Not all Young Adult Fiction adaptations are created equal.
Riding the Twilight wave has its advantages and disadvantages, the keystone of the Young Adult fiction genre working as a hook for enthusiastic readers, and a warning sign for those who caught the early exploits of Bella and Edward. Beautiful Creatures owes its cinematic existence to the uber-successful series, but the connective tissue ends there. Based on the novel by Kami Garcia and Margaret Stohl, the movie is ripe with energy, drawing from its preserved, Southern gothic setting of South Carolina, two vivacious young romantics, and an ensemble of seasoned vets who chew up their scenes with twang. Beautiful Creatures doesn't wallow in relationships, it sparks them with frank sexuality and a dash of biting commentary. So long, Twilight.
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Alden Ehrenreich (Tetro) stars as Ethan, an ambitious resident of Gatlin, SC who dreams big and has a particular penchant for plowing through the town's banned book list (yes, even in modern times, there are people who don't see To Kill a Mockingbird as reading fit for teenagers). Waking him up from the doldrums of suburban life is new student Lena Duchannes (Alice Englert of Ginger & Rosa), niece of the towns' notorious Ravenwood family, who becomes the target of public shaming. Beautiful Creatures does not skirt around the strong Christian influence of Southern culture and, as someone the kids believe is a Devil worshipper, Lena is an instant outcast under violent, verbal attack. Quite literally, kids pray in the class room to protect themselves from Lena's bad vibes. If Ethan didn't find the girl attractive in her own right, her position at the bottom of the social ladder fuels his infatuation.
Because today's young romances demand a supernatural element, Lena eventually reveals to her courter that she's a "caster," the nice word for witch in the world of Beautiful Creatures. When Lena turns 16, she'll be subject to "The Claiming," a decision (made by the moon?) that will force her to either the light, nice and peachy side, or the dark, wicked and bloodthirsty side of casting. It's a countdown for Ethan, who realizes he has little time to connect with and possibly save his newfound love. Believing she has the ability to choose her fate, patriarch Macon Ravenwood guides Lena in the ways of the light — while disapproving of her relationship with Ethan.
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The magic logic is as ridiculous and overly complex as it sounds, but Beautiful Creatures writer/director Richard LaGravenese (The Fisher King, P.S I Love You) never loses track of his characters and their interesting quirks. Jeremy Irons is a master spinster of exposition — if his Macon is laying down a mythology-building speech or rattling off the "rules of the Ravenwood family curse," it all sounds like Shakespeare. Emma Thompson does double duty in this department, playing the disturbingly conservative Mrs. Lincoln with recognizable, motherly terror, and her alter ego, a version of Lincoln possessed by a banished witch looking for revenge on Lena. Thompson spars with Macon and cackles in all her thick Southern accent glory, jumping between personas without a misstep. It's glorious.
LaGravenese makes two inspired discoveries with Ehrenreich and Englert, who set the bar for performances in the genre. Ehrenreich is charming and warm, acting like an actual human being in the midst of a fantasy. He makes adorably awful small talk to woo Lena, he worries about her when she destroys the windows of a classroom with her mind, he becomes vicious when the Ravenwoods attempts to interfere with their relationship — all natural. Englert is like a young Kathleen Turner, her husky voice and sharp wit turning Alice into an unusually strong female lead. The young caster is vulnerable as her relationship blossoms, but fully capable of turning a family dinner into a merry-go-round from hell. The two are electric on screen, even at their campiest moments. Yes, they're destined lovers, descendants of a couple murdered during the Civil War, but even without the back story, Alice and Alden have a sweet, scary, and fiery romance.
At nearly two hours, Beautiful Creatures could stand to lose a few plot threads — Emmy Rossum arrives halfway through as Lena's Siren cousin, a painful attempt by the actress to steal the spotlight with exaggeration — but stands as proof that tween source material can be done right. As it does with the cast, the film is enhanced by its moody visuals and engaging soundtrack by alternative rock band Thenewno2, all setting the tone for Alden and Alice's fateful entanglement. The movie shows no fear depicting teens in love or the ramifications of America's belief system — touchy subjects that feel daring in a Hollywood production. That's the movie's real magic.
