Kathryn Bigelow made Oscars history when she became the first female to land the top director honour, beating ex-husband James Cameron in the process.
Calling the huge win "the moment of a lifetime," Bigelow dedicated the award to "the women and men in the military who risk their lives on a daily basis in Iraq and Afghanistan and around the world."
The gritty film also claimed the night's sound awards, film editing and original screenplay prizes - as it collected six of the nine accolades it was nominated for.
Avatar, the world's biggest grossing movie ever, was a triple winner and Up, Crazy Heart and Precious won double.
All the pre-show favourites won the big acting prizes with Jeff Bridges claiming Best Actor, Sandra Bullock Best Actress, Mo'Nique Best Supporting Actress and Christoph Waltz Best Supporting Actor.
Bigelow led what became a great night for firsts - Bullock became the first star to land a Golden Raspberry dishonour the same year as an Oscar - she picked up the Worst Actress Razzie for All About Steve on Saturday (06Mar10); Bridges won his first Oscar for Crazy Heart after five attempts, and 33 of 39 Academy Award winners took home their first Oscars, with The Hurt Locker trio of Bigelow, writer Mark Boal and sound editor Paul N.J. Ottosson picking up their first and second accolades at the 82nd annual prizegiving.
The full list of winners at the Kodak Theatre in Hollywood is:
Best Supporting Actor: Christoph Waltz (Inglourious Basterds)
Best Animated Feature Film: Up
Best Original Song: The Weary Kind by Ryan Bingham & T-Bone Burnett (Crazy Heart)
Best Original Screenplay: Mark Boal (The Hurt Locker)
Best Animated Short: Logorama
Best Documentary Short: Music by Prudence
Best Live Action Short: The New Tenants
Best Make-Up: Barney Burman, Mindy Hall & Joel Harlow (Star Trek)
Best Adapted Screenplay: Geoffrey Fletcher (Precious: Based on the Novel Push by Sapphire)
Best Supporting Actress: Mo'Nique (Precious: Based on the Novel Push by Sapphire)
Best Art Direction: Rick Carter, Robert Stromberg & Kim Sinclair (Avatar)
Best Costume Design: Sandy Powell (The Young Victoria)
Best Sound Editing: Paul N.J. Ottosson (The Hurt Locker)
Best Sound Mixing: Paul N.J. Ottosson & Ray Beckett (The Hurt Locker)
Best Cinematography: Mauro Fiore (Avatar)
Best Original Score: Michael Giacchino (Up)
Best Visual Effects: Andrew R. Jones, Joe Letteri, Stephen Rosenbaum & Richard Baneham (Avatar)
Best Documentary Feature: The Cove
Best Film Editing: Bob Murawski & Chris Innis (The Hurt Locker)
Best Foreign Language Film: El secreto de sus ojos (Argentina)
Best Actor: Jeff Bridges (Crazy Heart)
Best Actress: Sandra Bullock (The Blind Side)
Best Director: Kathryn Bigelow (The Hurt Locker)
Best Picture: The Hurt Locker
In the tradition of Batman Begins and Casino Royale the clock is rolled back on the legendary icons the D—the self-proclaimed greatest band in the world—as the curtain is pulled back on their secret origins and the demons that drive them are unveiled… OK so it’s not really that deep. Though the heavy metal/comedy combo of Jack/JB/”Jabeles” (Jack Black) and Kyle/KB/”Kage” (Kyle Gass) have long played hip clubs cut an album starred in their own short-lived HBO series and amassed a devoted cult of fans their first feature film reveals how the pudgy duo first meet form the band meet their first fan (Jason Reed as TV holdover Lee) go questing the fabled Pick of Destiny—a shard of Satan’s tooth turned into a guitar pick passed among rock’s most accomplished shredders—and ultimately smack down with the devil himself. Believe it or not it’s a love story. Thanks to their long professional partnership Black and Gass comprise two perfectly crafted sides of a very polished comedy coin: Black is the wild-eyed uncontrolled id Gass is the low-energy manipulative slacker and they meet in the middle with an equal amount of unchecked delusion about their musical ability and potential. They both deftly pull off the trickiest types of comedy: smart jokes in the guise of dumb characters and it’s nice to see Black—obviously the bigger film star of the two—share the funniest bits equally with Gass. Of course all of this hinges on the audience’s tolerance for the ambitiously clueless ego-cases (and moviegoers who only love Black for his tamer version of the same persona in School of Rock should be warned—this is the cruder ruder and more profane incarnation) but we admit we’ve long had a taste for the D. They boys carry they movie squarely on their shoulders though longtime D supporters Tim Robbins and Ben Stiller stand out in cameos—the first Stiller cameo in ages that’s both amusing and non-gratuitous! Also appearing in small bits: SNL’s Fred Armisen and Amy Poehler Oscar-nominee Amy Adams Colin Hanks hard rock hero Ronnie James Dio Foo Fighter Dave Grohl as Satan and an uncredited John C. Reilly though you’ll never ever recognize him when he’s onscreen. And kudos to whoever had the inspired notion to cast Meat Loaf as JB’s pious father and Troy Gentile as the young rockin’ JB (Gentile also played a junior version of Black in Nacho Libre). Helmer Liam Lynch who also collaborated on the screenplay with Black and Gass and directed their music video “Tribute ” understands the absurd world of the D completely and demonstrates a clever assured sense of straight-faced silliness. Indeed the first ten minutes of the film alone—a mini-rock opera in itself—announce him as a comedy director to watch. Although we’re sure the bandmates themselves would take full credit for the film’s success. After all they may not have made the greatest movie in the world but in D-speak they came up with a pretty rockin’ tribute version.