The hit U.S. comedy, about a high school show choir, boasts a huge list of celebrity fans, and A-list stars including Jennifer Lopez and Britney Spears have been confirmed for roles in future episodes.
Glee creator Ryan Murphy recently directed Roberts in her new movie Eat Pray Love - but she is adamant he'll never persuade her to sing on the show.
She tells Reuters, "(Actor) Billy Crudup and I were in a Woody Allen musical a couple of years ago and so he said, 'Oh, you're a great singer,' and my husband said, 'You are a great singer.' So, now I'm going to say I am a great singer, (but) I'm not just going on Glee."
Some comedies fail because of poor execution their humor somehow lost in the transition from script to screen. Others like the Jennifer Aniston/Gerard Butler rom-com The Bounty Hunter are doomed from the outset lacking even the potential to be funny even in the best of circumstances. If you substituted Cary Grant and Katharine Hepburn in the lead roles and screened the film in a theater pumped full of nitrous oxide you would still hear nary a laugh emitted from the audience.
Continuing his tragic post-300 freefall Butler plays Milo a scruffy irascible cop-turned-bounty hunter with a pile of debt and a mounting drinking problem. The source of his troubles we learn is his pugnacious ex-wife Nicole (Aniston) a hot-shot investigative journalist who walked out on him a little less than a year ago. On the trail of a potentially explosive news story career-obsessed Nicole unwisely opts to skip a bail hearing relating to her accidental injuring of a police horse some months prior. When the fed-up judge declares her a fugitive a still-resentful Milo is only too happy to bring her to justice. Nicole unsurprisingly refuses to go quietly.
Aniston and Butler are both charismatic enough to form a decent screwball rapport (though Butler increasingly speaks as if his mouth is stuffed with peanut butter) but neither possesses the comic chops necessary to extract lemonade from the rancid lemons of The Bounty Hunter’s lifeless script which might as well have been sketched on a bar napkin the night before the shoot for all its imagination. Not helping matters is veteran rom-com director Andy Tennant (Fool’s Gold Hitch) whose most significant contribution is a handful of wacky chase sequences borrowed straight from Benny Hill (They leave one side of the screen then return on the other! Whoa!) set to the nu-metal equivalent of Yakety Sax.
This appallingly unfunny rom-com is a crime against comedy. Lock it up and throw away the key.
The show, set in a U.S. high school, has already attracted notable cameo appearances from Jennifer Lopez and Josh Groban, while Lady Gaga and Madonna have both given permission for their most famous tracks to be used in the routines.
And after working with Pretty Woman star Roberts on her new film, Glee creator Ryan Murphy is hoping she will join the cast of the hit TV programme.
He says, ""I just finished a movie with Julia, Eat, Pray, Love. She saw the rough cuts and fell in love with the show. I don't know if Julia's gonna do it, maybe. But she loves the show."
The Poker Face hitmaker has signed up to join the cast of the all-singing-all-dancing series following a request from show bosses.
Glee creator Ryan Murphy says, "We reached out to Lady Gaga and she said, 'Yes, I'd love to be a part of it.' So we will be doing Lady Gaga this season."
Murphy has also praised Madonna for giving him permission to use 10 of her songs in an upcoming tribute episode to the Material Girl, insisting she "cooperated in every way possible."
Other stars who have made cameos in the show include Jennifer Lopez and Josh Groban.
Nimrod Antal is something of an anti-M. Night Shyamalan: a determinedly straightforward director who assiduously avoids "ah-ha!" plot twists and narrative bait-and-switches. And while that strategy proved refreshing in his previous film the 2007 horror flick Vacancy it severely undermines his latest effort the bland lightweight heist flick Armored.
Heist flicks are supposed to be complicated. That’s what makes them heist flicks — typically they involve some brilliantly detailed scheme that gradually unravels in exciting and unexpected ways. (For copious examples check out our list of the top ten heist flicks.) Armored’s slender running time generously pegged at 88 minutes tells you just about all you need to know about how inanely uncomplicated this film is.
