Stars including Kim Kardashian, Suki Waterhouse and Courtney Love have donated clothes to a charity auction.
Reality TV star Kardashian handed over a long-sleeved, black Balenciaga dress from her own wardrobe to online resale store Vestiairecollective.com for its StyleCycle auction, which is made up of 50 pieces from 50 notable names.
Fans can bid on the items of clothing, and the money raised will go towards various charities nominated by the celebrity participants.
Hole rocker Love offered a pink Sarah-Jane dress, Waterhouse donated an Anna Sui blouse, Cara Delevingne handed in a Mulberry bag, and Milla Jovovich donated a dress from her own fashion line.
The auction started on Thursday (06Nov14) and will go on until 14 November (14).
Looks like they won't be "live from New York" any longer. After a difficult, uneven season that saw an influx of new cast members, controversy and the loss of Head Writer and "Weekend Update" host Seth Meyers halfway through the year, Saturday Night Live is by cutting down its slate of featured players down to a more manageable size. Brooks Wheelan announced that he would be leaving Tuesday morning on Twitter (via a joke, natch). Later in the day, it was announced that Noël Wells and John Milhiser also wouldn't return after they failed to make an impression with audiences this year. Those announcements come about a month after Nasim Pedrad, one of the current longest-running cast members, would be leaving to work on Mulaney.
But just because they won't be on SNL any longer, that doesn't mean that it's the last we'll ever see of Wheelan, Wells, Milhiser and Pedrad. There are plenty of people who only lasted a couple of seasons on the show and then went on to become major stars: Sarah Silverman, Damon Wayans, Rob Riggle, and Iron Man himself, Robert Downey Jr., to name just a few. With that in mind, we decided to take a look back at their tenure on SNL in order to best predict what's next for Wheelan, Wells, Milhiser and Pedrad. Although if any one of them is going to wind up playing a superhero, our money's on Heshy.
Brooks Wheelan What’s Next: Wheelan doesn’t have a lot lined up at the moment, though he does have a short film titled Lose Yourself, Save Yourself, where he plays Fighter 2. His Strengths: Possibly because he comes from a standup background rather than a sketch one, Wheelan didn’t create very many memorable characters, and his most significant moments on the show were his two appearances as himself on “Weekend Update,” where he would warn audiences against the dangers of getting terrible tattoos and binge drinking. Where We See Him: Wheelan seems to embody the same kind of “goofy, wisecracking All-American” guy that actors like Jake Johnson or fellow SNL alum Jason Sudeikis trade on. We could easily see him bringing some of the energy to a sitcom where he plays the sarcastic straight guy to a group of off-the-wall characters. Still, his weirdly funny exterminator bit with Ed Norton proves he’s capable of some truly strange characters, and so we could see him playing smaller, supporting roles in films for a while as a variety of strange, obnoxious characters. And of course, there’s always his stand up career to fall back on…
Noël Wells What’s Next: Wells has the TV series Gentleman Lobsters, which is slated for a 2014 premiere. She’s also a photographer in her spare time, and her work has been showcased in exhibitions and been printed in magazines. Her Strengths: Though they were slightly hit and miss – her Nancy Grace was four minutes of eye twitches and catchphrases – Wells made the biggest impact on the show through her impressions, most notably, playing Lena Dunham in the season premiere’s parody of Girls. Where We See Her: Though her talent with impressions and slightly offbeat characters would serve her well on another sketch show, something along the lines of Inside Amy Schumer or Key and Peele, Wells most reminds us of two other early SNL departures: Jenny Slate and Casey Wilson. Like them, Wells has a quirky charm to her that would serve her well in indie films (she actually earned solid reviews for her work in last year’s Forev) and in an ensemble sitcom, where she would be free to play up her weirder side.
John Milhiser What’s Next: Like Wheelan, Milhiser has a short film on his slate, Little Horribles, and he also starred in the indie film Camp Takota, which is available online. His Strengths: Milhiser didn’t get much of a chance to make an impression on audiences, although eh did show off a pitch-perfect Jon Cryer impression during a Family Feud sketch. He did, however, have one highlight during his tenure, a sketch where he and Lady Gaga played “encouraging” stage parents helping their child through a talent show performance, which let him show off his goofier side, and his ability to execute a high kick. Where We See Him: Milhiser strikes us as a Ben Falcone or Nat Faxon-type, someone who pops up in different things all the time, playing characters with varying levels of insanity and oddity. He’s definitely shown that he can play both weird and silly characters, but since he didn’t make that much of an impression, he’ll probably be “that guy from that thing” for a while, until he manages to find the right project to help him break out.
