Spanning from WWI to the 21st century Eric Roth’s screenplay (based loosely on a 1922 short story by F. Scott Fitzgerald) tells the unique story of a man named Benjamin Button (Brad Pitt). He is born in New Orleans as a very old baby the equivalent of a man in his 80s who then ages backward into youth over the better part of a century. The film is told in flashback by a very old dying woman Daisy (Cate Blanchett) who recounts her tale to her daughter (Julia Ormond) from a hospital bed during Hurricane Katrina. Left on the doorstep of a retirement home one night by his father (Jason Flemyng) Benjamin is brought up by Queenie (Taraji P. Henson) who runs the place. While there he meets a young girl Daisy who will become a key figure -- romantically and otherwise -- in his life. Ben does have some grand adventures: He goes to work on a boat sees sea battles during WWII finds love with an older married woman (Tilda Swinton) -- and gets progressively younger as the decades fly by. It all manages to be alternately haunting romantic funny epic emotional and incredibly moving and will likely to stay with you a lifetime. Brad Pitt manages to deliver a thoughtful and subtle performance through all the special effects makeup and CGI. He does so much just by using his eyes. Cate Blanchett is equally fine as she plays Daisy from a teenager to an old woman and matches Pitt in bringing an entire lifetime skillfully to light. Her aging makeup is completely natural and she’s very moving in the hospital scenes opposite Ormond. Henson is just marvelous as Queenie a warm and understanding soul. Swinton is elegant and memorable in her few crucial encounters with Ben and plays beautifully off Pitt. Jared Harris (TV’s The Riches) as the colorful Captain Mike who hires Ben on his tug boat and Flemyng (The League of Extraordinary Gentlemen) as Ben’s father are also effective in their brief screen time. Interestingly Benjamin Button has been gestating for decades in the Hollywood firmament but needed time for the proper technology to catch up to it. Director David Fincher (Zodiac Fight Club) with his early background at George Lucas’ ILM proves to be the perfect choice to marry a compelling story with spectacular visual effects achievement. He did not want to do the film unless the technology allowed one actor to play the role throughout the course of the film. Remarkably they were able to achieve this superimposing Brad Pitt’s face and eyes into all the incarnations of Ben Button. In one sequence Pitt looks just like he did in Thelma and Louise. It’s an amazing feat. He has seamlessly created a unique universe without ever bringing attention to it advancing the art of screen storytelling leaps and bounds ahead of everything else that has come before. Benjamin Button is a plaintive and provocative meditation of life death and what we do while we are here. It’s the stuff of dreams.
Maybe it’s Accepted’s whole getting-into-college experience that grabs you. Most people have gone through it at one point or another--and for those high school seniors who are about to go through it Accepted should ring true for them too. The film revolves around Bartleby “B” Gaines (Justin Long) who has been rejected again and again from the colleges he’s applied to. It’s very frustrating especially with his parents breathing down his neck. So what does the clever B do? Simple: Open his own university the esteemed South Harmon Institute of Technology (of course the acronym is not missed). Juggling the balls delicately in the air B and his other college-less friends forge ahead with maintaining a fake functioning university. But it may take more than just sleight of hand to keep the very free-forum South Harmon going which has now gained quite a name for itself in the short time its been open. A lot more. Long has been turning in hilarious performances as awkward but lovable goofballs in comedies such as Dodgeball and Galaxy Quest--and is probably most recognizable right now as the Mac guy who makes fun of the Dell guy in those Apple computer ads. But the affable actor finally gets his big shot at full-fledged goofball-hood successfully carrying Accepted on his own. As B you quickly warm up to his easygoing yet quietly sarcastic style a method he told Entertainment Weekly he developed under the tutelage of fellow Frat Packer Vince Vaughn. Of course in Accepted Long has some help too. There’s some strong supporting bits especially from comedian and The Daily Show regular Lewis Black as Uncle Ben the university’s neurotic “we’re mad as hell and we aren’t going to take it anymore” make-believe dean. Good stuff. Rounding out the colorful cast is cute-as-a-button Blake Lively (The Sisterhood of the Traveling Pants) playing the girl-next-door B adores who defects to SHI...well you get the picture. You have to admit college-based comedies are usually mindless fun and Accepted is no exception. The premise alone lends itself to all kinds of mishaps and guffaws especially when B and the gang turn a deserted former mental institution into an institution of higher learning. In his directorial debut Steve Pink--best known for co-writing comedies such as High Fidelity and Grosse Pointe Blank--understands this and hits most of the right beats. But unfortunately Accepted can’t keep up its inimitable momentum--as B fights for the school’s unique curriculum as well as its right to exist at all--becoming Revenge of the Nerds meets Animal House meets Old School meets...I could go on forever. Maybe in the hands of a more experienced filmmaker Accepted could have been taken to its own higher level instead of lapsing into standard underdog territory.