What does it mean to be human?
It's a quandary braved by the great minds of Carlo Collodi, Isaac Asimov, Philip K. Dick, Brian Aldiss, and the two guys who wrote Short Circuit. And in every instance of wrestling with the question, the lines seem to become blurrier. What exactly changes when marionette puppet Pinocchio swaps splinters for skin cells at the end of the story? Who is to say whether the machines inhabiting Blade Runner's molting Los Angeles are of any shyer value than the humans bent on destroying them? Where exactly in Johnny 5's mainframe does a soul come into play after he is struck by lightning during that poorly planned government showcase?
And does it make any difference that the ingenious zen master Horse_ebooks, that which we have always identified as a "Twitter bot," has in fact been identified as a member of our own sentient species? Two members, in fact: The New Yorker identifies BuzzFeed creative director Jacob Bakkila and former Howcast production development VP Thomas Bender as the living, breathing souls behind the horse.
We can't quite land on an answer there. We've always appreciated the ostensibly automated mania that is the Horse_ebooks Twitter account as comical in its complete independence from any understanding of what comprises a functional thought. Its natural, unadulterated production of nonsense is what has made the Internet phenomenon such a popular, oft quoted craze. To know that gems like "Tired of Deli Delights?" were crafted not from the cogs of some copy machine, but instead from the mind of two fellows trying like the dickens to come up with something that sounds wacky.
On the one hand, we can argue that this robs the account of its authenticity, like the loss of some of the humor or fascination that comes from translating an interesting real life story to the medium of film. On the other, we can now attribute to Horse_ebooks a genuine accolate of ingenuity. This ain't just some computer regurgitating collected content with no understanding of the craft of comedy. These are two guys who truly know how to make people laugh, as is proven by the fame gained by their Twitter account over the past years of its existence.
But are we less likely to laugh now, knowing that the horse is a farce? We might be, but that doesn't mean that Bakkila and Bender have set their careers as absurdist humorists to rest: the two are pioneering an interactive video piece called Bear Stearns Bravo, the trailer for which you can watch below.
So, we can set our sights on this new creative venture by the Kaufmanian masterminds. Horse_ebooks might lose its luster for us, but we should really offer due praise to the pair for their experiment. They made something. Something that, no matter where it goes from here, will be remembered.
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Del Toro has been working on his vision of Carlo Collodi's story since 2008, and now Burton is reportedly planning to team up with Robert Downey, Jr. for their own take on the tale of the wooden puppet who wants to be a real boy.
Downey, Jr. will take the role of Geppetto, the woodcarver who creates Pinocchio, while Stardust writer Jane Goldman is in talks to pen the screenplay, according to The Hollywood Reporter.
You've got to admire Guillermo Del Toro's ability to multitask. The Mexican writer, producer and director is infamous for having a number of creative projects in the works at any one time, and right now, right this second is no exception. In addition to preparing The Hobbit with director Peter Jackson and At The Mountains of Madness with producer James Cameron, Del Toro has just joined the Jim Henson Company and Pathé to produce Pinocchio, a 3D stop-motion animated adaption of the Carlo Collodi fairy tale that will be far "edgier" than the original 1940 Disney animated version.
Yes, you can go ahead and roll your eyes if you must -- it's another "darker" and "edgier" adaptation/remake/reboot of a classic film -- but if we can't have faith in the creative mind of Guillermo Del Toro, who can we believe in?
“There has to be darkness in any fairy tale or children’s narrative work, something the Brothers Grimm, Hans Christian Anderson and Walt Disney understood,” Del Toro said. “We tend to call something Disney-fied, but a lot of people forget how powerfully disturbing the best animated Disney movies are, including those kids being turned into donkeys in Pinocchio. What we’re trying to do is present a Pinocchio that is more faithful to the take that Collodi wrote. That is more surreal and slightly darker than what we’ve seen before.”
Del Toro's Pinocchio was conceived with script-writer Matthew Robbins and inspired by storyteller Gris Grimly's unique vision of the classic Collodi fairytale, published in 2002. Grimly, a Los Angeles-based artist, will co-direct along with Mark Gustafson, the animation director for Wes Anderson's 2009 stop-motion feature Fantastic Mr. Fox. Production is set to begin later this year with famed Australian rock artist and film composer Nick Cave on board as a music consultant.
“We’ve designed key frames and characters, we know the mood and the feel, we’ve created a bible,” said Del Toro, who released several design photos from the planning stages of the production. "Shooting stop motion animation takes a lot time, but we’ve got the right team and I will be there for daily or weekly updates on how it’s going." Check out the photos below to get a feel for the dark, whimsical style that Grimly and Del Toro have in mind for Pinocchio, and let us know what you think in the comments.