Nasim Pedrad What’s Next: After five years on SNL, Pedrad is leaving in order to play Jane, the roommate of John Mulaney’s character on the FOX sitcom Mulaney. Her Strengths: During her time on the show, Pedrad played a wide variety of characters, including Kim Kardashian, Arianna Huffington, Bedelia, the awkward teenager whose best friend is her mother and Shallon, the world’s most dangerous fifth grader. Though she never made the kind of impression that Kristen Wiig and Kate McKinnon have, she’s become a vital part of the ensemble over the past five years, thanks to her ability to inhabit both the sanest and the oddest human beings. Where We See Her: Hopefully, her role on Mulaney will be exactly what she needs to properly break out, since she never quite managed to on SNL. From there, we could see her following a similar career path to Wiig or Tina Fey, playing both broad comedy and more serious roles in both television in movies. Alternatively, she could become more of a Michaela Watkins/Ana Gasteyer- type, and becoming the go-to actress for slightly odd, scene-stealing characters.
Singer Katy Perry and reality TV star-turned-fashion designer Nicole Richie have thrown their support behind self-help author Marianne Williamson's campaign to run for a seat in the U.S. Congress. The stars joined guests including Kourtney and Kim Kardashian for a political campaign event in Los Angeles on Tuesday night (08Apr14) in support of Williamson's bid to replace Democratic Representative Henry Waxman, who is retiring from his role in California's 33rd Congressional District.
Richie has also recorded a video testimonial for the writer and aspiring politician, declaring, "I support Marianne Williams because I think that America is ready for positivity, strength and enlightenment."
And she isn't the only celebrity to do so - Eva Longoria, Glee star Jane Lynch, and singer Alanis Morissette have also voiced their support for Williamson's race for a seat in America's House of Representatives.
Californians will go to the polls in June (14).
For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
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There are only a few days left until the 2014 Academy Awards, so most of our predictions are solidified by now. But even though Cate Blanchett appears to be a lock for Best Actress and Alfonso Cuaron has the highest odds of winning Best Director, there's still one race that's impossible to guess: Best Supporting Actress. The two candidates who could snag the trophy are Lupita Nyong'o for her work in 12 Years a Slave and Jennifer Lawrence for her performance in American Hustle.
Normally, we could just rely on the previous awards shows to help influence our predictions. Blanchett and Cuaron have both swept their categories, as have Matthew McConaughey and Jared Leto (who we think will take Best Actor and Best Supporting Actor, respectively). But Lawrence and Nyong'o have split the opinions of the various awards organizations, which means the Oscar is still anyone's game. In an attempt to solve this problem once and for all and help you solidify your Oscar pool, we've taken a look back at all of the women who have won Best Supporting Actress in order to see if we could use the winners of yesteryear to determine who will walk home with the trophy on Oscar night.
Major Precursor Awards Won: 2 (for each)Lawrence won both the Golden Globe and the BAFTA for her role as Rosalyn Rosenfeld, while Nyong'o picked up the Critic's Choice Award and the Screen Actor's Guild Award for playing the slave girl Patsey.
Actresses 25 and Under Who Won Best Supporting Actress: 8If Lawrence, who at 23 is the youngest actress to earn 3 Oscar nominations, were to take home the award on Sunday, she would join a list of young winners that includes Tatum O’Neal, Patty Duke, Goldie Hawn, Anna Paquin, Jennifer Hudson, Angelina Jolie, Teresa Wright, and Anne Baxter.
Actresses Between 25 and 30 Who Won Best Supporting Actress: 13At 30, Nyong'o would be in good company as a Best Supporting Actress winner, as Shirley Jones, Mary Steenburgen, Marisa Tomei, Mira Sorvino, Miyoshi Umecki, Gloria Grahame, Kim Hunter, Sandy Dennis, Rita Moreno, Eva Marie Saint, Anne Hathaway, Meryl Streep and Celeste Holm also took home an Oscar around the same age.
