A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
WHAT’S IT ABOUT?
Based on the beloved children’s book by Judi and Ron Barrett Cloudy With a Chance of Meatballs tells the tale of Flint Lockwood an eccentric young inventor who spends his days in a makeshift laboratory building monkey-thought translators spray-on shoes “hair unbalder” serums and other strange creations. Regarded as a troublemaker and a nuisance by the residents of the small town of Swallow Falls Flint dreams of one day making something that will win their respect and earn him a place alongside the Edisons and Da Vincis of the world.
Flint thinks his latest invention a machine that turns ordinary water into gourmet meals at the touch of a button just might do the trick. But his big unveiling goes predictably awry when his machine launches like a rocket through Swallow Falls laying waste to the town square before eventually disappearing into the stratosphere.
Just when it appears that the townsfolk have finally had enough of Flint’s antics salvation arrives in the form of cheeseburgers raining from the sky thrilling the throngs of hungry people below. Success! Flint’s machine actually works — albeit not quite in the manner he originally intended.
WHO’S IN IT?
Lending his voice to the character of Flint is Bill Hader a Saturday Night Live regular who’s appeared in small roles in a ton of high-profile comedies including Tropic Thunder Pineapple Express and Night at the Museum: Battle of the Smithsonian. Anna Faris (The House Bunny) co-stars as Sam Sparks a weathergirl whose bubbly on-screen persona masks a keen intellect she’s terrified to reveal — lest she be branded a “nerd” and shunned by the community of shallow talking-head news correspondents.
Evil Dead star Bruce Campbell voices the sleazy manipulative Mayor Shelbourne a wildly ambitious politician who eyes Flint’s invention as his ticket to higher office. James Caan (The Godfather) plays Flint’s well-meaning but emotionally distant father Tim a blue-collar fisherman who can’t find a way to relate to his brainy offspring. And fans of A-Team and Rocky III will instantly recognize the voice of Mr. T as Earl Devereaux the tough-minded town cop whose job is devoted primarily to preventing Flint from inadvertently destroying the town. Rounding out the main cast is Neil Patrick Harris (Harold & Kumar Go to White Castle) as Flint’s trusted monkey assistant Steve.
The animation of Cloudy With a Chance of Meatballs is truly a joy to behold. With each successive meal that falls from the sky comes a brilliant new array of patterns and colors all of which burst from the screening in dazzling 3-D. Directors Phil Lord and Christopher Miller rightly recognize the visual potential of the source material with its endless variety of colorful food items and serve up a delicious buffet of brilliantly-rendered set pieces.
But the film isn’t just a bundle of digital eye candy. Perhaps most pleasantly surprising about the film is the script’s sharp wit and clever observations which help make the experience enjoyable on a cerebral as well as visceral level.
Lord and Miller who also co-wrote the adapted screenplay did a generally solid job expanding the relatively thin source material for the big screen but the story still feels weak at times. It’s just engaging enough to keep you interested but not quite enough to make a lasting impression.
Cloudy With a Chance of Meatballs is something of a culinary rollercoaster. As food first begins to fall from the sky you might find yourself feeling a bit hungry. But as the plot progresses and Flint’s machine starts to spin out of control bombarding the town with every kind of slop imaginable don’t be surprised if your stomach starts to get a little queasy!