The actor braved the cold and took to the waves off the coast of Yorkshire, northern England for his segment of Visit England's national campaign.
The drive is to urge Brits to vacation within the U.K. this year (12) as the country hosts the London Olympics and celebrates Queen Elizabeth II's 60th year on the throne.
Stephen Fry, Julie Walters and Downton Abbey star Michelle Dockery also star in the advert.
James Berresford, VisitEngland's chief executive says, "I am honoured that four national treasures such as Stephen, Julie, Michelle and Rupert are helping us to inspire UK residents to take a break at home in this momentous year! Their involvement is key in creating the highest profile campaign this country has seen in terms of boosting domestic tourism."
Previously on Harry Potter: Big bad Voldemort steals the Elder Wand from Dumbledore's grave while Harry mourns the loss of his wee elf friend Dobby and begins his search for the remaining Horcruxes.
If that recap leaves you with hazy memories of last year's Deathly Hallows - Part 1 you may want to pop in the DVD before taking on the Harry Potter franchise's grand finale Deathly Hallows - Part 2. The eighth film in the series doesn't pull any punches demanding your knowledge of the saga's previous events and crescendoing off a foundation of character and connection built over a decade of cinematic excursions. That's not a fault -- Deathly Hallows - Part 2 serves hardcore fans and dedicated patrons of the franchise alike bouncing elegantly back and forth between explosive action and emotional conclusions. At this point that's what matters.
Whereas Deathly Hallows - Part 1 took Harry Hermione and Ron on a gritty race through the real world Part 2 brings the trio back to their home base Hogwarts School of Magic and Child Death where their colleagues and professors find themselves defending it against the empowered Voldemort and his band of Death Eaters. Similarly to Transformers: Dark of the Moon Deathly Hallows - Part 2 spends most of its run time following various established characters as they navigate the epic battle. Unlike the clunky erratic action of TF3 director David Yates manages to execute the sequences in Potter with bravado making sure we give a damn every time Potter discovers a secret from the past blows a Death Eater out a window or glances upon one of his closest friends lying dead on the floor.
For all its otherworldliness Potter is and always has been a human story one that puts its characters before spectacle. But when Yates and his team of FX wizards do unleash their bag of spells on the screen they do it with a very BIG bang. Deathly Hallows - Part 2's scope is on par with the Lord of the Rings trilogy bringing everything from trolls to spiders to animate statues into the wizards' massive assault. The franchise hasn't seen action on this scale before but Yates never misses a beat or opportunity to dazzle with visual eye candy. Turning the crumbling of Hogwarts castle into a riveting poignant experience -- true magic.
Once again Daniel Radcliffe Emma Watson Rupert Grint and a cast of veteran British thespians deliver the necessary gravitas to anchor Potter's fantastical elements in reality. With everything finally on the line in Deathly Hallows - Part 2 each performance is at its best and Radcliffe steps up to the plate to make his final showdown with Voldemort one to remember. He spends most of the movie covered in dirt encrusted blood on his face and a harrowing sense of death behind his eyes. Heavy material but Radcliffe pulls it off.
Few franchises have the chance that Harry Potter has been fortunate enough to receive to follow the same familiar faces through years of ever-complicating story. Thankfully Deathly Hallows - Part 2 doesn't squander the opportunity. The saga swells with a triumphant final act one that never forgets why people love the movies in the first place. The adventure the awe the comedy the thrills the people the places the things -- those are the elements that make Harry Potter grand and they return in perfect form once more to say good-bye.
The British actress plays motherly Molly Weasley in the wizard franchise and she recently wrapped up work on the final movie - Harry Potter and the Deathly Hallows Part II.
But Walters found herself close to tears during her last day on set as it was hard to part ways with her young co-stars, including Daniel Radcliffe, Emma Watson, and Rupert Grint, having spent more than a decade watching them grow into adults.
Walters tells Britain's Hello! magazine, "It was sad. They were all little tots when we started and now they are great big blokes and girls. I felt very sad on the last day. Being part of such a huge phenomenon was amazing. It has meant that a whole generation of children recognise me now.
"Mind you, they don't always, because I wear a wig and padding in the films, which even Daniel Radcliffe didn't realise. I had to point out to him that it's all birdseed under my dress."