Best Supporting Actress Winners Who Won for Their First Performance: 9It's hard to believe that 12 Years a Slave is Nyong'o's first feature film, but she's not the only actress to impress the Academy with her debut perfomance: Katina Paxinou, Mercedes McCambridge, Eva Marie Saint, Jo Van Fleet, Tatum O’Neal, Goldie Hawn, Miyoshi Umecki, Anna Paquin, and Jennifer Hudson all stunned on their first try.
Actresses Who Won Best Supporting Actress After Winning Best Actress: 3 After winning for Silver Lining's Playbook at last year's awards, Lawrence would join an elite club of women who topped their Best Actress win with a Best Supporting Actress trophy. : Helen Hayes, who won Best Actress for her work in The Sin of Madelon Claudet in 1931 and Best Supporting Actress for Airport in 1970, Ingrid Bergman, who took home Best Actress for Gaslight in 1944 and Anastasia in 1956 then won Best Supporting Actress in 1974 for Murder on the Orient Express, and Maggie Smith, who was awarded Best Actress for The Prime of Miss Jean Brodie 1969 and followed it up with Best Supporting Actress for California Suite 1978.
Best Supporting Actress Winners Who Won on Their First Nomination: 51The Best Supporting Actress category has been particularly kind to newcomers, with 51 actresses who have taken home gold on their first nomination (a fact that bodes well for Nyong'o). If she wins, she would be added to the long list that includes Gale Sondergaard, Hattie McDaniel, Jane Darwell, Mary Astor, Katina Paxinou, Ethel Barrymore, Anne Baxter, Celeste Holm, Mercedes McCambridge, Josephine Hull, Kim Hunter, Donna Reed, Eva Marie Saint, Jo Van Fleet, Dorothy Malone, Miyoshi Umecki, Shirley Jones, Rita Moreno, Patty Duke, Margaret Rutherford, Lila Kedrova, Sandy Dennis, Estelle Parsons, Goldie Hawn, Cloris Leachmann, Tatum O’Neal, Beatrice Straight, Mary Steenburgen, Jessica Lange, Linda Hunt, Peggy Ashcroft, Anjelica Huston, Dianne Wiest, Olympia Dukakis, Geena Davis, Brenda Fricker, Mercedes Ruehl, Marisa Tomei, Anna Paquin, Mira Sorvino, Juliette Binoche, Kim Basinger, Angelina Jolie, Marcia Gay Harden, Jennifer Connolly, Catherine Zeta-Jones, Rachel Weisz, Jennifer Hudson, Tilda Swinton, Mo’Nique, and Octavia Spencer.
Actresses Who Have Won Best Supporting Actress for a Comedic Role: 7Although the Academy tends to favor dramatic performances, the Supporting Actor and Actress categories often reward more comedic roles, like Lawrence's. If she wins, she would join the seven other women who laughed their way to an Oscar: Josephine Hull for Harvey, Goldie Hawn for Cactus Flower, Maggie Smith for California Suite, Olympia Dukakis for Moonstruck, Marisa Tomei for My Cousin Vinny, Mira Sorvino for Mighty Aphrodite, and Penelope Cruz for Vicky Cristina Barcelona.
Actresses Who Have Won Best Supporting Actress Winners For Playing Servants: 3Although Nyong'o would be the first Best Supporting Actress winner to win for portraying a slave, three women have previously won for playing servants: Gale Sondergaard, Hattie McDaniel, and Octavia Spencer.
Actresses Who Have Won Best Supporting Actress for Playing the Wife of the Lead: 7Before Rosalyn Rosenfeld came along to "inspire" her husband Iriving, there were countless other wives who played a key role in their husband's stories, and seven actresses won an Oscar for playing them: Mary Astor, Kim Hunter, Gloria Grahame, Jennifer Connolly, Rachel Weisz, Meryl Streep, and Mary Steenburgen.
Black Women Who Have Won Best Supporting Actress: 4If Nyong'o takes home the Oscar on Sunday, she will become only the fifth black woman to win Best Supporting Actress, and just the sixth black woman to win an acting Oscar overall. The previous Best Supporting Actress winners are Hattie McDaniel, Whoopi Goldberg, Mo’Nique, and Octavia Spencer, while Halle Berry is the lone black Best Actress winner.
