The Amazing Spider-Man would prefer if you didn't call it the fourth Spider-Man movie. See this ain't the Spider-Man your older brother knew from ten years ago — it's a reboot. The latest adventure to feature the comic book webslinger throws three movies worth of established mythology straight out the window swapping the original cast with an ensemble of fresh faces and resetting the franchise with a spiffy new origin story. "New" in the loosest sense of the word — the highlights of ASM mainly a sleek new design and spunky reinterpretation of Peter Parker (Andrew Garfield) and gal pal Gwen Stacey (Emma Stone) are weighed down by overpowering sense of familiarity. Nearly a beat for beat replica of the 2002 original with some irksome twists of mystery thrown in Amazing Spider-Man fails to evolve its hero or his quarrels. The film has a great sense of cinematic power but little responsibility in making it interesting.
We're first introduced to Peter Parker as a young boy watching as his parents rush out of the house in response to a hidden danger. Mr. and Mrs. Parker leave their son in the care of his Aunt May (Sally Fields) and Uncle Ben (Martin Sheen) who raise him into Andrew Garfield's geeky cool spin on the character. Parker's a science whiz but faces the challenges of every day life — passing classes talking to girls the occasional jock with aggression issues — but all of life's woes are put on hold when the teen discovers a new clue in the mystery behind his parents' disappearance. The discovery of his dad's old briefcase and notes leads Peter to Dr. Curt Connors (Rhys Ifans) a scientist working for mega-conglomerate Oscorp and his Dad's old partner. When they cross paths Connors instantly takes a liking to the wunderkind and loops him into the work he started with his father: replicating the regeneration abilities of lizards in amputee humans (Connors is driven to reform his own missing arm). But when Parker wanders into Oscorp's room full of spiders (a sloppily explained this-needs-to-be-here-for-this-to-happen device) he receives his legendary spider bite that transforms him into the hero we know.
Director Marc Webb (500 Days of Summer) desperately wants Amazing Spider-Man to work as a high school relationship movie but with the burden of massive amounts of plot and mythology to introduce the movie sags under the sheer volume of stuff. Stone turns Parker's object of affection Gwen Stacey into a three-dimensional character. Whenever they happen upon each other an awkward exchange in the hallway a flirtatious back-and-forth in the Oscorp lab (where Stacey is head…intern) or when the two finally begin a romantic relationship the two stars shine. They're vivid characters chopped to bits in the editing room diluted by boring franchise-building plot threads and routine action sequences. Seriously Amazing Spider-Man another mad scientist villain who uses himself as a test subject only to become a monster? And another bridge rescue scene? Amazing Spider-Man desperately wants to disconnect from the original trilogy but it's trapped in an inescapable shadow and does nothing radical to shake things up. Instead it settles for the same old same old while preparing for inevitable sequels instead of investing in its dynamic duo.
There's a sweet spot where the film really hits his stride. After discovering his spider-abilities Peter hits the streets for the first time. He's superhuman but still a headstrong teen full of obnoxious quips and close calls with shiv-wielding thugs. The action is slick small and playful Webb showing us something new by melding his indie sensibilities with big scale action. If only it lasted — the introduction of Ifans reptilian half The Lizard implodes Amazing Spider-Man into incomprehensible blockbuster chaos. A gargantuan beast wreaking havoc around New York City promises King Kong-like escapades for the friendly neighborhood Spider-Man but the lizard man has other plans: to rule the world! Or something. Whatever it takes to get Lizard and Spider-Man fighting on the top of a skyscraper over a doomsday machine — logic be damned.
Amazing Spider-Man peppers its banal foundation with great talent from Denis Leary as Gwen's wickedly funny dad and the police captain hunting down Spider-Man to Fields and Sheen as two loving adults in Peter's life to Garfield and Stone whose chemistry demands a follow-up for the sake of seeing them reunited. But it's all at the cost of putting on the most expensive recreation of all time with new demands imposed by the success Marvel's other properties (except that franchise teasing worked). Amazing Spider-Man introduces too many ideas that go nowhere undermining the actual threat at hand. No one wants to be unfulfilled but that's the overriding difference between the original movie and the update. You need to pay for the sequel to know what the heck is going on in this one.