Diary of the Dead is shot through a handheld digital camera as though it is a private home movie. A Winnebago (that great comic device) full of film students heads into the midnight woods of Pennsylvania. The camera introduces us to the film students who un-ironically talk as though they have never seen Return of the Living Dead or Dawn of the Dead or any of the hundreds of zombie movies out there. They have no budget but they have heard that the dead have come back to life and are trying to get "home" to find their families. But no one is alive and they unfortunately have to kill their families (again). Scampering around the Keystone State putting bullets in zombies' heads and exploding one's eyeballs with electric shockers the kids take refuge in a fortified mansion's panic room. All rules have collapsed including the federal government and National Guard which has taken up machine guns and is stealing food from civilians. Casting is not the movie's strong point. Of course it's on par with what is expected--disposable characters with no depth behind their motivations other than good looks and charisma including Michelle Morgan and Shawn Roberts. None of the actors are particularly memorable but are moderately talented in accomplishing what director George Romero tells them to do. One wonders why they aren't more self-conscious about giving soliloquy speeches to a camera with all their friends in the room? Oh well. To see Romero at work is to witness one of the more practiced filmmakers around. His perspective is creative and he gets the audience to pay attention. From his 1968's seminal Night of the Living Dead to his last effort 2005's Land of the Dead Romero has committed his life to telling stories about walking dead people using zombies as a metaphorical tool for the rest of us. Romero's execution is sharp and fluid--and most importantly scary. The first body-munching scenes are as gruesome as they can be. The weakness? Romero's heavy-handed disingenuous ideas about media and technology. They are frankly a little old-codger belonging to someone who fears the benefits of technological breakthroughs. Romero seems to think keeping video diaries can be zombie-like. Curious considering how Romero has made a distinguished career out of base elements of mass media.
As the fifth year at Hogwarts begins most of the wizardry world is having a hard time believing Voldemort (Ralph Fiennes) has returned further propagated by the Ministry of Magic who refuses to recognize anything evil is brewing and blames all the hullabaloo on Harry (Daniel Radcliffe) and Dumbledore (Michael Gambon). The Ministry even interferes with Hogwarts business by making Ministry employee Dolores Umbridge (Imelda Staunton) the new Defense Against the Dark Arts professor whose outwardly sweet demeanor hides a sadistic streak a mile wide. She thinks the children should only learn about the Dark Arts “theoretically” and tortures all those who disagree. But the Voldemort threat is a reality and Dumbledore has re-formed the Order of the Phoenix a group of witches and wizards that prepares to battle the Dark Lord. Harry is unfortunately being kept in the dark for his protection of course even as his connection to Voldemort grows stronger and he’s royally peeved at being ignored. Urged on by Hermione (Emma Watson) and Ron (Rupert Grint) he forms his own order of Hogwarts students called Dumbledore’s Army to teach them what defenses against the Dark Arts he has already learned. Oh yeah Harry also shares his first kiss but make no bones about it—love is the furthest thing on Harry’s mind when the crap hits the fan. War is imminent. Everyone steps up their game in Order of the Phoenix. Radcliffe Watson and Grint have shed their adolescent whininess and aw-shucks goofiness to give their characters the greatest depth so far. They are forced to grow up pretty quickly in Order with little time for any playfulness and the three actors handle the seriousness with aplomb. Of course both Radcliffe and Grint have already ventured out of the Potter world—Radcliffe shed more than just adolescence on stage in a production of Equus while Grint lost his virginity in the indie Driving Lessons--and their extra experience shows in Order. Also good are Matthew Lewis as the usually clumsy Neville Longbottom who shows his mettle in more ways than one and newcomer Evanna Lynch as the slightly off-kilter Luna Lovegood who proves to be a loyal member of Dumbledore’s Army. But the kids have to keep up with the talented adult cast especially Oscar-nominated Staunton (Vera Drake) as Umbridge. The veteran actress’ interpretation of one of J.K. Rowling’s nastiest characters so far in the Potter lore is spot-on down to the pink wool suits and irritating twitter “ahem” she uses when she wants your undivided attention. Helena Bonham Carter also makes an impression however over the top it is as the evil Voldemort follower Bellatrix Lestrange. Does she ever want to look pretty onscreen? Then there’s the laundry list of Brits whose time onscreen may be short but is nonetheless memorable including Alan Rickman as the sneering Prof. Snape; Gambon as the wise but flawed Dumbledore; Gary Oldman as the kindly Sirius Black Harry’s only real family; and of course Fiennes as He-Who-Must-Not-Be-Named. His late-in-the-game appearance once again throws you for a loop. It stands to reason that at five movies in moviegoers would have a favorite Harry Potter flick by now. Those who love those Triwizard Tournament special effects might feel The Goblet of Fire was the best; or Prisoner of Azkaban for its time-bending action. Yet The Order of the Phoenix may be the one movie that speaks directly to the fans of the books. Without as much wide-eyed wonderment or wizardry flash the story is still chockfull of compelling details that are absolutely pivotal to the continuing Harry Potter saga. Screenwriter Michael Goldenberg (Peter Pan) and director David Yates (HBO’s The Girl in the Café) manage to wade through this volume of information and cut successfully to the chase with great effect. Yates who has signed on to do the sixth movie Harry Potter and the Half-Blood Prince even shows an affinity for action in the final dramatic confrontation between good witches and wizards and bad ones. But overall Order of the Phoenix may leave audiences not as well-versed in the novels a little itchy for some good old-fashioned wand-waving and Disney special effects. Thing is it’s just going to keep getting darker and darker for Harry and his crew. The days of happy fun playtime are over.