Actresses Who Have Won Best Supporting Actress for Playing a Character with a New York Accent: 2Whether you love Lawrence's accent in American Hustle or it makes you want to stab yourself in the ears, there's no denying that the New York accent is a tricky one to pull off. Only two women have done it well enough to earn an Oscar: Marisa Tomei as the wise-cracking fianceè of the title character in My Cousin Vinny and Olympia Dukakis as Cher's mother in Moonstruck.
Our Prediction: Lupita Nyong'o Despite being evenly matched, we think that the combination of 12 Years a Slave being Nyong'o's film debut, as well as her first nomination will help swing the votes in her favor, as the Academy has proven that there's nothing it loves more than an impressive breakthrough performance. Plus, she deserves it, and we have to believe that there is some semblance of justice left in this world.
Oprah Winfrey fought back tears as she was honoured at the 22nd annual Women in Entertainment breakfast in Beverly Hills on Wednesday (11Dec13) following a tribute from pal Maria Shriver. Just hours after landing a Screen Actors Guild Award nomination for her performance in The Butler, Oprah was saluted at the Beverly Hills Hotel, where she was presented with the coveted Sherry Lansing Leadership Award, named after the Hollywood mogul.
Lansing took the stage and told audience members, including Demi Lovato, Jane Fonda, Mandy Moore and Kim and Khloe Kardashian, that Winfrey was one of her personal idols, adding, "You conduct your life in a way that has inspired all of us."
But it was Shriver who brought tears to the honouree's eyes by reading a tribute poem she had written for the occasion.
Oprah said, "That beats a eulogy, I gotta tell you... You're still alive to hear it!
"Everybody needs friends like that. I hope you have some."
The Great Gatsby looks set to dominate the third annual Australian Academy of Cinema and Television Arts Awards next month (Jan14) after landing 14 nominations, including Best Film. Aussie director Baz Luhrmann's film failed to live up to expectations when it was released earlier this year (13), but it's still a favourite Down Under.
Luhrmann gets a Best Director nod for the adaptation of the F. Scott Fitzgerald classic, while Leonardo DiCaprio and Carey Mulligan have scored Best Actor and Best Actress nominations, and Joel Edgerton, Elizabeth Debicki and Isla Fisher all scooped mentions in the Best Supporting Actor and actress categories.
Also competing for double-figure awards is director Kim Mordaunt's Laotian-language drama The Rocket, which is Australia's official entry for the 2014 Best Foreign Language Oscar. It picked up 10 AACTA nominations, including a Best Actor nod for leading man Sitthiphon Disamoe.
Also up for the Best Film prize are Satellite Boy, Mystery Road and Dead Europe.
Meanwhile, Jane Campion's acclaimed mini-series Top of the Lake picked up 10 nominations in the TV prize categories.
The AACTA Awards will be handed out in Sydney on 28 January (14).
Lions Gate via Everett Collection
When we last left our heroes, they had conquered all opponents in the 74th Annual Hunger Games, returned home to their newly refurbished living quarters in District 12, and fallen haplessly to the cannibalism of PTSD. And now we're back! Hitching our wagons once again to laconic Katniss Everdeen and her sweet-natured, just-for-the-camera boyfriend Peeta Mellark as they gear up for a second go at the Capitol's killing fields.
But hold your horses — there's a good hour and a half before we step back into the arena. However, the time spent with Katniss and Peeta before the announcement that they'll be competing again for the ceremonial Quarter Quell does not drag. In fact, it's got some of the film franchise's most interesting commentary about celebrity, reality television, and the media so far, well outweighing the merit of The Hunger Games' satire on the subject matter by having Katniss struggle with her responsibilities as Panem's idol. Does she abide by the command of status quo, delighting in the public's applause for her and keeping them complacently saturated with her smiles and curtsies? Or does Katniss hold three fingers high in opposition to the machine into which she has been thrown? It's a quarrel that the real Jennifer Lawrence would handle with a castigation of the media and a joke about sandwiches, or something... but her stakes are, admittedly, much lower. Harvey Weinstein isn't threatening to kill her secret boyfriend.
