Drab prim and more than a little prudish Guinevere Pettigrew (Frances McDormand) isn't a very good governess--her rigid personal beliefs keep getting in the way of her ability to hold a job. Homeless and hungry on the streets of 1939 London she's on the verge of despair when fate sends her to Delysia Lafosse's door. Flighty enthusiastic and impulsive Delysia (Amy Adams) is a club singer with aspirations of becoming a serious actress; to achieve her goals she'll literally charm the pants off of any man who can help her--even at the risk of losing her one true love forever. Equally shocked and fascinated by Delysia's sophisticated fast-paced colorful lifestyle Miss Pettigrew uses her brief time as the young woman's faux social secretary to try to save her from herself. At the same time she begins to let go of old fears and finds the way to her own happiness. Miss Pettigrew benefits immensely from the strengths of its two stars. McDormand is both funny and affecting as the title character; she plays a recurring gag in which Miss Pettigrew almost gets to eat with just the right notes of humor and pathos. The twinkle in her eye as she takes the measure of Delysia's world is convincingly conspiratorial and her scenes with co-star Ciaran Hinds who plays courtly lingerie mogul Joe are both sweet and realistic. Adams meanwhile is just as captivating as she was in Enchanted. Delysia's perky effervescence hides both determination and vulnerability and Adams mixes all three elements expertly. The ladies get strong support from their fellas particularly Hinds and Pushing Daisies' Lee Pace who plays Delysia's poor-but-ardent suitor Michael. And Shirley Henderson is perfectly poisonous as socialite/salon owner Edythe. Parts of Miss Pettigrew Lives for a Day have a distinctly screwball feel -- particularly the early scenes in which Miss P. arrives at Delysia's and must immediately juggle four or five different crises for her new client. The brink-of-World War II setting with its cocktail parties jazz clubs and dames in bright red lipstick encourages that association. But director Bharat Nalluri's movie is also a touching romance with scenes of true poignancy that centers on a complex mature heroine who knows life isn't all roses. His ability to balance the two yields a genuinely funny accessible comedy that has some real depth to back up its lighthearted romping. Even if like Delysia Miss Pettigrew is only a passing presence in your life you'll likely remember her quite fondly.
Set up very much like a documentary United 93 puts you right there onboard United Airlines Flight 93 the fourth hijacked plane on Sept. 11 2001 which crashed in a Pennsylvania field just short of its intended target. The first half of the film cuts between the mundane routine of boarding the ill-fated flight to the horrifying events unfolding at the World Trade Center played out in airport control towers as well as the FAA's command center in Herndon Va. and the military's center at the Northeast Air Defense Sector in upstate New York. Everyone is scrambling trying to figure out what’s happening while an air of absolute powerlessness hovers over them. Then for the last unbelievably heart-wrenching 30 minutes or so we are back on the plane. We watch as the hijackers wait and wait to make a move and then once they do watch as the passengers realize the gravity of the situation after talking with their loved ones on the ground. The heroism the defiance is palpable. "They were the first people to inhabit the post-9/11 world " Greengrass says in the press notes. And to keep things as accurate as possible Greengrass reportedly interviewed more than 100 family members and friends of those who perished in order to get not only their blessings but an inkling of what might have transpired on the plane. He also gathered facts from the 9/11 Commission Report. He hired flight attendants and commercial airline pilots to play those roles; hired several civilian and military controllers on duty on Sept. 11 including the FAA's Ben Sliney who plays himself; and finally rehearsed and shot his actors in an old Boeing 757 at England's Pinewood Studios. You’ll recognize some faces character actors who’ve been in countless films and TV shows. But the key is to keep United 93 rooted in reality--and to do that you can’t have an A-list star mussing it up. Greengrass is not afraid of making hard-hitting films such as 2002's Bloody Sunday a dramatization of the Irish civil rights protest march and subsequent massacre by British troops on January 30 1972. With United 93 he has once again documented one of modern history’s most defining moments. Of course the controversy surrounding United 93--whether or not it should have even been made--is all understandable and justifiable. Sept. 11 is still indeed a raw nerve. How can it not be? We are living in a completely changed world because of it and no amount of time can ever really alter that. But you can't fault Greengrass for feeling compelled to tell this story and can only appreciate him for doing his homework thoroughly and giving it to us straight from the heart. Sort of a collective heart I should say since it really speaks to humanity and the ways we are capable of such great courage in the face of such insurmountable odds. Obviously we will never know exactly what happened on the flight but at least we know something monumental took place. Now let’s see how Oliver Stone and Nicolas Cage handle 9/11 in the upcoming World Trade Center.
As Love Actually begins we are told that perhaps the world isn't such a dire and hateful place that "love actually is all around." Around London anyway. The film explores no less than seven different romantic scenarios within the bustling British capital--all of which interconnect and eventually resolve on Christmas Eve. There's the newly elected dashing Prime Minister (Hugh Grant) who is smitten with his secretary the earthy Natalie (Martine McCutcheon); Karen (Emma Thompson) whose husband Harry (Alan Rickman) has strayed with his seductive secretary Mia (Heike Makatsch); Sarah (Laura Linney) the American wallflower who has a crush on her colleague Carl (Rodrigo Santoro); Jamie (Colin Firth) who falls for his pretty Portuguese housekeeper Aurelia (Lucia Moniz)…there are lots more but you get the gist. As love goes things may not get tied up neatly in brightly colored packages for everyone but there's still enough good cheer to spread around.
Showcasing some of Britain's finest actors Love Actually doesn't have a bad banana in the bunch. Floppy-haired Hugh Grant turns in an endearing performance and proves there isn't a romantic comedy he can't handle. He has an uncanny knack for connecting with any actress he happens to be romancing; in this case it's the adorable McCutcheon best known for the hit British TV drama EastEnders. Rickman and Thompson are quite good as the couple whose long-term marriage is beginning to crack; Thompson especially does a nice job trying to hide her pain while being a happy mom. Linney too shines as Sarah who glows with excitement when she finally gets what she so ardently wished for. Veteran stage and film actor Bill Nighy (Underworld) however steals the show as a carefree aging rock star desperate for a comeback. His Billy Mack smacks of Mick Jagger Keith Richards and Rod Stewart all rolled into one.
"I'm worried that we don't have the word 'massacre' in the title " writer/director Richard Curtis fretted to Entertainment Weekly referring to how horror-loving American audiences might not take to his new romantic comedy that is already a huge hit in Britain. True perhaps a romantic comedy starring a multitude of A-list British actors might not bring in the required masses. But who cares about the money (did I just say that)? Curtis who has written some of the best romantic comedies of the last decade including Four Weddings and a Funeral Notting Hill and Bridget Jones' Diary steps behind the camera for the first time here and is able to give each story a unique point of view from the lovesick to the wacky. There actually may be too many stories in Love Actually but it's a small gaffe. Love Actually is a refreshing good old fashioned warm and gushy movie that takes your mind off the bad things for the holiday season and Curtis should feel confident about his directing debut.