If there’s one positive thing about Delta Farce is that is actually follows a tried and true comedy formula-- namely the fish-out-of-water scenario—with moderate success. Down on his luck after losing his job and his girlfriend on the same day Larry (of the Cable Guy variety) decides to join his neighbor Bill (Bill Engvall) and his combat-happy buddy Everett (DJ Qualls) for a relaxing weekend of playing army. But when the three unlucky guys are mistaken for Army Reservists they’re loaded onto an army plane headed for Iraq--and mistakenly ejected in a Humvee somewhere over Mexico. Don’t ask. Convinced they’re actually in the Middle East the clueless wannabe soldiers turn into Magnificent Seven meets the Three Amigos and save a rural village from a siege of bandits proving to be real heroes after all. If you need to laugh at the war on terror you might as well do it with Larry the Cable Guy. He serves up his particular brand of comedy making light of a bad situation. In fact not only does he come off somewhat sympathetically as the hapless boob with a heart of gold he also gets the hot chick at the end of the movie. Go Larry! As his accomplice fellow stand-up Bill Engvall follows his own comic routine playing a hen-pecked trailer trash denizen who views this adventure as a great way to escape his overbearing wife and snotty kids. As the third doofus DJ Qualls (Hustle & Flow) plays a trigger-happy wannabe jarhead who sees this opportunity as a way to gain some street cred. And in a supporting role Danny Trejo a Robert Rodriguez regular pokes fun at his scary looks as the leader of the marauding bandits aptly named Carlos Santana. Yes the jokes are plenty. Director C.B.Harding is obviously a Larry the Cable Guy crony since his only other feature film credit is the Blue Collar Comedy Tour movie. Honestly all that’s really required of him is to point and shoot with maybe a few action sequences to coordinate here and there. But while the formula works as a cohesive movie having to sit through Delta Farce’s comic stylings is the tricky part. What it really boils down to is whether you’re a fan of Larry the Cable Guy. If so you’ll (I would hope) realize you’re watching a pretty stupid comedy but will laugh in the appropriate parts. If not I would really wonder what the heck you are doing sitting in the theater.
Albert Markovski (Jason Schwartzman) a bleeding heart poet and staunch environmentalist is convinced a series of unexplained coincidences involving a tall African doorman somehow mean something leading him to married metaphysicians Bernard and Vivian Jaffe (Dustin Hoffman and Lily Tomlin)--otherwise known as the Existential Detectives. Instead of looking for other people this pair tirelessly investigates the mysteries of their clients' secret innermost lives--their "Beings " so to speak--to help them answer their questions. Immediately digging in Bernard and Vivian find out that Albert has a deep-seated hatred for Brad Stand (Jude Law) a golden-boy sales executive at the popular retail superstore chain Huckabees who at first sponsors Albert's Open Spaces Coalition to save a nearby marsh from commercial construction but who ends up taking over the coalition. The Existential Detectives believe Brad may be the key to cracking Albert's case but get sidetracked when Brad hires them for himself--leading them to explore Brad's ambitions hang-ups and his superficial relationship with Huckabees' hot blonde spokesmodel Dawn (Naomi Watts). Meanwhile Albert becomes disenfranchised with Bernard and Vivian and pairs up with another of the duo's clients--firefighter tough guy and uncompromising soul searcher Tommy (Mark Wahlberg). Together they join forces with the Jaffes' arch nemesis sexy French philosopher Caterine Vauban (Isabelle Huppert) whose life teachings revolve around "cruelty manipulation and meaninglessness." Now as Being intermixes with Nothingness Albert Tommy Brad Dawn Bernard Vivian and Caterine get all tangled up in one another as their wild romp through life's biggest questions brings them to some startling truths. Whew!
With such a clever script to back them up it isn't hard to see why the Huckabees wannabes turn in some cracking good performances. Schwartzman once again plays a nebbish sullen but lovable geek (similar to his side-splitting turn in Rushmore) bringing out the film's heart and soul especially with his environmental poetry ("You ROCK rock!"). Veterans Hoffman and Tomlin who are dead-on as the happily married Existential Detectives and Huppert as the deadpan French philosopher complement the proceedings beautifully. For the first time in a long time Hoffman doesn't overplay his part instead letting his quiet inner "Being" out taking his character's philosophies to heart ("Everything you ever desired or wanted to be you already have and are"). But who knew more serious actors--Mark Wahlberg Jude Law and Naomi Watts--could be so excruciatingly funny? Wahlberg's freethinking obstinate firefighter would rather ride a bike to a fire than get into a gas-guzzling fire truck while Watts' Dawn decides she doesn't need to be pretty and is fearless with overalls a bonnet and Oreo cookies stuck in her teeth. As the straight man Law actually has the most difficult part playing the handsome cad who thinks he doesn't believe in all that existential bullcrap but ever so slightly gets slammed with the reality of it anyway.
Writer/director David O. Russell is one fascinating guy. With a body of work including the really weird and wild Spanking the Monkey the hilarious slapsticky Flirting With Disaster and the intense Three Kings it's obvious he is capable of handling a wide variety of subjects. With Huckabees Russell gets into some serious deep thinking. He says he became "intrigued with the idea of a detective following someone around not for any criminal or personal intrigue but rather as part of a very serious investigation about existence itself " drawing concepts from several different strains of existentialism--from the non-dual interconnectedness theories of Eastern philosophy (Bernard and Vivian's take) to the Sartrean notions of a more meaningless universe that demands a profound individualism (Caterine's point of view). Huh? Don't worry your pretty little heads about it too much. Russell's bone-crushing sense of humor comes shining through--as does his unique vision as the camera is used in new and different ways (especially creative when Albert is trying to find his "Being")--to piece together a wondrous coherent albeit thought-provoking little gem. Oscar gold awaits.