Stop me if you've heard this one before: Rich spoiled rebellious teen gets sent to her eccentric grandmother’s home in a small town when said teenager’s own mother can’t take it anymore. Said mother is also estranged from said grandmother while deep dark family secrets are exposed and life lessons learned. There isn’t much else to Georgia Rule save for the fact that irresponsible teen Rachel (Lindsay Lohan) uses sex as a way to connect with any man she meets; prim proper—and raging alcoholic—mom Lilly (Felicity Huffman) has made a career out of staying away from the place she grew up God knows why; and matriarch Georgia (Jane Fonda) forces everyone around her to adhere to her own set of steadfast rules—dinner at six no drinking in the house no taking the Lord’s name in vain—as a way to control life. She also wears pretty hip clothes for a granny. Yes this is the movie in which the producer gave Lindsay Lohan a very public slap on the wrist for partying too much and being continually late to the set. But here’s a thought: Maybe Lohan just took the Method style of acting a little too far. I mean she IS supposed to be reckless sexually promiscuous and wild childish as Rachel so maybe Lohan stayed in character even when the camera turned off? Yeah right. To be fair Lohan does a nice job in Georgia Rule realistically portraying the troubled teen Lolita who lashes out in ways teenagers in her predicament often do. Huffman and Fonda are also in top form especially Huffman who goes through the most emotional range as the deeply wounded Lilly. Problem is we aren’t quite sure why she’s such a mess since Georgia doesn’t seem to be that horrible of a mother. Nevertheless Huffman is spot on. As is Fonda whose scenes with Huffman give the film added credibility. In a nice supporting turn Dermot Mulroney plays the town’s veterinarian/doctor who was Lilly’s one-time flame but now has to bat away the seductive Rachel. It’s kind of uncomfortable at times. With director Garry Marshall’s name attached expect the sap to pour freely. It’s just the type of stuff he likes to direct made apparent by his previous efforts such as everything from old standards Pretty Woman and Beaches to the sugary The Princess Diaries. It also doesn’t help that Georgia is written by another schmaltz-producer Mark Andrus (Divine Secrets of the Ya-Ya Sisterhood Life As a House). But with Georgia they both tackle some pretty serious family issues along with an R rating (the f-word is thrown around quite a bit) which allows the film to sometimes rise above its over-the-top sentimentality and made-for-TV sensibilities. And according to actors who have worked with Marshall he really doesn’t direct a film as much as hosts one so it does indeed look like the actors are having some fun. I just wonder what an old timer like Marshall--who has made careers for actresses such as Julia Roberts and Anne Hathaway—might have said to young Lindsay for holding up his production because he doesn’t look like someone who tolerates such behavior. Ah to be a fly on the wall...
Helen Harris (Kate Hudson) is the quintessential Sex and the City single gal with a fabulous job at a top modeling agency and a swingin' social life. But her carefree lifestyle comes to a screeching halt when her beloved oldest sister Lindsay (Felicity Huffman) and brother-in-law are killed in a car accident and Helen is suddenly named the legal guardian to her sister's three kids--Audrey (Hayden Panettiere) 15; Henry (Spencer Breslin) 10 and Sarah (Abigail Breslin) 5. Sure Helen is great at being the coolest aunt in New York but as a mom? A whole different story. Coupled with this is the fact her other sister Jenny (Joan Cusack) a supermom in her own right is completely flabbergasted Lindsay did not choose her as legal guardian and takes every opportunity to tell Helen she isn't cut out for mommy-hood. Still Helen is determined to at least try to adhere to her late sister's wishes and finds a little help along the way with Dan Parker (John Corbett) the handsome young pastor and principal of the kids' new school. But it's tough for the party girl to ditch her old ways--even for the new loves of her life.
Even if her choices have been suspect of late (Alex & Emma? Bad idea Kate) Hudson does have a certain joie de vivre that radiates on screen and makes even the most cornball script palatable. Even if Raising Helen falls into the predictable Hudson's Helen never does; all her emotions are veritable and heartfelt especially when she's dealing with the kids. The young actors also do an excellent job adding to the film's emotions. Panettiere all grown up from child roles in Joe Somebody and HBO's Normal does a nice job as a teen struggling with the loss of her parents as well as raging hormones while the Breslin siblings Spencer (The Cat in the Hat) and his younger sister Abigail (Signs) handle the tear-jerking scenes with aplomb especially Abigail. It doesn't matter what frame of mind you're in watching a little girl cry over the fact she can't tie her shoes because her mother isn't around to teach her is gonna get you every single time. Cusack inhabits yet another uptight role in a string of uptight roles (School of Rock; In & Out) but she does it so well you can't blame her. Same goes for Corbett. He continues to play the same adorable sexy man he's played countless times before (Sex and the City My Big Fat Greek Wedding) and we don't mind if they just keep letting him.
