Though primarily a talented stage actress, Tallulah Bankhead appeared in a number of features despite her distaste for Hollywood. In the 1920s and 1930s, Bankhead dazzled theater audiences in London a...
|Die! Die! My Darling!||Actor||Mrs. Trefoile||1|
|The Cheat||Actor||Elsa Carlyle||1|
|The Devil and the Deep||Actor||Pauline Sturm||1|
|My Sin||Actor||Carlotta/Ann Trevor||1|
|A Royal Scandal||Actor||Catherine II the Great||1|
|Tarnished Lady||Actor||Nancy Courtney||1|
|The Boy Who Owned a Melephant||Voice||Narrator||5|
|The Trap||Actor||Bit Part||1|
|His House in Order||Actor||Nina Graham||1|
|Main Street to Broadway||Actor||Guest||1|
|The Daydreamer||Voice||The Sea Witch||12|
|The United States Steel Hour (1952-1962)||Actor||Performer||1952||1|
|Stage Door Canteen||Actor||n/a||1|
|Made cameo appearance in "Make Me a Star"|
|First major stage performance in "Footloose" (date approximate)|
|Acted in "Main Street to Broadway" after an eight-year absence from the screen|
|Appeared in two British films: "His House in Order" and "A Woman's Law"|
|Signed to Paramount contract and returned to US; first film under contract, "Tarnished Lady"|
|Appeared on live TV in the early 1950s on such anthology dramas as "The All-Star Revue" and "The United States Steel Hour"|
|Toured in a revival of the Noel Coward comedy, "Private Lives"|
|Returned to a leading role in films with her part in Alfred Hitchcock's "Lifeboat"|
|Supplied a voice to the animated fantasy film "The Daydreamer"|
|Made a cameo appearance in the all-star WWII fundraising film, "Stage Door Canteen"|
|Last film roles for a decade in "The Devil and the Deep" and "Thunder Below"|
|Won a film-magazine contest at age 15; prize was a trip to NYC where she made her stage acting debut in "Squab Farm"|
|Moved to London where starred as lead in 15 West End stage productions|
|Last acting lead in a feature film, "Die! Die! My Darling!/Fanatic"|
|Was a "special guest villainess" on the campy TV cult classic, "Batman"; portrayed the Black Widow (date approximate)|
|Screen debut in "When Men Betray"|
|Was portrayed by Carrie Nye in the TV-movie "The Scarlett O'Hara War" about the search for an actress to play the leading role in the 1939 film version of "Gone With the Wind"|
Born on Jan. 31, 1902 in Huntsville, AL, Bankhead was the daughter of William Brockman Bankhead, a Democratic member of the House of Representatives and a former Speaker of the House, and Adelaide Bankhead, who died weeks after she was born from blood poisoning - an event that left her father bereft, alcoholic and absent from family life. Meanwhile, she came from a family steeped in national politics: her grandfather, John H. Bankhead, was a U.S. senator for Alabama from 1907-1920; her uncle, John H. Bankhead II, was also the senator from Alabama in 1931-1946; and her cousin, Walter W. Bankhead, was a U.S. representative and a delegate to the Democratic National Convention in 1940. As a child, Bankhead displayed a natural gift for performance, though she also demonstrated a penchant for getting into trouble, which led to her attendance at a number of religious schools, including the Convent of the Holy Cross in Washington, D.C. When she was 15, Bankhead won a film magazine beauty contest and persuaded her family to give their blessings for a move to New York City. While there, she began landing bit parts and made her first appearance with a non-speaking role in the play "The Squab Farm."
Even at such a young age, Bankhead quickly developed a reputation for being a girl-about-town, drinking and carousing while also partaking in illicit drugs like marijuana and cocaine. She also became a member of the famed Algonquin Round Table, a celebrated group of artists who were known for their wisecracking daily luncheons and boasted a membership that included Robert E. Sherwood, Edna Ferber and Dorothy Parker. While continuing to appear on stage, Bankhead made her screen debut in the silent film, "When Men Betray" (1918), and later had her first major stage performance in "Footloose" (1920). She went on to appear in a number of productions on Broadway and also in Baltimore, including "Nice People" (1921), "Sleeping Partners" (1922) and "The Exciters" (1922). Bankhead crossed the Atlantic and began performing in London, wracking up credits like "The Dancers" (1923), "This Marriage" (1924), "The Green Hat" (1925) and "They Knew What They Wanted" (1926), which helped solidify her fame. Her popularity derived in part from her extravagant personality and willingness to sleep with just about anyone, famous or not.