Through this chapter, Katniss also grapples with a more personal warfare: her devotion to Gale (despite her inability to commit to the idea of love) and her family, her complicated, moralistic affection for Peeta, her remorse over losing Rue, and her agonizing desire to flee the eye of the public and the Capitol. Oftentimes, Katniss' depression and guilty conscience transcends the bounds of sappy. Her soap opera scenes with a soot-covered Gale really push the limits, saved if only by the undeniable grace and charisma of star Lawrence at every step along the way of this film. So it's sappy, but never too sappy.
In fact, Catching Fire is a masterpiece of pushing limits as far as they'll extend before the point of diminishing returns. Director Francis Lawrence maintains an ambiance that lends to emotional investment but never imposes too much realism as to drip into territories of grit. All of Catching Fire lives in a dreamlike state, a stark contrast to Hunger Games' guttural, grimacing quality that robbed it of the life force Suzanne Collins pumped into her first novel.
Once we get to the thunderdome, our engines are effectively revved for the "fun part." Katniss, Peeta, and their array of allies and enemies traverse a nightmare course that seems perfectly suited for a videogame spin-off. At this point, we've spent just enough time with the secondary characters to grow a bit fond of them — deliberately obnoxious Finnick, jarringly provocative Johanna, offbeat geeks Beedee and Wiress — but not quite enough to dissolve the mystery surrounding any of them or their true intentions (which become more and more enigmatic as the film progresses). We only need adhere to Katniss and Peeta once tossed in the pit of doom that is the 75th Hunger Games arena, but finding real characters in the other tributes makes for a far more fun round of extreme manhunt.
But Catching Fire doesn't vie for anything particularly grand. It entertains and engages, having fun with and anchoring weight to its characters and circumstances, but stays within the expected confines of what a Hunger Games movie can be. It's a good one, but without shooting for succinctly interesting or surprising work with Katniss and her relationships or taking a stab at anything but the obvious in terms of sending up the militant tyrannical autocracy, it never even closes in on the possibility of being a great one.
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Nowadays, a modest celeb is almost as rare as a narwhal, especially when they have so many outlets to tweet their greatness to us peons. Flaunting personalized dollar bills or talk about birthing goddesses is just another walk in the park for these big-headed celebs.
Money on my mind #pouritup http://t.co/GhSEC1R7Z6
— Rihanna (@rihanna) October 1, 2013
If you haven’t seen Rihanna’s new video for “Pour It Up,” you’re missing out on her dry humping her throne (not a euphemism, unfortunately) and throwing around money like it’s going out of style. Never mind the fact that it looks like she’s in a knockoff of Motel 6 in the pic she posted, Rihanna wants to remind us of her baller ways. What shutdown?!
Feeling big headed!!! LOL colettestore crfashionbook @karllagerfeld riccardotisci17
Breaking news: Kim Kardashian takes a true-to-life selfie!
The head is crowning. ARTPOP birthing pains #NoEpidural SPREAD 'EM Venus the goddess is coming!
— Lady Gaga (@ladygaga) October 1, 2013
Gaga tweeted this a few days before the cover of ARTPOP was released, and as usual, it left us scratching our heads as to wtf she was going on about. Birthing Venus? Gaga a goddess? Teach us your humble ways, Gaga. Of course, then we saw the cover and we were still left scratching our heads.
I Should Just Stop Tweeting, The Human Consciousness Must Raise Before I Speak My Juvenile Philosophy. Shouts Out To @TIME
— Jaden Smith (@officialjaden) October 5, 2013
I truly wish I could go back and do my undergrad again, just so I can major in Juvenile Philosophy and be advised by Professor Smith. On one hand, it’d be nice if Jaden took his own advice, but if he did, we wouldn’t have gems like this.
Heartbreaker goes out to Oprah Winfrey. Love u girl http://t.co/QkvjzYX5n0
— Justin Bieber (@justinbieber) October 7, 2013
Um, “girl”? How awesome is the visual of Bieber saying “Love u girl” to Oprah?! That’s like saying, “wurd homez @GOD.”
As you prepare to enjoy the 4th of July weekend, SSN gives you a preview of good TV to look out for in the coming weeks.
We hope you tuned in to Showtime last night for the final season premiere of Dexter and the premiere of Ray Donovan. Dexter is back in fine form as his sister Debra has quit the police force and is mentally going off the rails. This is the show’s final season and you should be on the lookout for Charlotte Rampling in upcoming episodes as a neuro-psychiatrist who knows a lot about Dexter even though he doesn’t realize who she is at first.
