Last year director Garry Marshall hit upon a devilishly canny approach to the romantic comedy. A more polished refinement of Hal Needham’s experimental Cannonball Run method it called for assembling a gaggle of famous faces from across the demographic spectrum and pairing them with a shallow day-in-the-life narrative packed with gobs of gooey sentiment. A cynical strategy to be sure but one that paid handsome dividends: Valentine’s Day earned over $56 million in its opening weekend surpassing even the rosiest of forecasts. Buoyed by the success Marshall and his screenwriter Katherine Fugate hastily retreated to the bowels of Hades to apply their lucrative formula to another holiday historically steeped in romantic significance and New Year’s Eve was born.
Set in Manhattan on the last day of the year New Year’s Eve crams together a dozen or so canned scenarios into one bloated barely coherent mass of cliches. As before Marshall’s recruited an impressive ensemble of minions to do his unholy bidding including Oscar winners Hilary Swank Halle Berry and Robert De Niro the latter luxuriating in a role that didn’t require him to get out of bed. High School Musical’s Zac Efron is paired up with ‘80s icon Michelle Pfeiffer – giving teenage girls and their fathers something to bond over – while Glee’s Lea Michele meets cute with a pajama-clad Ashton Kutcher. There’s Katherine Heigl in a familiar jilted-fiance role Sarah Jessica Parker as a fretful single mom and Chris “Ludacris” Bridges as the most laid-back cop in New York. Sofia Vergara and Hector Elizondo mine for cheap laughs with thick accents – his fake and hers real – and Jessica Biel and Josh Duhamel deftly mix beauty with blandness. Fans of awful music will delight in the sounds of Jon Bon Jovi straining against type to play a relevant pop musician.
The task of interweaving the various storylines is too great for Marshall and New Year’s Eve bears the distinct scent and stain of an editing-room bloodbath with plot holes so gaping that not even the brightest of celebrity smiles can obscure them. But that’s not the point – it never was. You should know better than to expect logic from a film that portrays 24-year-old Efron and 46-year-old Parker as brother-and-sister without bothering to explain how such an apparent scientific miracle might have come to pass. Marshall wagers that by the time the ball drops and the film’s last melodramatic sequence has ended prior transgressions will be absolved and moviegoers will be content to bask in New Year's Eve's artificial glow. The gambit worked for Valentine's Day; this time he may not be so fortunate.
The God of Legion secular Hollywood’s latest Biblically-inspired action flick is old-school an angry spiteful Almighty with a penchant for Old Testament theatrics. Fed up with humanity’s decadent warmongering ways He’s decided to pull the plug on the whole crazy experiment and start over from scratch.
Fortunately for us the God of Legion is also a rather lazy fellow. Instead of doing the apocalyptic work himself and wiping us out with a giant flood which worked perfectly well last time He opts to delegate the task to His army of angels — a questionable strategy that starts to fall apart when the archangel charged with leading the planned extermination Michael (Paul Bettany) refuses to comply.
Michael who unlike his boss still harbors affection for our sorry species abandons his post and descends to earth where inside the swollen belly of Charlie (Adrianne Palicki) an unwed mother-to-be working as a waitress in an out-of-the-way diner sits humanity’s lone hope for survival. Why is this particular baby so important? Is it the one destined to lead us to victory over Skynet? Heaven knows — Legion reveals little details its script devoid of actual scripture. What is clear is that God’s celestial hitmen want the kid whacked before it’s born.
But Michael won’t let humanity fall without a fight. Armed with a Waco-sized arsenal of assault weapons he hunkers down with the diner’s patrons a largely superfluous collection of thinly-sketched caricatures from various demographic groups led by Dennis Quaid as the diner’s grizzled owner Tyrese Gibson as a hip-hop hustler and Lucas Black as a simple-minded country boy.
Together they mount a heroic final stand against hordes of angels who’ve taken possession of “weak-willed” humans turning kindly old grandmas and mild-mannered ice cream vendors into snarling ravenous foul-mouthed beasts. They descend upon the ramshackle diner in a series of full-frontal assaults commanded by the archangel Gabriel (Kevin Durand) the George Pickett of End of Days generals.
