This follow-up to Daddy Day Care picks up with Charlie Hinton (Cuba Gooding Jr.) and Phil Ryerson (Paul Rae) running their thriving day care business. With summer approaching however the prospect of camp for their sons comes up and Charlie vehemently opposes to it. He had bad camp experiences you see but when he grudgingly takes his son Ben (Spencir Bridges) to Camp Driftwood he finds that his old rival Lance Warner (Lochlyn Munro) is running the swanky Camp Canola nearby. Camp Driftwood is of course in shambles but Charlie thinks he can fix it up and continue his business into the summer. The first day goes badly so Charlie is forced to call in his father Buck (Richard Gant) to help with the outdoorsy stuff as Lance continues to taunt Charlie and his kids into an Olympiad competition. The story actually provides a strong moral center about fathers and sons communicating while the jokes don't get any more sophisticated than poison ivy and farts. But that's what you bargained for. You can say one thing about Gooding and Rae: They never make you think about Eddie Murphy and Jeff Garlin the original Daddys. There’s some continuity but Gooding and Rae make these characters their own—for better or for worse. Gooding is a father trying to make a better life for his son who has his own daddy issues while Rae is once again just the goofy sidekick. In the wild moments Gooding prances and mugs like a cartoon character with no subtlety whatsoever but tones it down appropriately in the more serious moments. Gant (Norbit) gives Daddy Day Camp its heart. As the strict military patriarch it’s a little much when he turns all Col. Buck on the kids but it's believable. But then when he slowly breaks down and realizes what an absent father he's been those moments work. Character actor Munro (Deck the Halls) seems happy to once again play the bad guy. Director Fred Savage (yes the same kid actor from The Wonder Years) made the best Daddy Day Camp he could considering the subject matter. All it really takes is setting up one comic disaster after another for the heroes to overcome. Scenes with hordes of screaming kids running rampant are plentiful of course and it couldn't have been easy to coordinate that take after take. But balancing the silly antics with the film's heart is the most impressive task. As much as it may be a chore to sit through unsophisticated kiddie pratfalls you've got to respect how the meaningful scenes play out. There is a real journey in Daddy Day Camp. Sure the kids will laugh at the sloppy muddy gooey gunk but the parents may appreciate the other stuff.
‘Twas the night before Christmas and all...hell is about to break loose! It starts when a snowstorm grounds all planes at Chicago’s fictional Hoover International Airport. Nobody’s happy to be potentially spending Xmas at an airport but least of all are the Davenport siblings Spencer (Dyllan Christopher) and his little sis Katherine (Dominique Saldana) as well as airport security boss Oliver (Lewis Black). The two kids are escorted to the airport’s “Unaccompanied Minors Lounge ” where kids run wild and terrorize pushover Zach Van Bourke (Wilmer Valderrama) who acts as chief airport babysitter. One look at the madness is all it takes for Spencer and Katherine to bust out along with fellow kiddie anarchists Charlie (Tyler James Williams) Timothy (Brett Kelly) Donna (Quinn Shephard) and Grace (Gina Mantegna). They embark on a pratfall-heavy game of cat and mouse with Oliver who is the Grinch to their collective Santa Clause as they try and salvage Christmas--and their families. Unaccompanied Minors makes some odd but admirable choices when it comes to the cast with virtually every single actor attempting a “Frat Pack” mutiny--Daily Show mainstay Black is joined by “correspondent” Rob Corddry as the Davenports’ Hummer-hating dad not to mention parts from The Office’s B.J. Novak and Mindy Kaling Arrested Development’s Tony Hale and Jessica Walter SNL’s Rob Riggle and Kristen Wiig Paget Brewster David Koechner and a rare Kids in the friggin’ Hall (Kevin McDonald Bruce McCulloch and Mark McKinney) sighting. But the “Who’s that?” cameos aside the screen time is hogged by Black Valderrama and the children. Black the notoriously vulgar curmudgeon of a comedian shows great range and skill by dulling his shtick down but not so much that the kids watching won’t crack up while Valderrama’s performance is the same as his role--that of a bumbling easily overmatched lackey. With all the proverbial child actors in the mix it can seem a little Star Search-y but Williams (Everybody Hates Chris) steals most scenes with his amazing overall talent while Mantegna (Joe’s daughter) fares well too. Kelly (the bullied kid in Bad Santa) is exploited for his physicality and Christopher will likely go on to be a great actor even if he seems too seasoned at such a young age. The reason for the off-the-beaten-path cast is simple: director Paul Feig. The occasional actor has in the past directed episodes of The Office and the late Arrested Development Undeclared and Freaks and Geeks. It also might explain why he fell for a script--by Jacob Meszaros and Mya Stark--that takes a few stabs at grown-up comedy (i.e. Corddry’s character has a car that runs on vegetable oil). Such jokes will be lost on the exclusively preadolescent audience but almost all else will reel them in. Feig also seems adept at making the oft-unfunny (physical pratfalls) somewhat funny and he does so with little mention of bodily functions. Of course he stays true to the formula but all kid flicks are the ultimate exercises in contrivance--Feig just chooses to treat the viewers like kids instead of idiots.