Just in time for Christmas comes Alvin and the Chipmunks: The Squeakquel a giant furry lump of coal in the stockings of fans of quality filmmaking everywhere. The latest episode which picks up soon after 2007’s absurdly successful live action/CGI hybrid Alvin and the Chipmunks finds the titular singing rodents on uncertain ground after their manager/guardian Dave Seville (Jason Lee) is injured in a freak concert accident. (In a gimmick lifted right out of Revenge of the Nerds II he spends the entire film in the hospital bedridden.)
Dave’s befuddled substitute a videogame-obsessed ne’er-do-well named Toby (Zachary Levi wielding a strained slacker schtick even less convincing than his bumbling geek act in Chuck) is ill-suited to helping Alvin Simon and Theodore handle the rigors of high school or deal with the challenge of a rival all-female singing chipmunk trio the Chipettes. With dissension in the ranks and a decisive battle of the bands looming the three brothers must find a way to overcome their differences and rekindle the magic that first propelled them to the top of the charts.
In theory adding a girl group to the mix roughly doubles the selection of songs to choose from but the actual singing and dancing in Alvin and the Chipmunks: The Squeakquel presumably the whole point of this tedious exercise feels greatly reduced in comparison to the first film. (I wouldn’t know for sure — I’ll be damned if I sit through another screening torturous screening of it.) Which depending on your perspective may not be a bad thing. Personally I found it to be a double-edged sword: Fewer excruciating squeaky-voiced covers of songs like “We Are Family” and Beyonce’s “Single Ladies” means more room for lame jokes and awful acting both of which can be found in ample amounts.
As with its predecessor this Squeakuel is the perfect movie for those who find Teletubbies and Dora the Explorer a little too highbrow.
Looney Tunes: Back in Action revisits an age-old Tunes question: Why does the affable Bugs reap all the fame and glory while the egocentric Daffy gets shafted again and again? Our duck friend quite frankly has had it up to his skinny neck playing second fiddle to the carrot muncher. All Daffy wants is a little recognition from the studio but the brothers Warner (actual twin brothers as we come to find out) decide instead to let Daffy out of his contract on the advice of their no-nonsense VP of comedy Kate Houghton (Jenna Elfman). Bugs however knows they're making a mistake. Even though Daff bears the brunt of the abuse Looney Tunes would fail without him and Bugs convinces the powers that be they need the nutty mallard. If the plot had only followed this thread--perhaps showing Daffy on the skids--then maybe the film wouldn't have spiraled into Looneyville. Unfortunately Daffy ends up hooking up with the hunky D.J. Drake (Brendan Fraser) a studio security guard who finds out that his famous movie star father Damian Drake (Timothy Dalton) is really a secret agent hunting for a mysterious diamond known as the Blue Monkey a supernatural gem that can turn the planet's population into monkeys. The evil head of the Acme Corporation Mr. Chairman (Steve Martin) wants the diamond for his own diabolical plans and he's kidnapped D.J.'s dad in an effort to get it. Now the gang has to get the diamond save D.J.'s dad and of course save the world.
It might be a little hard to act subtly around cartoon characters but these aren't your ordinary cutesy Mickey Mouse types. Bugs Daffy Porky Yosemite Sam and Foghorn Leghorn are pros at comic timing able to spar with the best of them throw out zingers without a second thought and slay you with a droll glance at the camera. It isn't really necessary for the human actors to match their madcap-ness; just reacting would have sufficed. Fraser comes off the best of the human bunch; since he's had practice (Monkeybone) he easily interacts with his animated co-stars and deftly handles the doubletakes and jabs at pop culture. Elfman on the other hand sputters and goes bug-eyed every time she encounters silliness. She looks uncomfortable doing the green screen thing especially when she's trying to look natural when peeling a distraught duck from around her waist. Martin's highly anticipated turn as Mr. Chairman turns out to be the biggest disappointment. The over-the-top character is reminiscent of Martin's hysterically funny Rupert the Monkeyboy in 1988's Dirty Rotten Scoundrels but Martin turns Mr. Chairman--an angry schoolboy with knee socks and matted-down hair who never grew up--into a caricature of ridiculous proportions and unlike Rupert who came in small hilarious doses Mr. Chairman gets very tiresome very quickly.
Back in Action's animation is well done more engaging and ambitious than its 1996 predecessor Space Jam in which the action mostly took place in Looney Tunes land; here animated characters go the Who Framed Roger Rabbit? route and Bugs Daffy and the rest coexist harmoniously with humans in the real world. But despite its aspirations Back in Action leaves out vital elements that made Space Jam appealing. While the earlier film stuck to a simple plot Back in Action guided by director Joe Dante (Small Soldiers The 'Burbs) tries too hard to keep things wild and wacky while incorporating elements of '60s heist pics and action-adventure scenes and in the process loses sight of the most important ingredient in any kids movie: the story. Tykes may have limited attention spans but if the story's good they will watch. Granted some individual bits are laugh-out-loud funny particularly the scene in the Warner Bros. commissary where a stuttering Porky Pig complains about being politically incorrect with Speedy Gonzales while an animated Shaggy and Scooby-Doo berate actor Matthew Lillard for playing Shaggy as such a bonehead in the live-action Scooby-Doo. These scenes prove that if any cartoon characters could pass themselves off as real celebrities in the entertainment industry the gang from Looney Tunes could but moments like these simply can't overcome a contrived plot and juvenile antics.