Labeled a "heartwarming comedy" from director Garry Marshall some may be hard pressed to find any comedy in Raising Helen. Grief-stricken children; rebellious self-destructive teenagers; feuding sisters not to mention death--oh yeah this film is hilarious. At least the heartwarming part is true-- a technique Marshall has mastered having directed all-out hankie producers such as Beaches and romantic comedies such as Pretty Woman and The Princess Diaries. The director certainly isn't afraid to show feelings as he brings out more than a few genuine emotions in Raising Helen especially between Helen and the kids. In one particularly honest moment teen Audrey has gotten herself into a bit of trouble and while Helen wants to be the parent should be the parent she just cannot find a way to reprimand the girl leaving the duties to the tough-as-nails Jenny. It's definitely a scene that hits home. Yet for all the truthfulness Raising Helen still has an overabundant amount of schmaltz--laying it on thick too many times and leaving very little surprises on how things are going to turn out.
Slackers stars Devon Sawa as Dave a lazy college bum who along with his two cronies Sam (Jason Segel) and Jeff (Michael Maronna) cheats his way through school in a variety of schemes that involve elaborate ways of getting advance peeks at test questions and then paying the smart nerdy kids to provide the correct answers. (Methinks it would be far easier for them to just do the work themselves.) While stealing the midterm test from a physics class Dave meets a pretty girl Angela (James King) and asks her out. It turns out to be a big mistake because Angela has previously attracted the attentions of Cool Ethan (Jason Schwartzman) a psychotic geek who is stalking poor Angela without her knowledge. Happening upon a document that will expose Dave's misdeeds Ethan blackmails Dave and his gang--in return for not incriminating them they must work their magic and get Ethan the necessary information to win the heart of unsuspecting Angela.
Ethan is clearly the film's antagonist and Schwartzman's (who was brilliant in Rushmore) fearlessly repellent performance is as insanely funny as it is completely disturbing. (It's also the one true thing that sets Slackers apart from complete anonymity.) There's no sweet side to this guy that Angela might fall for if she only got to know him. Schwartzman's Ethan is abrasive aggressive unrelenting hyperactive socially inept and full of ill-advised impulses he never filters. Meanwhile Sawa and King come off as a bland cut-and-paste Ken and Barbie who never set the screen on fire. Aside from the sock puppet gag bit Maronna and Segel are wasted as Sawa's slavishly devoted friends. Laura Prepon (TV's That '70s Show) tantalizes us as King's lascivious roommate but we just don't get to see enough of her fine performance.
There's little wittiness found in Dewey Nicks' direction or in the writing though there are a handful of moments that rise above the film's generally uninspired technique. Nicks effectively rips off Spike Lee's floating camera movement in a scene where Dave walks through an operatic graduation celebration and the alternate reality sequences (Cool Ethan's kissing threesome; Jeff's sock puppet; the cheaters imagining themselves as superheroes rap stars and Peter Pan) are genuinely funny and almost innovative. Nicks almost inserts enough of this to make Slackers more than just your routine gross-out romp rife with weird sex masturbation and toilet humor--but just almost. Ultimately in Nicks' hands the movie never rises above its pedestrian plot and dialogue.
January 11, 2002 11:05am EST
Shaun Brumder (Colin Hanks) is sitting on the beach pondering the mysteries of life after losing his surfing buddy to a tsunami when he finds a copy of Marcus Skinner's novel Straitjacket buried in the sand. The book by a mythical Kerouac-type author who teaches at Stanford University profoundly influences Shaun who in turn decides he will become a writer. But Shaun's dreams of attending Stanford and studying under the guidance of his new mentor get squashed when a scatterbrained guidance counselor sends the wrong transcripts to the university. With the help of his peace-loving girlfriend Ashley (Schuyler Fisk) and his junkie brother Lance (Jack Black) the trio sets off to Stanford to convince school officials to reconsider his application before the deadline the following day. After a series of catastrophes Shaun becomes convinced that his dysfunctional family is conspiring to keep him in Orange County.
Colin Hanks (Get Over It not to mention Tom Hank's son) is the film's protagonist Shaun Brumder. He and his on-screen sweetheart played by Schuyler Fisk (Snow Day not to mention Sissy Spacek's daughter) bring quality to a good script suffering from shaky direction. The two interact quite naturally and make a pretty sweet couple. Jack Black (Shallow Hal) is hysterical and not just when he is standing around half-naked and dirty. Some of the funniest scenes are when Black's character Lance tries to be serious and stoned at the same time. Catherine O'Hara (Best in Show) plays Shaun's boozy mother without going over the top and John Lithgow (Third Rock from the Sun) is equally convincing as his rich father now married to someone half his age. There are several notable cameo appearances from actors including Lily Tomlin Ben Stiller Kevin Kline and Chevy Chase but they do not bring anything unique to their performances.
Orange County is directed by Jake Kasdan (Zero Effect) who more recently directed episodes of teen TV series Freaks and Geeks Undeclared and Grosse Pointe--and it shows. While the script is hilarious and the acting above par the pacing is a bit uneven. The film jumps from really gross shots of Black prancing around in his skanky underpants to sentimentalized family issues that are a little too real to be funny. Then we are subject to scenes of Shaun's wheelchair-bound stepfather rolling out onto the street and getting hit by a car being the target of falling objects or crying out in pain because no one remembers to give him his medication. When did the blatant neglect of invalids become funny? Unfortunately these elements did not come together very well. Of course Kasdan does not resist the temptation of subjecting us to a dreaded college frat party scene involving flaky teenage girls and pompous college boys that with the help of Monica Keena (Undeclared) almost felt like a sitcom.