In just about every one of Kevin Hart's scenes in Ride Along, there's a joke that is just aching to find its way out of the diminutive, rascally comic actor. Hart is a small-scale physical comedian — of the same ilk as Jack Black — who puts nuclear-degree energy into his facial contortions, anatomical outbursts, and the delivery of every gag in general. If only he had material that was crafted with the same energy.
Unfortunately, nothing else about Ride Along seems at all "hard at work." Not the script, which pads a lifeless story with lazy comedy, and certainly not his screen partner Ice Cube, whose only stage direction seems to be "frown, and be taller than Kevin Hart." So lifeless is Ice Cube that even his machismo-obsessed straight man bit doesn't really work. Instead of the virile and intimidating "bad cop," he comes off as a disapproving middle aged dad without much to show for his own life.
But the script pairs the wily, overzealous high school security guard and video game junkie Ben (Hart) with no-nonsense lawman James (Ice Cube) on the titular ride along, with the scrappy cop-wannabe hoping to prove to the force veteran that he's good enough to marry the latter's younger sister. In earnest, he's not. Ben never puts any respectable effort into learning the tools of the trade, insisting on employing his amateur style and controlling the radio despite his proclamations that he wants, and deserves, James' trust. And James is no saint either — he's irresponsible on crime scenes, violent with perps, and disgruntled to the point of being unable to work with anybody else on the force. These are not good police officers... of course, you'll say, this is a comedy. But where are the laughs, then?
They're not absent entirely, you just have to look for them. In a movie so focused with big, broad humor, it's the smaller comedy that actually lands best. Hart's background mutterings and fumblings, his emoticon-laden texts to girlfriend Angela (Tika Sumpter, whose only stage direction seems to be "smile, and never wear a full outfit of clothing"), and a bizarre repetition of the word "weird" from supporting player John Leguizamo. All good for unexpected chuckles, while jokes like Hart facing off with a pre-teen or being blown backwards into a brick wall after firing a large gun are all lazy, familiar, and flat.
Structurally, the script is a mess. Ride Along spends far too much time on set up — we get it, Hart and his soon-to-be-brother-in-law Ice Cube don't get along — and far too much time on wrap-up — there's a gigantic, dramatic warehouse shootout that, in any other movie, would be the climax, but there's plenty more to go after that — without any cohesive middle to make the movie feel like... a movie.
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Hart, who leaps at every comic opportunity like a kangaroo (wallaby would be more appropriate), is suited just right for a buddy cop comedy, but he needs something fresh with which to work — a real character, an interesting story, actually funny jokes. Even just one of these would be fine!
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Besides the elbow-rubbing and power mongering, let's not forget that the Sundance Film Festival is also about the films.
With that in mind, the annual indie film fest announced today its partial list of films for the 2001 powwow.
The lineup for three categories -- dramas, documentaries and the American Spectrum -- have thus far been announced, and other areas such as premiere, international films and short films will be announced Wednesday.
Films at the festival only compete in the dramatic and documentary categories. Top films coming out of Sundance in previous years include Ed Burns' "The Brothers McMullen" and last year's "Girlfight" from director Karyn Kusama.
The Sundance Film Festival takes place Jan. 18-28 in Park City, Utah.
In the meantime, here's the complete list of Sundance films in competition and in the American Spectrum.
"30 Years to Life," directed by Vanessa Middleton "American Astronaut," directed by Cory McAbee "The Believer," directed by Henry Bean "The Business of Strangers," directed by Patrick Stettner "The Deep End," directed by Scott McGehee & David Siegel "Donnie Darko," directed by Richard Kelly "Green Dragon," directed by Timothy Linh Bui "Hedwig and the Angry Inch," directed by John Cameron Mitchell "In the Bedroom," directed by Todd Field "L.I.E.," directed by Michael Cuesta "Lift," directed by DeMane Davis & Khari Streeter "MacArthur Park," directed by Billy Wirth "Memento," directed by Christopher Nolan "Scotland, PA," directed by Billy Morrissette "The Sleepy Time Gal," directed by Christopher Munch "Some Body," directed by Henry Barrial
"Chain Camera," directed by Kirby Dick "Children Underground," directed by Edet Belzberg "Dogtown and the Z-Boys," directed by Stacy Peralta "The Endurance: Shackleton's Legendary Antarctic," directed by George Butler "Go Tigers!" directed by Kenneth A. Carlson "Home Movie," directed by Chris Smith "Lalee's Kin: The Legacy of Cotton," directed by Susan Froemke, Deborah Dickson with "Albert Maysles Marcus Garvey: Look for Me in the Whirlwind," directed by Stanley Nelson "The Natural History of the Chicken," directed by Mark Lewis "Ralph Bunche: An American Odyssey," directed by William Greaves "Scout's Honor," directed by Tom Shepard "Scratch," directed by Doug Pray "Southern Comfort," directed by Kate Davis "Startup.com," directed by Chris Hegedus & Jehane Noujaim "Trembling Before G-D," directed by Sandi Simcha Dubowski "An Unfinished Symphony," directed by Bestor Cram & Mike Majoro
"Acts of Worship," directed by Rosemary Rodriguez "After Image," directed by Robert Manganelli "Dancing in September," directed by Reggie Rock Bythewood "Diary of a City Priest," directed by Eugene Martin "The Doe Boy," directed by Randy Redroad "Haiku Tunnel," directed by Jacob Kornbluth & Josh Kornbluth "Invisible Revolution," directed by Beverly Peterson "Jump Tomorrow," directed by Joel Hopkins "Manic," directed by Jordan Melamed "Margarita Happy Hour," directed by Ilya Chaiken "Miss Wonton," directed by Meng Ong "Raw Deal: A Question of Consent," directed by Billy Corben "Roof to Roof," directed by Ara Corbett "Women in Film," directed by Bruce Wagner "Tape," directed by Richard Linklater "Wet Hot American Summer," directed by David Wain.