[Photo Credit: Warner Bros. Pictures]
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The catastrophic battles of the Clone Wars are in their final stages as the crumbling Republic--supported by the ever-vigilant Jedi Knights--fight against the Separatist Alliance lead by a particularly nasty half-droid half-alien named General Grievous. Jedi überheroes Obi-Wan Kenobi (Ewan McGregor) and Anakin Skywalker (Hayden Christensen) are sent to kill General Grievous and end the war but it isn't easy. Meanwhile Yoda Mace Windu (Samuel L. Jackson) and the other Jedi Council members fear for the state of the Republic under the guidance of the nebulously sinister Chancellor Palpatine (Ian McDiarmid). I know what you're thinking "Yeah yeah just tell us how Anakin goes bad." Poor Annie. He still has some serious anger issues which now revolve around his adoring young wife Padme (Natalie Portman) and their unborn child (or children in this case). He thinks he foresees Padme's death and will do anything to keep her safe including listening to Palpatine malevolently whisper promises of immortality and the power of the Dark Side into his ear. Not the best thing for this volatile fellow. Yes Darth Vader will soon emerge and the inevitable duel between the good and the Dark Side is at hand. Get your lightsabers ready.
Happily all the main actors--save for perhaps Natalie Portman as the ineffectual Padme--get a lot more to chew on in this final installment. Christensen is thankfully done being the whining teenager from Attack of the Clones and turns into a brooding conflicted pre-Vader who can't control his anger. Of course he overdoes it a bit with the scowling and evil cold stares but that's OK. It's what the part requires. The love story between Christensen and Portman however is still kind of painful to watch. The two actors look more than a little embarrassed professing their love for one another ("I'm so much in love with you" "No I'm so much in love with YOU!"). And besides bringing back the infamous Leia "cinnamon bun" look Portman isn't given a darn thing to do but fret and pace and rub her pregnant belly praying Anakin will be all right. You'd think after wielding a gun in The Phantom Menace she'd get to do more fighting. Oh well. On the flip side McGregor Jackson and even McDiarmid all get to kick some serious butt in Revenge of the Sith each with their own action-packed fight sequences. Jackson just seems happy to be swinging a lightsaber around. McGregor with the full beard and biting commentary does a nice job setting the stage for the elderly Ben Kenobi to come. And McDiarmid a veteran British stage thesp finally gets his chance to shine as the malicious Palpatine as we see his own transformation into the ultimate evil being he becomes.
Oh George what are you going to do now that it's all over? Of course Lucas has said he is going to redo all the six Star Wars episodes in 3-D as well as produce a TV series which follows the events after Return of the Jedi. Then there's the fourth Indiana Jones movie to look forward to. But Lucas will probably hole back up at his Skywalker Ranch in northern California and dream up even better ways to generate special effects for the big screen. That's what he does best. He truly is an amazing genius at creating visuals and Revenge of the Sith is no exception. From the battle between General Grievous and Obi-Wan to Yoda's clash with Darth Sidious to Obi-Wan's climactic duel with Anakin Sith is simply riveting. The only difficulty Lucas has ever had is with the human element. I'll admit I'm one of those die-hard fans of the original trilogy who had a problem with the lack of an emotional core in the prequels. After writing and directing the first Star Wars (or Episode IV for those counting) Lucas understood then that maybe he wasn't the best choice to write the next two handing the chores off to screenwriter Lawrence Kasdan. It worked. Big time. Yet with all three prequels (that's Episodes I-III) Lucas did it all himself and his obvious shortcomings are evident. But hey does it really matter how connected you feel to the characters when you've got the Force Jedi Knights evil Darths an ass-kicking little green guy clone armies droid armies Wookiee armies (yeah that's a lot of fur) and an ultimate turn towards the Dark Side? No. But it helps.