The vampire Lestat de Lioncourt (Stuart Townsend) wakes from a hundred-year sleep to the rock 'n' roll present day and likes what he sees and hears. Tired of the vampire's solitary life he becomes the frontman for an unknown rock band and transforms it into the latest greatest thing gaining the adulation of millions. He also decides to disregard the unspoken rule that vampires must hide away from the rest of world and writes songs encoded with specifics of the secret life of vampires. As expected Lestat's lyrics draw the attention of both the bloodsuckers who want to destroy him and the human vampire scholars (called the Talamasca) who want to study him. One young Talamascan student Jesse Reeves (Marguerite Moreau) becomes obsessed with Lestat after reading his journal from the 1800s. She learns that Lestat had a brief encounter with Queen Akasha (Aaliyah) the most ancient and dangerous vampire to ever exist and the mother of all who walk the Earth in search of blood. He gets his chance to meet Akasha again when his music awakens her from an ancient slumber. She rises and seeks out Lestat to become her king and join her in ruling the world.
The film truly belongs to Townsend and fans of the Anne Rice's novels will be happy to know he completely embodies the charismatic vampire Lestat. The little-known Irish actor who starred in last year's indie About Adam with Kate Hudson rules the screen whenever he is on it and luckily he's on it quite a lot. He's especially powerful when he is in rock star mode. Although Moreau's Jesse is fairly one dimensional she comes alive in her scenes with Townsend. Let's hope they keep asking him to play Lestat (when and if they make any more films from Rice's vampire novels) and next time give him an actress he can have some real chemistry with. The late R&B singer Aaliyah made her second film appearance in Damned as the queen. Even though she is only in the film a short time she possesses a certain charm as the ancient and evil Queen Akasha and makes a great first impression by destroying a vampire coven. Yet her acting skills are just not up to par with the rest of the cast including the charismatic Vincent Perez as the vampire Marius and Lena Olin as the kind-hearted vampire Maharet.
Damned was set to be released in the fall of last year but word of mouth had the film destined for the video shelf before it even made it to the big screen. Then tragedy struck and as the news of Aaliyah's untimely death echoed throughout the world of entertainment Warner Bros. wisely decided to hold onto it and release it in theaters at a more favorable time knowing there would be an audience who'd want to see the singer's last film. Yet for all the bad press surrounding it Damned actually pleasantly surprises you due largely in part to Townsend's mesmerizing performance. Michael Rymer's direction is not a masterpiece of filmmaking by any stretch of the imagination but it has a certain MTV quality about it which makes it appealing. That same quality however also makes it too slick glossing over the meatier parts of Rice's novel making the dialogue and action trite and sometimes downright silly. Come to think of it the 1994 Interview With the Vampire also suffered from the same thing. Maybe translating Rice's words is harder than it looks.
February 05, 2002 11:22am EST
On Monday, the Director's Guild of America announced their nominees for best director for a TV movie: the honorees are Billy Crystal for 61*, Robert Allan Ackerman for Life With Judy Garland: Me and My Shadows, Jon Avnet for Uprising, Frank Pierson for Conspiracy and Mark Rydell for James Dean. The DGA Awards will be presented March 9.
Meg Ryan will soon begin filming Against the Ropes--a story based on Jackie Kallen, the first female boxing manager--with Omar Epps co-starring and Charles Dutton directing, Variety reports. Kallen led a total of four middleweights to championships.
Kevin Spacey's production company Trigger Street Prods. will see their first documentary, Uncle Frank, on the big screen soon. The Berlin Intl. Film Festival, which opens Wednesday, will present the film--along with several others--as a special screening, Variety reports. Uncle Frank takes a look at old people's homes in New York.
Catherine Zeta-Jones will soon be the new face of Elizabeth Arden and apparently both parties are happy about the contract, People reports. A spokesperson for Arden said the beautiful 32-year-old Welsh actress "is the epitome of personal style." Zeta-Jones gushed, "I am proud to be part of the company."