Beneath its superficial religious facade Legion is really just a run-of-the-mill zombie flick a Biblical I Am Legend. Bettany an actor accustomed to smaller dramatic roles in films like A Beautiful Mind and The Da Vinci Code looks perfectly at ease in his first major action role wielding machine guns and bowie knives with equal aplomb. Conversely first-time director Scott Stewart a former visual effects artist does little to prove himself worthy of such a promotion serving up some impressive CGI work but not much else worthy of note.
Martin Scorsese's star-studded gangster movie The Departed has landed three honors from the Las Vegas Film Society, including Best Picture.
The Departed also picked up a Best Director accolade for Scorsese and a Best Film Editing nod for Thelma Schoonmaker.
Elsewhere, Helen Mirren was named Best Actress for her turn in The Queen, while Best Actor went to Forest Whitaker for The Last King of Scotland.
Peter O'Toole was honoured with the William Holden Lifetime Achievement Award.
The Las Vegas Film Society is made up of 12 local critics who work for various print, radio, TV and Internet publications.
The full list of winners is:
Best Picture--The Departed
Best Actor--Forest Whitaker in The Last King of Scotland
Best Actress--Helen Mirren in The Queen
Best Supporting Actor--Djimon Hounsou in Blood Diamond
Best Supporting Actress--Jennifer Hudson in Dreamgirls
Best Director--Martin Scorsese for The Departed
Best Screenplay (Original or Adapted)--Jason Reitman for Thank You for Smoking
Best Cinematography--Emmanuel Lubezki for Children of Men
Best Film Editing--Thelma Schoonmaker for The Departed
Best Score--Thomas Newman for The Good German
Best Song--“Ordinary Miracle” by David Stewart and Glen Ballard; “Charlotte's Web” by Sarah McLachlan
Best Family Film--Charlotte's Web
Best Documentary--An Inconvenient Truth
Best Animated Film--Monster House
Best Foreign Film--Pan's Labyrinth
Best Costume Design--Marie Antoinette
Best Art Direction--Marie Antoinette
Best Visual Effects--X-Men: The Last Stand
Best Youth in Film--Abigail Breslin in Little Miss Sunshine
Best DVD (Packaging, Design and Content)--Superman Ultimate Collector’s Edition (Warner Home Entertainment)
William Holden Lifetime Achievement Award--Peter O'Toole
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Here is the complete list of winners:
Best Motion Picture - Drama
The Aviator WINNER!
Million Dollar Baby
Best Performance by an Actress in a Motion Picture - Drama
Scarlett Johansson, A Love Song For Bobby Long
Nicole Kidman, Birth
Imelda Staunton, Vera Drake
Hilary Swank, Million Dollar Baby WINNER!
Uma Thurman, Kill Bill Vol. 2
Best Performance by an Actor in a Motion Picture - Drama
Javier Bardem, The Sea Inside
Don Cheadle, Hotel Rwanda
Johnny Depp, Finding Neverland
Leonardo Dicaprio, The Aviator WINNER!
Liam Neeson, Kinsey
Best Motion Picture - Musical or Comedy
Eternal Sunshine of the Spotless Mind
The Phantom of the Opera
Best Performance by an Actress in a Motion Picture - Musical or Comedy
Annette Bening, Being Julia WINNER!
Ashley Judd, De-Lovely
Emmy Rossum, The Phantom of the Opera
Kate Winslet, Eternal Sunshine of the Spotless Mind
Renee Zellweger, Bridget Jones: the Edge of Reason
Best Performance by an Actor in a Motion Picture -Musical or Comedy
Jim Carrey, Eternal Sunshine of the Spotless Mind
Jamie Foxx, Ray WINNER!
Paul Giamatti, Sideways
Kevin Kline, De-Lovely
Kevin Spacey, Beyond the Sea
Best Director - Motion Picture
Clint Eastwood, Million Dollar Baby WINNER!
