As we start to fill-up up our Netflix queues with classic horror flicks in preparation for Halloween, we realize the greatest villains of the genre still hold power over our adolescent selves. We still can't say Candyman in the mirror and clowns will always be scary, but what about the average joes who play the leading men in our nightmares? Sometimes it helps to disassociate and think of Freddie Krueger waiting in line at the DMV. Spurred by the recent release of Gunnar Hansen's (a.k.a Leatherface in Texas Chainsaw Massacre) memoir titled Chain Saw Confidential, we decided to "pull off the mask" of our favorite villains of horror.
Leatherface — Gunnar Hansen
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We skipped a lot of early morning classes in college, but perhaps we would've be scared straight if Leatherface was our English professor. The actor turned professor quit the biz to teach freshman English at University of Texas. Can you imagine the strapping six-foot three Hansen discussing the thematic resonance of Don Quixote? While Hansen spends most of his days in a small coastal town in Maine, he recently ventured back into acting, playing bit cameos in such classics as Hollywood Chainsaw Hookers and Texas Chainsaw 3D.
Jason Vorhees — Ari Lehman
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Ari Lehman looks like a mix of street magician and the sexy sax man — the stuff nightmares of made of. He also holds the distinct honor of playing the first Jason Vorhees in the original Friday the 13th. As it turns out, creeping out generations of children is not his only talent, as he is accomplished jazz musician and studied classical music and jazz piano at both Berklee School of Music and NYU. His passion for pounding the keys led him to tour with prominent reggae and African music groups and eventually led to him starting his own band — "First Jason," whose sound "hits you over the head with an anvil being swung at 1000 miles an hour by the metal gods."
Michael Myers — Tony Moran
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After slashing his way through a couple of teenagers as Michael Meyers in Halloween, Tony Moran found himself making mincemeat out of high mortgage rates as an actor-turned broker. He shared his passion for acting with his actress sibling, Erin Moran of Happy Days, and did a number of guest appearances in The Waltons and CHIPS and then quit at age 30. Turns out, Michael Myers had such emotional depth it required three actors to play him, including Nick Castle and Tommy Lee Wallace. Since Moran wasn't anxious to wear the Michael mask again, his footage from the first film was used again in the sequel.
Freddy Krueger — Robert Englund
Robert Englund is the Kevin Bacon of horror villains. The man has literally worked with everyone in the business and has an IMDB credit list longer than our tax return. Before he donned the striped crewneck and switchblade gloves, he was briefly considered to play the part of Han Solo in Star Wars and even had Mark Hamill bumming on his couch. After playing bit parts on various shows and a recurring role on V, he took on the role of Freddy for three consecutive films and continues to work steadily today.
Chucky — Brad Dourif
It takes a Golden Globe winner and Academy Award nominee to truly capture the demonic essence of a possessed doll. Character actor Brad Dourif has worked with some of the directing greats over the course of his career. He got his big break on One Flew Over the Cuckoo's Nest, worked with David Lynch in Dune and Blue Velvet, played a slimy villain in the Lord of The Rings trilogy and appeared in several Werner Herzog films. Like Hansen, Dourif also dabbled in teaching, leading acting and directing classes at Columbia University before becoming the voice of Chucky in all of the Child's Play films. Which leads us to wonder if there's a connection between playing psychopathic villains and academia.
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Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.