Poor poor Harry Potter. Orphaned as an infant he's been raised by his beastly aunt and uncle who keep him locked in the room under the stairs and make him serve breakfast. But 11-year-old Harry (Daniel Radcliffe) has always known he was different a fact confirmed in a big way when he's invited to enroll at the Hogwarts School of Witchcraft and Wizardry. Despite his horrid family's protests Harry's whisked off by a giant named Hagrid (Robbie Coltrane) to the magic school where it seems he's something of a celebrity. Turns out his parents were killed by a wicked "fallen wizard " who despite his mighty powers was somehow unable to kill the baby Harry. It will eventually fall to Harry to stop the malevolent sorcerer who still roams the countryside plotting to get hold of a magic stone secreted inside Hogwarts that will give him absolute power. Meanwhile Harry makes some new friends in bossy Hermione (Emma Watson) and affable Ron (Rupert Grint) becomes a star player of Quidditch (like hockey on broomsticks) and defeats a troll rampaging through the girls' bathroom.
Unfortunately Radcliffe brings nothing spectacular to a role that requires it. You don't like him or dislike him; he's a bland Harry who simply reacts (without the sheer amazement you expect from an 11-year-old boy) to the wild and crazy situations he's suddenly immersed in. By contrast Watson carries off her officious Hermione with aplomb and personality as does Grint (who looks startlingly like a young Hayley Mills) as Harry's bumbling loyal buddy. The rest of the enormous cast throw themselves into their we've-seen-these-characters-before roles with gusto: Richard Harris as wise old headmaster Dumbledore Maggie Smith as a prim and proper schoolteacher Tom Felton as Harry's smarmy arrogant rival Draco. Best in show goes to Coltrane as the amiable giant who gets the most screen time of all the adults as he helps Harry along on his journey of discovery. A pageboy'd goth Alan Rickman as sly Professor Snape is good too but underused.
Chris Columbus certainly had his work cut out--remain true to the fanatically revered book or attempt to interpret its magic? As one might expect from the director of Mrs. Doubtfire and Stepmom he took the high road and gives us the book almost word for word (you practically expect Rowling herself to pop on-screen to narrate). It makes for a safely predictable movie but lacks the enchantment of discovery. John Williams' slick grandiose and too-loud score doesn't help either. As it turns out the best special effects are in the not-so-obvious details--pumpkins and candles suspended in the dining hall moving pictures on the walls--rather than the cheesy Cerberus guarding the stone and ghosts like Nearly Headless Nick (John Cleese's cameo) which move about like Disneyland holograms. Even the overlong Quidditch game looks fake-y; the players zoom through a blue sky that might as well be the blue screen. Lots of unanswered questions will remain after you leave the theater: why is Snape such a jerk and how come Harry didn't once use the precious wand he's given except to stab the troll in the nose?
Everyone's been waiting for Harry Potter to arrive on the big screen, and on March 2 he'll finally be there.
Warner Bros. Pictures announced yesterday that the first-ever sneak peak of "Harry Potter and the Sorcerer's Stone" will be made available to media outlets via satellite tomorrow, and will hit theaters on Friday when "See Spot Run" opens nationwide.
"Harry Potter" began shooting last September and recently wrapped a few days ahead of schedule. Slated for release in November of this year, the movie stars newcomer Daniel Radcliffe as Harry Potter, Emma Watson as his friend Hermione Granger and Rupert Grint as pal Ron Weasley. John Cleese makes a semi-appearance, playing the ghoulish Nick the Nearly Headless Horseman, and Oscar nominee Julie Walters plays Mrs. Weasley.
Warner Brothers has optioned the rights to the first four books in J. K. Rowling's "Harry Potter" series, which includes "Harry Potter and the Chamber of Secrets," "Harry Potter and the Prisoner of Azkaban," and "Harry Potter and the Goblet of Fire." The books have been tremendously successful, and have made the author, J.K. Rowling, the best-selling female writer in history.