Looks like more than Patriot fans walked away happy from Sunday's Super Bowl. Neither advertisers nor Fox can complain about the 86.8 million TV viewer average, the Los Angeles Times reports. The toughest competition was NBC's halftime Playboy Playmate episode of Fear Factor, which only held a mere 11.4 million viewers captive. Approximately 83 million watched U2's half-time tribute to the Sept. 11 victims.
Michael Jordan and his wife Juanita Jordan have announced they will "attempt a reconciliation," Reuters reports. After 12 years of marriage, Juanita cited irreconcilable differences as reason for the couple's split, but has now withdrawn her divorce petition.
Just because he's no longer the acting President of the United States, Bill Clinton still has fun playing politics. Saturday, Clinton attended a birthday party for a former staffer where he hobnobbed with senators, and Sunday, he hosted a Super Bowl party for guests ranging from Chris Tucker to Alec Baldwin, PageSix.com reports. Just in time for a nightcap, Mr. Clinton picked up a 10:30 p.m. cocktail at the Waldorf to raise money for his William Jefferson Clinton Foundation.
HBO is moving up its movie version of The Laramie Project, starring Janeane Garofalo and Steve Buscemi, to March 9 from March 16 because the latter date happens to coincide with NBC's premiere of The Matthew Shepard Story, starring Stockard Channing and Sam Waterston, the LA Times reports. What's the big deal? The two movies recount the same incident--the 1998 murder of gay college student Sam Shepard--and the networks don't want to compete for viewers.
Tune in to MTV on Valentine's Day if your heart beats true blue--red, white and blue, that is. Secretary of State Colin Powell will sit down with youths across the globe to answer questions on politics and current events. Powell will take questions from people at MTV locations around the world, and the program will be translated into multiple languages.
The WB is getting ready for their fall line-up, complete with comedies and dramas aplenty. And though about the same number of pilot shows will be produced this year as last by the WB, the focus is very clearly on "family and teen appeal," Variety reports.
Pay-per-view (PPV) movies that have had a theatrical release seem to be the most popular items on PPV these days, as revenues for released movies jumped 54% to $1.354 billion, Variety reports. Live events, such as boxing and wrestling, have fallen on hard times, due to lack of headliners (boxing) and market consolidation (wrestling).
After surviving a devastating car accident following her first college party freshman Cassie (Melissa Sagemiller) falls into a coma and steps into a nightmare of otherworldly visitations. Haunted by a grim reaper of a far different kind her only hope is to cling to chance encounters with her lost love Sean (Casey Affleck) and the aid of a mysterious young priest named Father Jude (Luke Wilson). Cassie's malicious friends Matt (Wes Bentley) Annabel (Eliza Dushku) and the morose Raven (Angela Featherstone) seem intent on drawing her to the dark side but the spirit of her soul mate Sean guides her back to the world of the living.
Sagemiller (Get Over It) may be a fine actress but this film--her second full-length feature--isn't the one to prove it. Not that Sagemiller does a poor job but like most dull and stale horror movies the female lead isn't asked to do much other than look frightened and scream--a lot. Affleck (Good Will Hunting) Bentley (American Beauty) and Dushku (Jay and Silent Bob Strike Back) are among the more talented actors of their generation but are completely wasted especially Affleck in his one-dimensional role. Wilson as Father Jude is the only character with an interesting part but unfortunately the good Father's development is stunted and incomplete leaving Wilson little to work with.
Steve Carpenter's first turn as a director leaves much to be desired. Of course Carpenter wrote the formulaic script so why shouldn't he be the one to helm it? One major flaw (and there are plenty to choose from) is that nearly half the movie is shot tight on the characters giving the audience a very myopic view. Even if that was intentional it certainly did nothing to heighten the tension (what little of it there was) in the movie. The flick's tagline "The World of the Dead and the World of the Living... are About to Collide" conveys the message of an epic struggle between the forces of evil and the forces of good--a struggle that never materializes. And the film's final message that love conquers all is the boring hackneyed truism that breaks the cliché camel's back.