February 11, 2011 11:07am EST
Coriolanus, the directorial debut of Oscar-nominated thespian and general British bad-ass Ralph Fiennes, has long been completed, but so few have seen his adaptation of the Shakespeare play. With a cast that includes Gerard Butler, Brian Cox, Jessica Chastain and Vanessa Redgrave, the demand to see the film is certainly out there, but there hasn't been a distributor brave or bold enough to carry it. Enter The Weinstein Brothers.
The boys from Queens have stepped up to the plate to bring this seemingly splendid motion picture to the masses, as the company today announced that they'll distribute the movie sometime this year. I personally can't wait to see Fiennes' revisionist take on the classic tale, which centers on a banished hero of Rome allies with a sworn enemy to take his revenge on the city. The wonderful wordsmith John Logan (The Aviator, Sweeney Todd) penned the screenplay, providing yet another reason to get excited about the production. Have a look at a pair of photos from the film below, and read on for the official press release:
New York, NY, February 11, 2011 – The Weinstein Company (TWC) announced today that it has acquired from Icon Entertainment International (IEI) U.S. rights and Pan Asian pay TV rights to CORIOLANUS, the feature directorial debut of Academy Award® nominated actor Ralph Fiennes. A contemporary staging of Shakespeare’s classic play about the titular Roman warrior, CORIOLANUS stars Fiennes, Gerard Butler, Academy Award® winner Vanessa Redgrave, Brian Cox, Jessica Chastain and James Nesbitt. CORIOLANUS will make its world premiere at the Berlin International Film Festival this Monday, February 14. TWC plans a 2011 release. Said TWC Co-Chairman, Harvey Weinstein, “My brother’s and my relationship with Ralph stretches back many years and includes two of our most cherished productions, THE ENGLISH PATIENT and THE READER. He’s a brilliant artist, and we are honored and delighted to partner with him in bringing CORIOLANUS to American moviegoers.” Ralph Fiennes said, “I'm thrilled that Harvey and TWC will distribute CORIOLANUS in the U.S. His response to the film was overwhelmingly passionate. He really embraced it. This has been a long road and I cannot think of a better company to do it in the U.S.” Said IEI Managing Director, Hugo Grumbar, “TWC is the perfect U.S. home for Ralph’s visceral, stunning debut.” The deal was negotiated for TWC by David Glasser, Chief Operating Officer, Michal Steinberg, Senior Vice President Business Affairs, Kelly Carmichael, Senior Vice President Production and Daniel Guando, Vice President Acquisitions; and for IEI by Grumbar and Estelle Overs, Head of Legal and Business Affairs. CORIOLANUS is produced by Ralph Fiennes; Julia Taylor-Stanley for Artemis Films; Gabrielle Tana for Magnolia Mae Films; and Colin Vaines for Synchronistic Inc. It was adapted for the screen by John Logan, (SWEENEY TODD, THE AVIATOR, GLADIATOR). Barry Ackroyd (GREEN ZONE, THE HURT LOCKER, UNITED 93) is the Director of Photography. The film is being distributed in the U.K. by Lionsgate UK. Source: The Weinstein Company
December 11, 2003 1:48pm EST
Remember that movie about a high school geek who gets the most popular girl in school to be his girlfriend to boost his own image only to discover that fitting in isn't worth sacrificing his individuality? Or was that a Saved by the Bell episode? Love Don't Cost a Thing is the latest teen comedy to follow that formula to a fault: Alvin Johnson (Nick Cannon) is an outcast teen with no style and he's ready to do anything to shed his nerdy image. Even his father (Steve Harvey) an old-school ladies' man wishes the boy would get out and socialize more. So when the popular Paris Morgan (Christina Millian) wrecks her mother's Cadillac Escalade Alvin an amateur mechanic offers to fix the vehicle and pay for the parts if she will pretend to be his girlfriend for two weeks. A haircut and several Sean John warm-up suits later Alvin becomes "Al " an ultra-smooth guy who's "got all the 411s." Of course Paris starts to fall for Al who's too busy keeping up his "big pimpin'" facade to notice. But after alienating everyone close to him including his childhood friends stylin' Al learns a valuable lesson about being himself.
Cannon's performance in Love Don't Cost a Thing falls short of the impressive one he delivered in the musical drama Drumline--his first lead role in a feature film. Here it's impossible to sympathize with the 23-year-old Cannon's clownish character even when he is needlessly bullied by jocks. With his crazy uneven Afro and spastic walk even Molly Ringwald's goody-good character Samantha in Sixteen Candles might be tempted to point and laugh. But while the movie's hero doesn't score many points other characters do notably Al's gal pal Paris played by songwriter/actress Millian who has written songs for Ja Rule and appeared as a guest on several TV shows including Charmed and The Steve Harvey Show. She delivers a very sincere performance as the "frappuccino with hips " and although audiences should despise her character for prostituting her popularity and lying to just about everybody Millian manages to morph Paris into a likeable personality--and we can't help but go along for the ride. But mustachioed comic Harvey steals the show as Al's loveable father Clarence a man who still boogies to his 8-track collection and gives his son very valuable life advice including how to open a condom wrapper using only one hand.
Writer/director Troy Beyer's Love Don't Cost a Thing is so visually horrendous that it should have been called This Film Didn't Cost a Thing. Beyer who directed the dire 1998 comedy Let's Talk About Sex and penned the even worse 1997 B.A.P.S. doesn't much improve her track record in 2003. Her guidance here including sound light and action is so amateurish that the film seems unfinished. An outdoor party scene for example is so dark it's difficult to make out the characters on screen and in another scene inside the school the sound is so muffled the character's lines are barely audible. Beyer's screenplay adapted from the mind-numbingly bad 1987 comedy Can't Buy Me Love doesn't help matters either; most of the characters remain as shallow and label-obsessed as they were 15 years ago. And while there have been countless Hollywood films revolving around the same theme many have done so successfully including the aforementioned oldie Sixteen Candles and more recently The New Guy.