Marc Forster, Finding Neverland
Mike Nichols, Closer
Alexander Payne, Sideways
Martin Scorsese, The Aviator
Best Foreign Language Film
The Chorus (Les Choristes), (France)
House of Flying Daggers, (China)
The Motorcycle Diaries, (Brazil)
The Sea Inside, (Spain) WINNER!
A Very Long Engagement, (France)
Best Performance by an Actress in a Supporting Role in a Motion Picture
Cate Blanchet, The Aviator
Laura Linney, Kinsey
Virginia Madsen, Sideways
Natalie Portman, Closer WINNER!
Meryl Streep, The Manchurian Candidate
Best Performance by an Actor in a Supporting Role in a Motion Picture
David Carradine, Kill Bill Vol. 2
Thomas Haden Church, Sideways
Jamie Foxx, Collateral
Morgan Freeman, Million Dollar Baby
Clive Owen, Closer WINNER!
Best Screenplay - Motion Picture
Charlie Kaufman, Eternal Sunshine of the Spotless Mind
John Logan, The Aviator
David Magee, Finding Neverland
Patrick Marber, Closer
Alexander Payne & Jim Taylor, Sideways WINNER!
Best Original Score - Motion Picture
Clint Eastwood, Million Dollar Baby
Jan A.P. Kaczmarek, Finding Neverland
Rolfe Kent, Sideways
Howard Shore, The Aviator WINNER!
Hans Zimmer, Spanglish
Best Original Song - Motion Picture
"Accidentally In Love" -- Shrek 2
Music & Lyrics By: Adam Duritz, Dan Vickery, David Immergluck, Matthew Malley & David Bryson
"Believe" - The Polar Express
Music & Lyrics By: Glen Ballard & Alan Silvestri
"Learn To Be Lonely" - The Phantom of the Opera
Music By: Andrew Lloyd Webber
Lyrics By: Charles Hart
"Million Voices" - Hotel Rwanda
Music By: Wyclef Jean, Jerry "Wonder" Duplessis, Andrea Guerra
Lyrics By: Wyclef Jean
"Old Habits Die Hard" - Alfie
Music & Lyrics By: Mick Jagger & David A. Stewart WINNER!
Best Television Series - Drama
Nip/Tuck (FX) WINNER!
The Sopranos (HBO)
Best Performance by an Actress in a Television Series - Drama
Edie Falco, The Sopranos
Jennifer Garner, Alias
Mariska Hargitay, Law & Order: Special Victims Unit WINNER!
Christine Lahti, Jack & Bobby
Joely Richardson, Nip/Tuck
Best Performance by an Actor in a Television Series - Drama
Michael Chiklis, The Shield
Denis Leary, Rescue Me
Julian Mcmahon, Nip/Tuck
Ian McShane, Deadwood WINNER!
James Spader, Boston Legal
Best Television Series - Musical or Comedy
Arrested Development (Fox)
Desperate Housewives (ABC) WINNER!
Sex and the City (HBO)
Will & Grace (NBC)
Best Performance by an Actress in a Television Series - Musical or Comedy
Marcia Cross, Desperate Housewives
Teri Hatcher, Desperate Housewives WINNER!
Felicity Huffman, Desperate Housewives
Debra Messing, Will & Grace
Sarah Jessica Parker, Sex And The City
Best Performance by an Actor in a Television Series - Musical or Comedy
Jason Bateman, Arrested Development WINNER!
Zach Braff, Scrubs
Larry David, Curb Your Enthusiasm
Matt Leblanc, Joey
Tony Shalhoub, Monk
Charlie Sheen, Two And A Half Men
Best Mini-Series or Motion Picture Made For Television
American Family - Journey of Dreams (PBS)
Iron Jawed Angels (HBO)
The Life and Death of Peter Sellers (HBO) WINNER!
The Lion in Winter (Showtime)
Something the Lord Made (HBO)
Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television
Glenn Close, The Lion in Winter WINNER!
Blythe Danner, Back When We Were Grown Ups
Julianna Margulies, The Grid
Miranda Richardson, The Lost Prince
Hilary Swank, Iron Jawed Angels
Best Performance by an Actor in a Mini-Series or A Motion Picture Made for Television
Mos Def, Something the Lord Made
Jamie Foxx, Redemption
William H. Macy, The Wool Cap
Geoffrey Rush, The Life and Death of Peter Sellers WINNER!
