Actress Chloe Grace Moretz has warned fans she will not tolerate anti-gay bullying as two of her brothers suffered horrendous abuse when they were growing up. The Kick-Ass star has four older brothers - Brandon, Trevor, Colin and Ethan - and she has revealed two of them are homosexual and were targeted by bullies in their younger years.
The actress, who regularly connects with fans via Twitter.com, tells Seventeen magazine, "I have two gay brothers and two straight brothers, and my gay brothers were treated horrifically until they grew up and understood how to deal with it.
"I will delete you and I will block you (online), and you will not be a part of my life if you ever say anything bad about my brothers."
The 15-year-old rising star broke onto the scene in 2009's (500) Days of Summer, and since then she has teamed up with such veterans as Martin Scorsese, Nicholas Cage, and Johnny Depp.
But, Moretz refuses to take full credit for her success - her sibling Trevor has taught her everything she knows.
She tells InStyle magazine, "My brother Trevor went to the Professional Performing Arts School in New York. I was five or six at the time, and I would hear him practising his monologues over and over, and I would recite them to my friends and family. I begged my mom to take me to auditions, and my brother was like, 'If you're going to do this, let me show you what I know.'
"I started getting booked, and eventually he became my full-time acting coach. He travels everywhere with me."
The Hugo star admits she would like to start dating someone special but her four protective older brothers - Brandon, Trevor, Colin and Ethan - make sure romance is off the cards for the 15 year old.
She says, "Because of my four older brothers, it just doesn't go down. I had a lot of friends and guys that I think are cute and stuff, but it doesn't really work out with the family and all. My family's a bit too big and a bit too abrasive."
In all, seven celebrities have been recognised for their charity work and together they'll scoop up the accolades at a special ceremony in Los Angeles on Saturday (22Oct11).
Glee hunk Criss has been an avid supporter of the Trevor Project, which raises awareness about the suicide rate among lesbian, gay, bisexual and transgender youth, Panettiere has been a longtime advocate of the Whaleman Foundation, which preserves oceanic habitats, and breakout True Grit star Steinfeld fronts the hunger campaign Share Our Strength.
Modern Family's Rico Rodriguez, 12-year-old Brothers actress Bailee Madison, Kick-Ass star Chloe Moretz and the teen star of hit sitcom Two and a Half Men, Angus T. Jones, will also receive prizes.
September 30, 2010 6:53am EST
Much like the meteoric rise of child actors such as Abigail Breslin or Haley Joel Osment, Chloe Moretz became a household name virtually overnight earlier this year when Diary of a Wimpy Kid and Kick-Ass surprised box office guru's and moviegoers alike. Her balance of every-girl-cutesyness, pitch perfect delivery and beyond-her-years wisdom has made her Hollywood's go-to pre-teen and the offers are pouring in.
This Friday, Ms. Moretz stars in the highly-anticipated and wonderfully reviewed Let Me In, the English remake of the global hit thriller Let The Right One In. I got the chance to speak with her about the film, her cinematic heroes and much more. Read on for the full interview and check out Let Me In this Friday!
Q: Hey Chloe, how are you?
Chloe Moretz: I'm good, how are you?
Q: I'm good. Thanks for taking the time to talk to me.
CM: Oh, no problem. My pleasure.
Q: I wanted to start off asking you a little about yourself before we get into the films. I know you're only 13, but when was it that you decided that you wanted to act?
CM: Well, my brother Trevor got accepted to a professional performing arts high school in New York City, so basically, I got the acting bug. I found it through him because I saw how much he loved it. I used to run his lines with him and I fell in love with it through there.
Q: Is he still acting?
CM: Yeah. He's been my acting coach since I was 6.
Q: Great. I assume that you're still in school. How do you balance your professional life, your home life and your school life with all of these fantastic opportunities popping up every other day?
CM: I've been homeschooled ever since I was in 3rd grade, so I've had the same teachers. The consistency has been really good. You know, I look forward to having school now. I love being home schooled.
Q: Getting more in depth about Let Me In, did you read the book or see the original film before taking the role or beginning production?
