (1953)||Actor||Herself||1953||1|
|The AFI Lifetime Achievement Awards: Alfred Hitchcock||Actor||Host||N/A||1|
|June Night||Actor||Kerstin Nordback||N/A||1|
|Goodbye Again (1961)||Actor||Paula Tessier||1961||1|
|Spellbound (1945)||Actor||Dr Constance Peterson||1945||1|
|Fear (1955)||Actor||Irene Wagner||1955||1|
|From The Mixed-Up Files of Mrs. Basil E. Frankweiler (1972)||Actor||Mrs Frankweiler||1972||1|
|The Visit (1963)||Actor||Karla Zachanassian||1963||1|
|Adam Had Four Sons (1940)||Actor||n/a||1940||1|
|Joan of Arc (1950)||Actor||n/a||1950||1|
|A Woman Called Golda (1980-1981)||Actor||Golda Meir||N/A||1|
|Elena and Her Men (1955)||Actor||Elana||1955||1|
|Giovanna d'Arco al Rogo (2013)||Actor||Joan of Arc||2013||1|
|Europa '51 (1950)||Actor||Irene Girard||1950||1|
|Autumn Sonata (1978)||Actor||Charlotte||1978||1|
|The Inn of the Sixth Happiness (1958)||Actor||Gladys Aylward||1958||1|
|The Bob Hope Show (04/10/72) (1970-1971)||Actor||n/a||N/A||1|
|Cactus Flower (1969)||Actor||Stephanie Dickinson||1969||1|
|Gaslight (1943)||Actor||Paula Alquist||1943||1|
|Bacall on Bogart (1986-1987)||Actor||n/a||N/A||1|
|Hollywood: The Selznick Years (1967-1968)||Actor||Interviewee||N/A||1|
|Dr. Jekyll and Mr. Hyde (1940)||Actor||n/a||1940||1|
|A Walk in the Spring Rain (1970)||Actor||Libby Meredith||1970||1|
|Casablanca (1942)||Actor||Ilsa Lund||1942||1|
|A Matter of Time (1975)||Actor||Contessa||1975||1|
|Indiscreet (1958)||Actor||Anna Kalman||1958||1|
|Murder on the Orient Express (1973)||Actor||Greta||1973||1|
|Munkbrogreven (2013)||Actor||Elsa Edlund||2013||1|
|Bob Hope Special: Bob Hope's Women I Love -- Beautiful But Funny (1980-1981)||Actor||n/a||N/A||1|
|The Yellow Rolls-Royce (1963)||Actor||Mrs Gerda Millett||1963||1|
|After Jean Renoir's "Elena et les hommes/Paris Does Strange Things" (France, 1955), returned to Hollywood for "Anastasia"|
|In Hollywood; debut in "Intermezzo" (remake of earlier Swedish film (1936) which she also starred in)|
|Senator Edward C. Johnson attacked RKO for exploiting Bergman's behavior in ads for the Italian import "Stromboli" (1950) and denounced her as "a powerful influence for evil" in the US Senate on March 14; he also called for the licensing of filmmakers and|
|US TV debut as Miss Giddens in John Frankenheimer's adaptation of "The Turn of the Screw"|
|Broadway debut in "Liliom" (dir. Gregory Ratoff)|
|Film acting debut in "Munkbrogreven/Count from Munkbro/The Count of the Monk's Bridge"|
|In Europe, first in Hitchcock's "Under Capricorn" (Great Britain), then in six films by husband Roberto Rossellini, beginning with "Stromboli" (1949)|
Selznick promoted Bergman's wholesomeness from the beginning. He loaned her to other studios for "Adam Had Four Sons", "Rage in Heaven" and "Dr. Jekyll and Mr. Hyde" (all 1941). In the latter film, Bergman's insistence on playing the role of the prostitute rather than the good fiancee proved a shrewd move. She then starred with Humphrey Bogart in "Casablanca" (1942), perhaps her most popular film, and was also featured with Gary Cooper in "For Whom the Bell Tolls (1943)". She won her first Oscar for her portrayal of a wife nearly driven mad by Charles Boyer in "Gaslight" (1944).
The following year, Bergman had starring roles as a New Orleans vixen with Cooper in "Saratoga Trunk", a psychiatrist opposite Gregory Peck in Alfred Hitchcock's "Spellbound" and a nun opposite Bing Crosby's priest in "The Bells of St. Mary's". Bergman's last picture under contract to Selznick, and probably her finest work, was Hitchcock's "Notorious" (1946), an emotionally complex espionage film in which she played a woman bent on self-destruction until redeemed by the love of a federal agent, played by Cary Grant.
Bergman then went freelance, first playing a prostitute in "Arch of Triumph" and then the constrasting "Joan of Arc" (both 1948), a role she had played to great acclaim on Broadway in 1946. Her final film for Hitchcock was the 1949 period piece, "Under Capricorn". These last three films, however, failed at the boxoffice and were hardly representative of her finest acting, serving as an unusual harbinger of the turn of the tide to follow.
Bergman's personal and professional life went into a tailspin in 1949 after she left her husband, Dr. Petter Lindstrom, for Italian director Roberto Rossellini, by whom she was pregnant. She married Rossellini, a union which produced three children and six films of varying artistic merit, beginning with "Stromboli" (1949) and achieving its finest moments in "Voyage in Italy" (1953). The international scandal (she was even denounced in Congress) tarnished her innocent image and, extraordinarily, led to her being barred from American films for 7 years.
Bergman's career began to recover with her appearance in Jean Renoir's "Paris Does Strange Things" (1956). She made a triumphant return to Hollywood with "Anastasia" (1956), for which she won her second Oscar, a sign that her sins had been officially forgiven. In 1957, her marriage to Rossellini was annulled and the following year she married theatrical producer Lars Schmidt.
Thereafter, Bergman began branching out into TV and stage roles. The films of this later period of her career were of varying quality, but she gave a delightful performance in the adaptation of the Broadway comedy, "Cactus Flower" (1967). She received a third Academy Award for her supporting role in "Murder on the Orient Express" (1974) and won acclaim for her co-starring role with Liv Ullmann in Ingmar Bergman's "Autumn Sonata" (1978), an intense drama about a pianist and her daughter.
Bergman's health began to fail in the late 1970s, though she fought off cancer long enough to complete a TV-movie, "A Woman Called Golda" (1982), in which she portrayed Israeli Prime Minister Golda Meir. The performance earned her an Emmy, her final honor.
|Ingrid Aborne||Daughter||twin; born on June 18, 1952|
|Robert Capa||Companion||Bergman detailed their relationship in her memoirs|
|Pia Lindstrom||Daughter||born in 1938; father Petter Lindstrom; Bergman lost custody of Pia when she moved to Italy in 1949|
|Petter Lindström||Husband||Married on June 10, 1937; He died at age 93 May 24, 2000 in Sonoma, CA|
|Roberto Rossellini||Husband||He was separated from Anna Magnani when he began relationship with Bergman; Married in May 1950; Separated in 1956|
|Isabella Rossellini||Daughter||Twin; born on June 18, 1952|
|Roberto Rossellini||Son||born in 1950|
|Royal Dramatic Theater School|
This week, Channing Tatum will embark on an epic romance with Amanda Seyfried before going halfway back around the globe to continue his military service. As proven by the following films, you’ll see that a long-distance relationship may work for them afterall. Sounds all pukey-sweet, doesn't it?
From classic movie palaces to the state-of-the-art IMAX screens.