The thing is Garfield: A Tail of Two Kitties doesn’t even have anything to do with the classic Charles Dickens novel. Two Kitties is more a pauper/prince type story. I guess kids probably don’t know what a “pauper” is and well The Prince and the Pussy wouldn’t really work would it? Still they could have at least come up with a clever story to go along with the title. This time around Garfield (Bill Murray) wants to stop Jon (Breckin Meyer) from asking cute-as-a-button vet Liz (Jennifer Love Hewitt) to marry him on a trip to London by stowing away. Once over the pond the fat yellow cat ends up being mistaken for a royal fat yellow cat Prince (Tim Curry) who has just inherited a castle. Sure Garfield likes all the perks--minced pie anytime he rings a bell; pampering beyond your regular tongue bath; and no Odie. There are a few downsides namely an evil relative (Billy Connolly) who wants the cat dead so he can get the estate but it doesn’t matter. Both cats are killed in the end anyway. Oh I’m kidding (I only wish). The laconic Murray is certainly a wise choice to voice the indolent fat cat and was mildly entertaining in the first Garfield. But for the Oscar-nominated actor to agree to do it again let’s just say it must have been very costly for the producers. I would hope anyway that he asked for a lot of money because why else would you do something as inane as this? The character interminably grates. There are also a bevy of British actors in Two Kitties who are equally annoying doing animal voices--from Curry as the mollycoddled Prince to Bob Hoskins as a bulldog and Sharon Osbourne as a pig. As for the human factor Meyer and Love Hewitt are gag-producing sugary sweet while Connolly just makes a complete ass of himself as the dastardly villain. It’s kind of embarrassing actually --for everyone involved. It still boggles the mind the first Garfield grossed $75 million domestically. Yes it was an understandable endeavor since the comic strip has always been immensely popular and with the advent of CGI creating the Garfield we all know and love for the screen was finally possible. But the first Garfield was so mind-numbingly ridiculous you just have to wonder what the audiences saw in it. I guess maybe it had something to do with keeping 7-year-olds occupied. Of course all the studio execs saw were dollar signs so it stands to reason they’d make a sequel. It made money dammit so we have to do it again can’t you see that? OK so let’s say we go with that reasoning hoping maybe they’ll have realized their mistakes with the first and come up with something better. No such luck. I have feeling this time around however those same execs may be disappointed. In a summer full of far more stellar entertainment for the kiddies these Two Kitties are going to thankfully fall by the wayside and put an end to the franchise once and for all.
For bringing in 35 million viewers for its season finale and being television's most popular show, Friends and NBC claimed the prize of top network for the 2001-02 television season. CBS finished a solid second, with its show CSI: Crime Scene Investigation, the second most-watched show on the air, while ABC and Fox followed in third and fourth place, respectively.
Jerry Lewis returned home Tuesday after staying overnight at a hospital, where doctors made a routine check on a device that Lewis had surgically implanted April 8. The device, called Synergy Neurostimulation System, has helped eased chronic back pain Lewis has been suffering from years of pratfalls. He told the Las Vegas Sun that it has left him pain free for the first time in 30 years.
Actress Jenny McCarthy gave birth to a boy, Evan Joseph Asher, on Saturday. The baby weighed 7 pounds, 13 ounces and is the first child for McCarthy and her husband, director John Asher.
Wasting no time since announcing his departure from Saturday Night Live, funny guy Will Ferrell is set to star in a new film, Action Newsman. He'll play an egotistic local news anchorman threatened by an ambitious female newscaster who, unlike his character, has mastered journalism.
Annette Bening will star in a remake of the Disney film Freaky Friday. The story is about how a mother and her rebellious tomboy daughter, secretly wishing for each other's lives, switch bodies for a day. The original 1976 film starred Barbara Harris as the mother and a young Jodie Foster as the daughter.
In the Biz
Yet another thing the strange Michael Jackson is obsessed with: Sky News reported the Gloved One announced in Cannes that he'll be producing and starring in the film Wolfed, playing a werewolf. He's been fascinated with werewolves since seeing John Landis' 1981 film An American Werewolf in London and got to play one when Landis directed Jackson's music video to the hit song "Thriller."
Director Woody Allen filed a lawsuit last May against his former producer Jean Doumanian, claiming she cheated him out of $14 million in profits, and now Doumanian's lawyer says Allen has overstated what he is owed. According to The Associated Press, Doumanian's lawyer, Lee A. Armstrong, claimed he received a document from Allen's lawyer asking for only $2 million. Allen's camp denies the mix-up, saying Armstrong's "characterization of the document was completely false and uninformed."
Sony Pictures has picked up the rights to yet another Marvel comic-book hero: Ghost Rider. This superhero, named Johnny Blaze, makes a pact with the devil to save someone he loves, but the deal goes awry (as deals with the devil tend to do). Blaze, now embodied with superhuman powers, transforms into a ghost rider to try to reclaim his life, love and soul.
Quickly becoming a powerhouse producer in Hollywood, the multitalented Ice Cube has signed up to produce the comedy feature Race under his CubeVision banner. The film is a fish-out-of-water story about a black cab driver who gets involved in a stock-car race. Ice Cube will not be starring in this particular venture.
Looks like the rash of TV nostalgia shows will finally be tapering off after the May sweeps. According to AP, several TV executives have admitted that they may have overdone it with the clip-filled specials on such shows as The Cosby Show, M.A.S.H., The Mary Tyler Moore Show and Laverne and Shirley. Think so?
Pop-punk band Blink-182 will be making a guest appearance on the 300th episode of The Simpsons this fall. The show has Bart moving out of the Simpson house and into his own apartment, where the band and pro skater Tony Hawk are his neighbors. The episode will air next season.
You can't kill the Dead, man. That's right, the surviving members of The Grateful Dead will be jamming for the first time since lead singer Jerry Garcia died in 1995 of a heart attack, according to the AP. They will perform a two-day concert in East Troy, Wis., Aug. 3-4.
Variety reports producer Jerry Bruckheimer (Black Hawk Down) will be receiving the Albert R. Broccoli Award of Excellence at this year's Cinema Expo in June. Past recipients included producers Saul Zaentz, Brian Grazer and Claude Berri.