Bankhead spent eight years performing on the London stage, where she became known for delivering quality performances despite mediocre material. She also returned to the screen, appearing in British films like "His House in Order" (1928) and "A Woman's Law" (1928). Following stage turns in "He's Mine" (1929) and "The Lady of the Camellias" (1930), Bankhead made her way to Hollywood and signed a contract with Paramount Pictures, where she made her first major feature, "Tarnished Lady" (1931), directed by George Cukor. Aside from her talents, Bankhead brought along her wild reputation and began throwing anything-goes parties in her rented Hollywood home. In 1932, she participated in a notorious interview with Motion Picture magazine, where she unabashedly detailed her views on her sex life - an embarrassment to her prominent political family. Meanwhile, she failed to gain any career traction with forgettable pictures like "The Cheat" (1931), "Thunder Below" (1932), "The Devil and the Deep" (1932) and "Faithless" (1932). Even though Paramount wanted to renew her contract, Bankhead - who quickly grew to dislike Hollywood - put her film career on hold in favor of returning to Broadway.
During her self-imposed Hollywood exile, Bankhead had a brush with death following an emergency hysterectomy due to contracting gonorrhea. After recuperating at home in Alabama, she returned to New York to perform on stage in "Dark Victory" (1934) and had a disastrous turn in "Antony and Cleopatra" (1937), a role for which she was miscast due to her lack of classical training. Also in 1937, Bankhead married stage actor John Emery - a surprise, given her hedonistic lifestyle and rumors that she engaged in a number of lesbian affairs, including with Greta Garbo, Marlene Dietrich, Billie Holiday and Patsy Kelly. The couple remained married only a few years and divorced in 1941, though they continued to remain on good terms. Meanwhile, she earned critical acclaim for her performances in Lillian Hellman's "The Little Foxes" (1939) and Thornton Wilder's "The Skin of Our Teeth" (1942); during production of the latter, she engaged in a long-running feud with the play's director, Elia Kazan. Over a decade removed from Hollywood, Bankhead made a triumphant return as one of the stars in Alfred Hitchcock's ensemble thriller, "Lifeboat" (1944), playing a sophisticated New York journalist trapped on a drifting lifeboat with other survivors of a Nazi torpedo attack in the North Atlantic. Bankhead's performance as the cynical journalist stood out from the rest of the cast and remained one of her best onscreen moments.
Finding new life on the big screen, Bankhead aptly portrayed the bawdy Catherine the Great in Otto Preminger's romantic comedy, "A Royal Scandal" (1945), but again found herself tiring of Hollywood. She returned to the stage and earned a mint with a touring production of Noel Coward's "Private Lives," which culminated in a successful run on Broadway. Her career began to fade in the early 1950s - a time when she was drinking heavily and consuming pills - though she kept herself in the public eye, including on television, where Bankhead appeared on anthology dramas like "The All-Star Revue" (NBC, 1946-1979) and "The United States Steel Hour" (ABC/NBC, 1945-1953). After publishing her autobiography Tallulah (1952), Bankhead hit a career slide from which she never recovered. Her appetite for drink and pills increased, while the spotlight on her continued to diminish. She was featured as herself in the showbiz comedy "Main Street to Broadway" (1953), while appearing in episodes of "General Electric Theater" (CBS, 1953-1962), "The Lucy-Desi Comedy Hour" (CBS, 1957-1960) and "Batman" (ABC, 1966-68). Her last movie was the cheeky "Die! Die! My Darling" (1965), playing a fanatically religious old woman who turns out to be a murderer. Having long pined for her own death - she had attempted suicide in the past by downing a handful of aspirin - Bankhead's wish was granted on Dec. 12, 1968 after succumbing to double pneumonia. She was 66 years old.
By Shawn Dwyer
|William Bankhead||Father||served as speaker of the US House of Representatives|
|Adelaide Bankhead||Mother||died from blood poisoning after giving birth to Tallulah in 1903|
|Eugenia Bankhead||Sister||survived her|
|Jack Bankhead||Grandfather||served as a US Senator; paternal grandfather|
|Anthony Bosdari||Companion||an Italian count; engaged in 1929|
|John Emery||Husband||Married August 31, 1937; divorced June 13, 1941|
|Fairmont School for Girls|
|Mary Baldwin School|
|Convent of the Holy Cross|
|Some sources list Ms. Bankhead's date of birth as 1903.|
|"I have seen Tallulah electrify the most idiotic, puerile plays into some sort of realistic coherence by her individual force." --novelist Arnold Bennett|
|"Tallulah is the strongest of all the hurt people I've ever known in my life" --Tennessee Williams|
|"Cocaine isn't habit-forming. I should know--I've been using it for years" --Attributed to Bankhead, quoted in "Halliwell's Filmgoer's Companion"|
|When asked "Are you Tallulah Bankhead?" Bankhead is reputed to have answered "What's left of her." (Quoted in Halliwell)|
|"If I had to live my life over again, I would make the same mistakes--only sooner." --quote attributed to Bankhead|
|Named for paternal grandmother, who in turn was named after Tallulah Falls, Georgia.|
From classic movie palaces to the state-of-the-art IMAX screens.