Patrick Stewart, The Lion in Winter
Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Drea De Matteo, The Sopranos
Anjelica Huston, Iron Jawed Angels WINNER!
Nicolette Sheridan, Desperate Housewives
Charlize Theron, The Life and Death of Peter Sellers
Emily Watson, The Life and Death of Peter Sellers
Best Performance by an Actor in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television
Sean Hayes, Will & Grace
Michael Imperioli, The Sopranos
Jeremy Piven, Entourage
Oliver Platt, Huff
William Shatner, Boston Legal WINNER!
The title is self-explanatory as is the complete plot line of the movie. It's a ghost story set on Mars get it? Well almost. The year is 2176 and Mars has been colonized by a matriarchal society in cahoots with some nefarious mining cartel. Lt. Melanie Ballard (Natasha Henstridge) has to travel to an eerie mining town Shiny Canyon to transport the most dangerous criminal on Mars James "Desolation" Williams (Ice Cube) back to Chryse. When Ballard and her team reach Shiny Canyon they find it strangely deserted. It doesn't take them long however to find out that Martian ghosts are possessing human hosts and decapitating all those who don't come under the influence. Ballard and Williams have to overcome their natural aggression toward each other and work together to make it out alive. Think Aliens meets 48 Hours.
The dialogue is clearly second banana to the action and the actors don't have much to work with. Not that they're even given the chance. Pam Grier is wasted as Henstridge's ill-fated boss--her character is beheaded within the first few minutes of the police team reaching Shiny Canyon. Henstridge and Ice Cube just aren't mean enough nor do they show enough animosity to convey the depth of any supposed tension between them. Worse the bad guys are comical and you're never really scared of them. The supporting cast is given even less interesting dialogue to deliver and the talented Clea DuVall (Girl Interrupted) is left looking lost and bewildered for most of the movie. Not even Jason Statham (Lock Stock and Two Smoking Barrels Snatch) can make his character rise above the incredibly dull and cliched prose.
John Carpenter has lost it. Not since Big Trouble in Little China (1986) has Carpenter given us a good movie and he certainly hasn't given us a good horror movie since the early '80s. This movie is about as scary as my 83-year-old grandmother. Who tells a horror story in a series of flashbacks? Though the setting is adequately spooky the action is plodding and no tension or horror builds during the film. The bad guys and especially the main baddie Big Daddy Mars don't project an aura of terror or mayhem. Carpenter tries to develop so many characters that you get no real sense of any of them.
Years after Earth is destroyed by a hostile alien race (when aren't they
hostile?) a strapping young buck named Cale (Matt Damon) is recruited
for a mission to locate a spaceship that holds the key to human
survival. With the alien baddies on their tail Cale and company are in
a race against time to secure a new home for the Earthlings who have
been left homeless by the Drej.
This brilliant animated sci-fi adventure has the added benefit of a
stellar cast. Other than John Leguizamo who renders a whimsical voice
for the nonhuman navigator Gune the cast refrains from altering their
normal voices instead injecting their regular speech with the type of
emotion sincerity and charm you'd expect from a live-action feature. In
addition to Damon Drew Barrymore is Akima the pilot who catches Cale's
eye; Bill Pullman is the authoritative captain; Nathan Lane is the
suspicious first mate; and Janeane Garofalo is a weapons specialist with
(surprise!) a bad attitude.
In addition to producing "Anastasia " veteran animators Don Bluth and
Gary Goldman are known for creating some of the most popular laser disc
interactive video games and it shows in "Titan A.E." The brilliant
graphics and sophisticated animation here will prompt more than one
double take as you wonder whether what you're seeing is real or
animated. The tapestry that surrounds the characters -- particularly in
the final moments of Earth -- is nothing short of the best animation
ever to hit the big screen. Just one question: What's up with Cale's
naked butt scene and Akima's shower sequence? We haven't seen this much
animated skin since Shelley Winters evacuated the Poseidon.