February 22, 2002 11:20am EST
The film begins with three ten-year-old girls burying a decorative wooden box in the woods while making a pact to remain lifelong friends. They also vow that upon their high school graduation they will return and dig up the box which contains items that reflect their goals and aspirations. Eight years later however Lucy (Britney Spears) Kit (Zoë Saldana) and Mimi (Taryn Manning) have grown apart. Lucy is the virginal valedictorian Kit is unscrupulously popular and Mimi is the pregnant rebel. On graduation night nostalgia gets the best of them and they decide to rekindle their friendship and embark on a road trip each with their own goals. Lucy would like to see her mom who abandoned her when she was a child; Kit needs to confront her fiancé in Los Angeles; and Mimi wants to enter a singing contest. They get Ben (Anson Mount) a mysterious stranger with a bad rap to drive them across the country in his '73 Buick convertible and in a matter of days--and a couple of 'N Sync songs--seem to forget how much they actually hate each other.
In her acting debut Britney Spears trades in her trademark Day-Glo tan for a more demure girl-next-door look. While she cries convincingly with puffy eyes and all her delivery seems forcibly understated and wooden. For example when Lucy breaks down and tells her father she feels as though she got nothing out of her entire high school experience she snaps out of her gloomy mood instantaneously when her father disagrees with her. Anson Mount (Urban Legends: Final Cut) who plays her love interest Ben is natural enough and completely suave next to Spears. Except for the scene where he protests a little too much to the girls driving his car (he literally kicks up dirt for what seems like an eternity) he plays the part in a down-to-earth manner without any showboating. The two sidekicks played by Taryn Manning (crazy / beautiful) and Zoë Saldana (Get Over It) are at opposite ends of the spectrum. While Manning comes across as sincere Saldana seems like she's playing the part of Hilary Banks on The Fresh Prince of Bel-Air. For kicks see if you can spot former MTV VJ Jesse in the background crowd.
How director Tamra Davis went from helming the hilariously clever Half Baked to Crossroads is unfathomable. The characters in the film especially Lucy and her father are unoriginal and stick to stereotypes: the rigid blue-collar father who pressures his daughter into medical school and the all-too perfect daughter who constantly seeks his approval. And even though Davis also tries to camouflage the musical sequences peppering them throughout the film (Lucy sings to anything that comes on the radio including Madonna and Sheryl Crow) the movie still comes across as just an excuse for Spears to sing. More blatant is the scene where the threesome takes part in a karaoke competition in the dead of Louisiana. Although Spears' rendition of "I Love Rock 'n' Roll" is not that bad I don't know of any karaoke bars that have a DJ of that caliber (or have an emcee like Kool Moe Dee). Can't pop stars cross over into film without bringing their song repertoire with them?
This turbo-charged film centers on street racing and the people who live for it. Dominic Toretto (the aptly named Vin Diesel) is one of them rebuilding high performance racecars by day and racing by night. Since the money he makes for winning a race (up to $10 000) barely covers his overhead costs Toretto and his band of staunch followers supplement their incomes by hijacking electronics-filled 18-wheelers. The FBI which has narrowed down the suspects to either Toretto or his arch rival Johnny Tran (Rick Yune) sends in undercover officer Brian O'Connor (Paul Walker) to get the evidence they need and arrest the right guy. O'Connor gets a job at a local high-end auto supply store and soon infiltrates Toretto's gang despite repeated warnings from its leader's steadfast cronies. He wins Toretto's respect and after predictably falling for his sister Mia (Jordana Brewster) begins to question his loyalties. It's a stale story line with all the typical elements but who cares? In The Fast and the Furious the story is a mere formality.
Most of the actors in this film have been typecast but for once that's not a limiting thing. It almost seems as though Diesel (Boiler Room Pitch Black) was born to play commandeering ringleader Dominic Toretto. With his gravelly baritone voice and menacing screen presence he dominates every scene he is in. Unfortunately the script calls for him to utter obvious lines like "You break her heart I'll break your neck." Michelle Rodriguez (Girlfight) is in her element as his cagey girlfriend but could almost be mistaken for a rottweiler on a leash. She scowls and glares over the rim of her shades one too many times but demonstrates once again that she can pack a mean punch. There is a small but surprisingly funny performance by Chad Lindberg as Jesse the mechanical genius whose ADD drove him to a life of crime. But Walker (The Skulls) is as bland as his white-bread character O'Connor and the object of his affection Mia (Brewster The Invisible Circus) is equally unimpressive. But as with the story The Fast and the Furious is not about the acting.
Furious makes up for what it lacks intellectually with pure and unadulterated action. The overly choreographed scenes of cars driving in V-formations are eclipsed by the cars themselves which are the highlight of the film. The race sequences alone will practically leave you feeling compressed and the souped-up Nissans Hondas and Toyotas will make this film an instant cult classic within the car culture. Craig Lieberman one of the import car consultants on the film even provided his own 1994 Toyota Supra--complete with Greddy Turbo and NOS nitrous upgrades three TV screens VCR Sony Play Station 19" Dazz wheels and a $7 000 custom paint job. If the car didn't actually belong to a real person it might be too decadent to be believed. All in all Furious is a dizzying frenzy of noise and speed that serves up what films like Gone in 60 Seconds and Driven promise but never come close to delivering. Despite its screeching drag races and hair-raising crashes Furious probably won't appeal to the masses but expect it to fly when it gets released on DVD.