Ray Donovan stars Liev Schreiber as a very effective Hollywood fixer with personal problems of his own, starting with his ex-con father Mickey (Jon Voight). Ray tries to protect and take care of his family and his two brothers, Bunchy (Dash Mihok) and Terry (Eddie Marsan), but as soon as Mickey shows up in L.A., it all starts to go south. Be sure you make time each Sunday night for Dexter and Ray Donovan.
Upcoming shows we’re looking forward to:
INTERIOR THERAPY WITH JEFF LEWIS SEASON PREMIERE Tuesday – July 9th, 2013 at 9:00pm on Bravo
Reasons To Watch: Say what you will about Jeff Lewis: his OCD makes him extra-particular about everything, his eye for detail sometimes borders on the insane but the man knows how to make a home livable and beautiful. Lewis and his right-hand gal Jenni Poulos are back to help troubled couples and families with home decorating issues that also affect their relationships.
THE BRIDGE SERIES PREMIERE Wednesday – July 10th, 2013 at 10:00pm on FX
Academy Award nominee Demian Bichir (A Better Life) and Diane Kruger star in this new drama from writers Meredith Stiehm (Homeland, Cold Case) and Elwood Reid (Hawaii Five-O, Cold Case). Based on the Danish/Swedish series Bron, which was set on the border of Denmark and Sweden, The Bridge is set on the border between El Paso and Juarez. It centers on two detectives, one from the U.S., Detective Sonya Cross (Kruger), and one from Mexico, Marco Ruiz (Bichir), who must work together to hunt down a serial killer operating on both sides of the U.S.-Mexican border. The Bridge co-stars Ted Levine, Annabeth Gish, and Thomas M. Wright. Gerardo Naranjo (Miss Bala) directed the pilot.
Reasons To Watch: Bichir never gives a bad performance. We loved him as a drug kingpin on Weeds a few seasons ago and we know he’ll be equally compelling as a lawman. We also loved Stiehm’s writing on Homeland, especially the pivotal season one episode “The Weekend.” If The Bridge adheres to the FX drama brand, it will be worth watching.
ORANGE IS THE NEW BLACK SERIES PREMIERE Thursday – July 11th, 2013 at 12:01am on Netflix
Reasons To Watch: Jenji Kohan (Weeds) adapted Piper Kerman’s memoir of an executive’s time in a minimum security women’s prison for drug charges. Kohan excels at writing women in unusual circumstances and combining humor and pathos. We’ve seen the first two episodes and we’re in for the run. Taylor Schilling is cast well as Piper Chapman, the yuppie gal who goes to prison for a crime she committed ten years ago. Jason Biggs plays her loving fiancée Larry, Laura Prepon is a woman from Piper’s past (no spoilers here) and look for Kate Mulgrew in a very different kind of role.
HOLLYWOOD GAME NIGHT SERIES PREMIERE Thursday – July 11th, 2013 at 10:00pm on NBC
Reasons To Watch: Jane Lynch and games! Jane Lynch hosts this fun, light show that has celebrities like Matthew Perry, Lisa Kudrow, Jason Alexander, Josh Gad, Kristin Chenoweth, Martin Short, Allison Hannigan, Kristen Bell, and Daniel Dae Kim teaming up with civilians to compete in party games.
THE NEWSROOM SEASON PREMIERE Sunday – July 14th, 2013 at 10:00pm on HBO
Reasons To Watch: This Aaron-Sorkin-penned drama is far from perfect (don’t get us started on how Sorkin writes female characters) but the combination of fast wordplay and Jeff Daniels make the show worth watching. We also think Thomas Sadowski and John Gallagher Jr. are great and we hope they both get meatier storylines this season. We also hope to see more of Jane Fonda, though we haven’t heard how many episodes she’ll turn up in during this second season.
What will you be watching? Do you have any summer TV favorites? Let us know in the comments.
More: ‘The Newsroom’ Season 2 Trailer Brings the Drama ‘Ray Donovan’ and ‘Dexter’ Nap Killer Ratings for Showtime Netflix Goes to Prison With ‘Orange Is the New Black’
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