Columbus Short stars as Ty a decorated Iraq war veteran whose new job at an armored transport company doesn’t pay nearly enough to cover his mortgage or feed his little brother. So when a group of his workplace cronies led by his godfather Mike (Matt Dillon) approach him with a plan to stage a fake hold-up and keep the contents of a high-priority bank shipment for themselves — something that surely no GED-bearing employee of a security firm has ever pondered before — he grudgingly agrees to join them.
The first wrinkle in their supposedly foolproof plan arrives quickly enough when Baines (Laurence Fishburne) a trigger-happy drunk inexplicably brought in on the scheme blows away a homeless guy who unwittingly witnesses their shenanigans. (Because incoherent vagrants always provide reliable testimony.) That’s enough to prompt good-hearted Ty to opt out of the botched heist — a non-starter for the rest of his crew obviously — and the remainder of Armored is devoted to his efforts at evading capture and alerting the cops.
And that’s it -- no unexpected twists no extended “this is how I did it” montages no revealing flashbacks no serpentine subplots. Imagine Reservoir Dogs re-cut as a completely linear film then stripped of its snappy dialogue innovative shot design and compelling characters. In fact the only thing Armored has in common with Tarantino’s flick is a cop with a bloody stomach wound — and even that’s disappointing.
A string of Hollywood heavyweights are lining up behind the project, which will be directed by Dreamgirls' Bill Condon and produced by Adam Sandler, Chris Rock and Pryor's widow Jennifer.
Condon is currently in negotiations with Columbia Pictures and Sandler's Happy Madison company and hopes production on Richard Pryor: Is It Something I Said? can begin next spring (10) with a budget of $20 million (£13 million), according to Daily Variety.
If the deal is done, it will conclude a long battle for Condon, whose plans to cast Eddie Murphy in the lead role collapsed when a number of studios rejected the stars' pay demands.
Pryor died in 2005 from a cardiac arrest at the age of 65.
WHAT IT’S ABOUT?
With so many flicks in the dance genre from classics like Flashdance and Fame to more recent entries like Step Up Save the Last Dance and Stomp the Yard as well as numerous popular TV dance competitions the Wayans Brothers are right in thinking there’s material ripe for riffing here. So in Dance Flick we get a young street dancer Thomas Uncles (get it?) who meets a gorgeous white chick named Megan White (get it?) and they team up for the ultimate in dance-offs as they become part of a “crew” that battles the baddies to take the title and repay Thomas’ debt to Sugar Bear an enormous loan shark and drug lord.
WHO’S IN IT?
In the lead roles of Thomas and Megan Damon Wayans Jr. and Shoshana Bush are naturals in the comedy department — if not exactly convincing as dance champs. Most of Dance Flick’s laughs come courtesy of the supporting players particularly Essence Atkins as Megan’s confidante and Amy Sedaris (TV’s Strangers With Candy) as a teacher who likes to verbally torment her students while wearing extremely tight and revealing pants. The rest of the film is swarming with stereotypes including Brennan Hillard doing a gay take-off on Zac Efron’s High School Musical character (including a swishy production number to the tune of Fame); Chelsea Makela as the compact and chubby Tracy Transfat (lifted directly from Hairspray’s energetic teenage lead) and Affion Crockett as A-Con a guy who aspires to be a criminal when he’s not getting all jiggy. Then of course there is the bitchy adversary for Megan played to the hilt by Christina Murphy. Best of all is the imposing Sugar Bear played by In Living Color vet David Alan Grier in a 400-pound fat suit who first does a send-up of Jennifer Hudson’s showstopping number from Dreamgirls “And I Am Telling You ” then later tops that with a killer spotlight dance in the big competition sequence. In addition to Damon Jr. we counted nine additional Wayans in various cameos.
The actual dance numbers including the big two that bookend the film are hilarious over-the-top and cleverly choreographed for ultimate comedic impact. The special effects and stunt teams clearly worked overtime on some of these moves. Sporadic moments of witty invention come along in between those set pieces but the jokes are stale and uninspired for the most part.
