Lavished with rich period detail (it's set in 1971 Salford England) and hilarious anecdotes the film revolves around the plans by George (the father) to marry off his sons to good Pakistani girls. The movie opens with his handsome eldest son bolting from the altar to live a secular (and decidedly fashionable) life even though it means being severed from his kin. It all unfolds with great energy that never lets up even at the cathartic hour of reckoning between tribe and elder.
George's irascibility is brilliantly telegraphed in Om Puri's remarkable craggy face (last seen in Hanif Kureishi's "My Son the Fanatic"). Linda Bassett as his
common-sense wife Ella captures the inner struggle between a loving dutiful (and abused) spouse and a mother protective of her children's happiness. The ensemble playing their fractious brood -- six sons and one sassy daughter -- is a joy to watch.
Much of the tale's brisk charm lies in its frenetic intergenerational conflict which Damien O'Donnell brilliantly navigates. O'Donnell milks each scene for every possible grain of comedic friction.