R&B singer Al Johnson has passed away. He was 65. The lead singer of soul group The Unifics died on 26 October (13) after suffering a heart attack during treatment for a colon infection.
Johnson co-founded the band after meeting Tom Fauntleroy, Marvin Brown, Bob Hayes, and George Roland at Howard University in Washington, D.C. in the 1960s, and they became known for their impressive harmonies and smart attire, scoring three hits on America's Billboard Hot 100 chart, including Court of Love and The Beginning of the End.
He went on to release solo material, including a record with jazz producer Norman Connors in 1980, and also arranged tracks for acts including Roberta Flack, Terry Huff and Tata Vega.
The Unifics reunited in 2004 for gigs in the Washington, D.C. area.
The Amazing Spider-Man would prefer if you didn't call it the fourth Spider-Man movie. See this ain't the Spider-Man your older brother knew from ten years ago — it's a reboot. The latest adventure to feature the comic book webslinger throws three movies worth of established mythology straight out the window swapping the original cast with an ensemble of fresh faces and resetting the franchise with a spiffy new origin story. "New" in the loosest sense of the word — the highlights of ASM mainly a sleek new design and spunky reinterpretation of Peter Parker (Andrew Garfield) and gal pal Gwen Stacey (Emma Stone) are weighed down by overpowering sense of familiarity. Nearly a beat for beat replica of the 2002 original with some irksome twists of mystery thrown in Amazing Spider-Man fails to evolve its hero or his quarrels. The film has a great sense of cinematic power but little responsibility in making it interesting.
We're first introduced to Peter Parker as a young boy watching as his parents rush out of the house in response to a hidden danger. Mr. and Mrs. Parker leave their son in the care of his Aunt May (Sally Fields) and Uncle Ben (Martin Sheen) who raise him into Andrew Garfield's geeky cool spin on the character. Parker's a science whiz but faces the challenges of every day life — passing classes talking to girls the occasional jock with aggression issues — but all of life's woes are put on hold when the teen discovers a new clue in the mystery behind his parents' disappearance. The discovery of his dad's old briefcase and notes leads Peter to Dr. Curt Connors (Rhys Ifans) a scientist working for mega-conglomerate Oscorp and his Dad's old partner. When they cross paths Connors instantly takes a liking to the wunderkind and loops him into the work he started with his father: replicating the regeneration abilities of lizards in amputee humans (Connors is driven to reform his own missing arm). But when Parker wanders into Oscorp's room full of spiders (a sloppily explained this-needs-to-be-here-for-this-to-happen device) he receives his legendary spider bite that transforms him into the hero we know.
Director Marc Webb (500 Days of Summer) desperately wants Amazing Spider-Man to work as a high school relationship movie but with the burden of massive amounts of plot and mythology to introduce the movie sags under the sheer volume of stuff. Stone turns Parker's object of affection Gwen Stacey into a three-dimensional character. Whenever they happen upon each other an awkward exchange in the hallway a flirtatious back-and-forth in the Oscorp lab (where Stacey is head…intern) or when the two finally begin a romantic relationship the two stars shine. They're vivid characters chopped to bits in the editing room diluted by boring franchise-building plot threads and routine action sequences. Seriously Amazing Spider-Man another mad scientist villain who uses himself as a test subject only to become a monster? And another bridge rescue scene? Amazing Spider-Man desperately wants to disconnect from the original trilogy but it's trapped in an inescapable shadow and does nothing radical to shake things up. Instead it settles for the same old same old while preparing for inevitable sequels instead of investing in its dynamic duo.
There's a sweet spot where the film really hits his stride. After discovering his spider-abilities Peter hits the streets for the first time. He's superhuman but still a headstrong teen full of obnoxious quips and close calls with shiv-wielding thugs. The action is slick small and playful Webb showing us something new by melding his indie sensibilities with big scale action. If only it lasted — the introduction of Ifans reptilian half The Lizard implodes Amazing Spider-Man into incomprehensible blockbuster chaos. A gargantuan beast wreaking havoc around New York City promises King Kong-like escapades for the friendly neighborhood Spider-Man but the lizard man has other plans: to rule the world! Or something. Whatever it takes to get Lizard and Spider-Man fighting on the top of a skyscraper over a doomsday machine — logic be damned.
Amazing Spider-Man peppers its banal foundation with great talent from Denis Leary as Gwen's wickedly funny dad and the police captain hunting down Spider-Man to Fields and Sheen as two loving adults in Peter's life to Garfield and Stone whose chemistry demands a follow-up for the sake of seeing them reunited. But it's all at the cost of putting on the most expensive recreation of all time with new demands imposed by the success Marvel's other properties (except that franchise teasing worked). Amazing Spider-Man introduces too many ideas that go nowhere undermining the actual threat at hand. No one wants to be unfulfilled but that's the overriding difference between the original movie and the update. You need to pay for the sequel to know what the heck is going on in this one.
When he was 12 years old Cody Banks (Frankie Muniz) was recruited to attend a summer camp secretly run by the CIA. Four years later the Agency comes knocking on his door with a mission: He must get close to Natalie Connors (Hilary Duff) a prep school student in Cody's home town and the daughter of a scientist developing deadly nanobot technology for the evil organization ERIS. Problem is Cody is not the most confident guy when it comes to girls and meeting Natalie proves to be a mission in itself. Luckily for Cody his agency mentor is the stunning Ronica Miles (Angie Harmon) who knows a thing or two about relationships. Cody must now prove himself as an agent and stop ERIS from completing its mission. Can he do it? And more importantly will he get the girl? With its crop of predictable gadgets and two-dimensional villains Agent Cody Banks MGM's answer to James Bond for 'tweens is not too imaginative. But its likeable cast and characters make this pic a tolerable undertaking.
Muniz is only 16 years old but he's hardly a newcomer to Hollywood. He stars in Fox's hit sitcom Malcolm in the Middle and has two features My Dog Skip and Big Fat Liar under his belt. Muniz doesn't come across as a manufactured Hollywood kid actor and there is something refreshing about the fact that he doesn't use puppy dog eyes or speak childishly to wring sympathy out of moviegoers. He possesses an intelligence that comes through in his work especially here where he plays a quick-thinking operative. Duff meanwhile stars in her own hit Disney Channel series Lizzie Maguire a comedy about a young teenager and her animated alter ego. In Cody Banks Duff plays Natalie a smart and clever teen who doesn't have to follow the pack to be popular. Together Duff and Muniz make a snappy little onscreen duo. Rounding out the cast is Harmon (formerly of NBC's Law and Order) as Cody's proctor. Harmon obviously saw the humor in this part and ran with it. You'll love her leather outfits and shoulder-pad stuffed cleavage.
Director Harald Zwart's pint-sized secret agent flick is packed with silly but entertaining action sequences. The film starts off on a high as Cody jumps on his skateboard to save a toddler trapped inside a runaway car in a thrilling high-speed rescue. Although Agent Cody Banks has some lively action the storyline is a bit derivative and follows the basic spy formula of good versus evil complete with bald scarred villains seeking to destroy the world for no reason other than to be well evil. The gadgets--an important part of any spy movie--are also basic fare (think suction cup shoes and x-ray vision glasses). But the film is still fun to watch because a) it only runs 96 minutes leaving little time for boredom to set in b) it's got a really likeable cast and c) it doesn't take itself seriously. Zwart who directed the 2001 comedy One Night at McCool's lightens the film with some humorous touches here and there including playing Nelly's "Hot in Herre" whenever Ronica Miles makes a sultry entrance.