With college behind them East Great Falls High School alums Jim (Jason Biggs) and Michelle (Alyson Hannigan) decide the time is ripe for marriage. After an embarrassing restaurant proposal that involves under-the-table fellatio and a missing ring Michelle accepts and sets her sights on the perfect wedding ceremony. Jim and his best buds Finch (Eddie Kaye Thomas) and Kevin (Thomas Ian Nicholas) decide to leave Stifler (Seann William Scott) in the dark about the upcoming nuptials to avoid any possible calamities but it doesn't take long for the Stifmeister to figure things out. Stifler the only one of the gang who has not matured since high school lays on the charm--and the Lacoste sweaters--and quickly gains acceptance from Michelle's stuffy parents and her attractive sister Cadence (January Jones). The film basically revolves around Jim trying to turn Michelle's dream wedding into a reality while Stifler unintentionally foils his friend's every effort. American Wedding follows the same formula as its two predecessors and while there are some really funny gags here you can spot their setup from a mile away. When Stifler for example accidentally feeds Michelle's wedding band to a dog waits on it to pooh it out then scoops up the jewelry with a paper doily we are hardly flabbergasted when it is later mistaken for a truffle. And that just about sums up the movie: funny but formulaic.
In the first two American Pie movies Biggs's character Jim was always a key comedic player. For instance who could forget his Internet snafu with Nadia the foreign exchange student or the Crazy Glue incident at the beach house? But while American Wedding is all about Jim and Michelle's wedding Biggs and Hannigan take a back seat to the laughs here: they're the stressed-out grown-ups. Also turning in a more muted performance is Nicholas as pal Kevin who doesn't appear to have a purpose at all in this installment--although he does provide a bit of comic (albeit non-speaking) relief during Stifler's botched attempt at a bachelor party. Contrary to Jim Michelle and Kevin who have blossomed into somewhat dependable adults Scott's character Stifler has degenerated. Stifler is more crass and obnoxious than ever perhaps even a little too over-the-top. The actor whose performance stands out the most in this comedy is Thomas in the role of Finch. Thomas has taken the character's haughtiness and peculiarity to a new level fine tuning Finch's attributes and stylishly transforming him from a high school geek to a cool brainy college graduate. Eugene Levy who is back in the role of Jim's overly involved father but his shtick has become redundant. His only purpose in the films is to walk in on his son at every inopportune moment.
All three films in the American Pie series were penned by screenwriter Adam Herz and produced by Paul and Chris Weitz--who also served as directors on the original--but they have all gone through different directors; the J B Rogers-directed American Pie 2 and now American Wedding helmed by Jesse Dylan (How High). Like the second installment American Wedding has its moments and there are a handful of truly funny ones including a scene in which Jim shaves his pubic area and dumps the hair out the window where it blows towards a group of unsuspecting guests (and the cake). But unlike this particular instance most of the jokes suffer from overkill; the cameras keep rolling long after the yarn stops being funny. Others are stereotypical like Stifler's dance-off with a patron in a gay club while others including a midnight rendezvous in a dark hallway closet are predictable. But even though the film revolves around the now all-too-familiar characters Herz has matured them in a way that still makes them both amusing and endearing. Don't however look for Oz (Chris Klein) Heather (Mena Suvari) Vickie (Tara Reid) or Nadia (Shannon Elizabeth). The filmmakers believe these characters weren't needed since the story wasn't about them anymore but it would have been nice to mention them and what they were up to.
Taken from the pages of Thomas Harris' terrifying first novel in the trilogy Red Dragon is certainly a twisted psychological encounter of the best kind. The pacing of the film is unstoppable racing from one scene to the next in hopes of trying to stop a serial killer. Ex-FBI agent Will Graham (Edward Norton) known for his expertise in delving into the minds of the madmen he is trying to catch quits the Bureau after a messy run-in with a supposed ally who turns out to be the mother of all serial killers--Dr. Hannibal Lecter (Anthony Hopkins). Years later living a quiet existence with his wife Molly (Mary-Louise Parker) and son in Florida Will is sought after once again by his former boss Agent Jack Crawford (Harvey Keitel). Seems there's a new serial killer in town known as The Tooth Fairy for his gruesome use of teeth in killing two families. The Tooth Fairy is really a quiet man named Francis Dolarhyde (Ralph Fiennes) who has a cleft palate a dilapidated mansion and thinks he is a reincarnated William Blake painting called The Red Dragon. (Don't we all?) Graham gets sucked in easily (as he is wont to do) but ultimately needs a little help from his now-incarcerated old friend. Obviously Graham is more than reluctant to have to confront the man who tried to kill him but his desire to catch Dolarhyde is greater. And Lecter is one of the best forensic psychiatrists there is. Let the psychotic cat and mouse game begin.
Each actor hits the nail on the head but honestly with a cast like this one it would be very hard to go wrong. Starting with Norton as Graham the actor infuses his character with the right amount of intellect charm and fear without ever overplaying one of those attributes. Of course we mustn't forget Norton's own skill at playing the psychotic in Primal Fear earning him an Oscar nomination. He is an actor of amazing talent. Fiennes also steps up to the plate as Dolarhyde but it isn't the rantings of a crazy man that grabs your attention. It's the quiet tender moments he has with his girlfriend (and we say "girlfriend" loosely because it's as close as to one as this freak can get). Played exquisitely by Emily Watson she's blind and cannot see what Dolarhyde has become so playing God with her is useless to him. The two stage-trained actors get to the heart of the relationship without a hint of effort. Instead Dolarhyde can just be with her and she almost makes him want to stop his insane going-ons. Almost. Then there's Hopkins. Winning an Oscar for portraying Lecter in Silence of the Lambs Hopkins simply is Lecter. There isn't anyone else who can play him. But what more can an actor do with a character he's played three times? Plenty as Hopkins proves in Dragon. This time it's the relationship he has with Graham that gives a new twist to Lecter. We see in Hopkins' eyes he may not like Will as much as he did Clarice Starling (come on everyone knows he was in love with her) but he respects Will. That's the difference and handled subtly by the British actor. Still now that the trilogy is done perhaps Hopkins may be able to put aside those cannibalistic impulses for good.
Fans of this Harris novel should feel comfortable with this rendition. Directed by Brett Ratner and adapted by Oscar-winning screenwriter Ted Tally (who won an Academy Award for Silence of the Lambs) it's a taut psychological roller coaster ride. Luckily Dragon is more about mind games and less about the gore than Hannibal. Ratner knows his stuff and delivers a powerful film. There have been other movie incarnations of Harris' novel particularly the 1985 Michael Mann version Manhunter but many fans felt Mann's film didn't truly capture the book even if it was well-made. Of course Mann also didn't have Hopkins playing his Lecter (although British actor Brian Cox did a heck of a good job). This is one of the keys to making Red Dragon great but it's also what keeps it from being better than Lambs. The story is different granted but it's territory we've seen covered before. Lecter in Lambs simply horrified us and the film was chilling all the way through. Dragon actually has more heart and is much more about relationships than about cold-blooded killing. The journey Ratner takes us on through serial-killer land is certainly terrifying but maybe it would have been a little different and even more intriguing to concentrate even more on its emotional aspects.