Clearly director Damien Wayans and his all-Wayans writing and producing team (Keenan Ivory Marlon Shawn and Craig) cracked themselves up when creating these gags but the hit-to-miss ratio is about to two-to-one on the negative side. And by the time the endlessly padded slow-motion end credits roll after just 75 minutes of this stuff the spoof has completely run out of gas resorting to lame gags about non-dance flicks like Twilight and the Samuel L. Jackson flop Black Snake Moan.
BEST SUPPORTING WAYANS?
Hands-down the small comic gems that work best all belong to Shawn Wayans as Baby Daddy who is easily the worst father in cinema history. His bits rock.
NETFLIX OR MULTIPLEX?
Netflix. Rent it and fast forward through the really REALLY dumb stuff to get to the really dumb stuff quicker.
Like Love Actually and any number of other ensemble romantic comedies in which we watch a starry cast navigate their way through the treacherous world of romantic relationships He's Just Not That Into You -- based on the Sex and the City catch-phrase and very loosely on the resulting self-help book of the same name -- focuses on a select group of twenty- and thirtysomethings who find love is just not easy to find and hang on to in the Internet age. Here’s the scorecard: Neil (Ben Affleck) loves his seven year live-in girlfriend Beth (Jennifer Aniston) just not enough to marry her; while Beth (Jennifer Connelly) forced marriage on Ben (Bradley Cooper) before he was ready and now he’s seriously flirting with seductress. Anna (Scarlett Johansson) who’s kinda bored with her occasional sex partner Conor (Entourage’s Kevin Connolly) who would love to get her to take him seriously. Then there’s sweet likeable and lovelorn Gigi (Ginnifer Goodwin) who hasn’t had the best of luck with men and takes advice from restaurant manager Alex (Justin Long) who constantly gives his perspective of the harsh realities of dating. Finally there’s good-natured Mary (Drew Barrymore) a newspaper ad sales exec who uses any number of new technologies to meet a man -- usually via her computer. The well-chosen cast is strong and likeable making the experience of seeing this overlong (at 129 minutes) romantic trifle enjoyable and fun. It’s great to see Connelly trying something lighter these days and as a wife whose marriage is slipping away she manages to be alternately funny and touching. Aniston scores in the teary scene department as a perpetual bridesmaid involved with a marriage-shy guy nicely underplayed by Affleck. Cooper is wryly funny in his wandering hubby role and Long’s romantic advice is dished out with sardonic style and wit. But it’s Goodwin who carries much of the load here and she’s endearing in her own way. Ken Kwapis knows his way around chick flicks having directed Sisterhood of the Traveling Pants among others and he shows he’s up to the challenge presented by the multi-character storyline – though at times it seems like he’s playing traffic cop just keeping the various parts merging into a whole that makes dramatic sense. None of it is earth-shatteringly original but as a date movie there’s more than enough to satisfy the girls -- and the guys.
Will Smith has been crowned the highest earning actor in Hollywood, with a fortune of $80 million.
The Hancock star came first in the Forbes ranking to find the best paid actor of last year.
Cameron Diaz was Hollywood's highest earning actress with a fortune of $50 million, with Keira Knightley and Jennifer Aniston in second and third place with $32 million and $27 million, respectively.
Coming in behind Smith was Pirates of the Caribbean star Johnny Depp, who got paid a whopping $72 million.
The top five paid actors from June 2007 to June 2008 were rounded out by Eddie Murphy and Mike Myers, who took home $55 million each, and Leonardo DiCaprio, who pulled in $45 million.
The full list of Hollywood stars' paychecks are as follows:
1. Will Smith - $80 million
2. Johnny Depp - $72 million
3. Eddie Murphy - $55 million
3. Mike Myers - $55 million
5. Leonardo DiCaprio - $45 million
6. Bruce Willis - $41 million
7. Ben Stiller - $40 million
8. Nicolas Cage - $31 million
9. Will Ferrell - $31 million
10. Adam Sandler - $30 million
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