CM: I haven't seen the Swedish film and still haven't seen it because, you know, it's R-rated (laughs). My brother, who's my acting coach, didn't want me to watch it because he and [director] Matt (Reeves) wanted me to have a pure and natural connection to Abby.
Q: What was discussed between Kodi, You, and Matt Reeves when talking about developing the friendship and bond between Abby and Owen during Let Me In.
CM: You know, a lot of it came naturally. We were just really good friends and it just was what it was. We didn't have to think about it too much because you know, we just were natural with it. But yeah, we just had to figure out all the dimensions. She may be 300-years-old but she's still just a 13-year-old girl.
Q: I don't know if you set out on this career path on purpose, but you're becoming known in internet circles and amongst journalists and fans as the go-to, badass 13-year-old and everyone loves you for it. So how do you prepare for roles that are visceral and kick-ass, for the lack of a better word?
CM: Basically, I have my brother Trevor who's my acting coach and who's coached me forever. We go over it together and we figure out the role together and that's what we do.
Q: Since you're working with so many legendary filmmakers this early in your career, who do you aspire to work with? Actors? Directors?
CM: Natalie Portman, definitely. I think she's a phenomenal actress and she is so amazing. I totally love her and look up to her.
Q: Any directors?
CM: Martin Scorsese (laughs), but I'm already working with him so...(laughs). Steven Spielberg. There's a lot of people I'd love to work with.
Q: Great. I hope you get the chance to. What, if anything, is your experience with comic books? Do you have a love of comic books that pulls you toward those kinds of projects?
CM: I guess I could say that I love comic books. I think they're cool and they're different than just (looking at) a script. You know, I just look for really great characters and something unique and something different than what any other kid would be taking.
Q: Great. Thanks for talking.
CM: It was my pleasure.
She's a hip-hoppin' be-boppin' mean ol' nanny who whips a mean stew and your butt for not doing your homework—and now she's back! Alas we don't speak of the Mrs. Doubtfire sequel but rather that of Big Momma a.k.a. FBI Agent Malcolm Turner (Martin Lawrence). Agent Warner has cut ties with the FBI at the behest of Sherry (Nia Long)—who as you no doubt recall is the granddaughter of the real Big Momma—since she's pregnant with Malcolm's baby. But wouldn't you know that he gets sucked back in after a former colleague is killed. Posing as Big Momma he's hired as a nanny to a suburban family the deadbeat dad of which is involved in the murder and a crime plot. She does it all—cooks cleans dances and even runs down bad guys but it's a race against time to stop the potential national security crisis. That is a race against the film's (mercifully) short running time. Although Lawrence's resume includes some of the dregs of comedy it's hard to argue that he is truly blessed when it comes to physical comedy and comedic timing. He continues both trends here this time without the help of the breakthrough actors of the past two years Paul Giamatti and Terrence Howard who yes both starred in the first Big Momma's House. That means Lawrence's urban mania is truly on its own and absurd and juvenile as the film may be even film snobs can't hold back a few laughs at his Big Momma outlandishness. Longreturns for no more than a select few scenes and to provide a minor conflict in the story. The notable newcomer is CSI's Emily Procter as the sterile mother who hires Big Momma. She does a serviceable job as a suburban Petite Momma. Might she be the next Giamatti or Howard to bolt to bigger and better things in time for the next sequel? No.
Big Momma's House 2 is right up director John Whitesell's alley. He's the guy behind such misses—though not necessarily financially—as Malibu's Most Wanted and See Spot Run and he's right at home here. Whitesell doesn't hold back in (literally and figuratively) pulling the robe off Big Momma but he clearly knows that nothing is to interrupt Lawrence's antics not even the thin story line. Aside from that he knows quite well how to execute thinly veiled rip-offs of the aforementioned Mrs. Doubtfire as well as countless other hidden-motive comedies (i.e. Kindergarten Cop Houseguest et al). Because while the main guise is the Big Momma fat suit Whitesell parades the film about as a feel-good/family flick.