Robert Zemeckis is a blockbuster director at heart. Action has never been an issue for the man behind Back to the Future. When he puts aside the high concept adventures for emotional human stories — think Forrest Gump or Cast Away — he still goes big. His latest Flight continues the trend revolving the story of one man's fight with alcoholism around a terrifying plane crash. Zemeckis expertly crafts his roaring centerpiece and while he finds an agile performer in Denzel Washington the hour-and-a-half of Flight after the shocking moment can't sustain the power. The "big" works. The intimate drowns.
Washington stars as Whip Whitaker a reckless airline pilot who balances his days flying jumbo jets with picking up women snorting lines of cocaine and drinking himself to sleep. Although drunk for the flight that will change his life forever that's not the reason the plane goes down — in fact it may be the reason he thinks up his savvy landing solution in the first place. Writer John Gatins follows Whitaker into the aftermath madness: an investigation of what really happened during the flight Whitaker's battle to cap his addictions and budding relationships that if nurtured could save his life.
Zemeckis tops his own plane crash in Cast Away with the heart-pounding tailspin sequence (if you've ever been scared of flying before Flight will push into phobia territory). In the few scenes after the literal destruction Washington is able to convey an equal amount of power in the moments of mental destruction. Whitaker is obviously crushed by the events the bottle silently calling for him in every down moment. Flight strives for that level of introspection throughout eventually pairing Washington with equally distraught junkie Nicole (Kelly Reilly). Their relationship is barely fleshed out with the script time and time again resorting to obvious over-the-top depictions of substance abuse (a la Nic Cage's Leaving Las Vegas) and the bickering that follows. Washington's Whitaker hits is lowest point early sitting there until the climax of the film.
Sharing screentime with the intimate tale is the surprisingly comical attempt by the pilot's airline union buddy (Bruce Greenwood) and the company lawyer (Don Cheadle) to get Whitaker into shape. Prepping him for inquisitions looking into evidence from the wreckage and calling upon Whitaker's dealer Harling (John Goodman) to jump start their "hero" when the time is right the two men do everything they can to keep any blame being placed upon Whitaker by the National Transportation Safety Board investigators. The thread doesn't feel relevant to Whitaker's plight and in turn feels like unnecessary baggage that pads the runtime.
Everything in Fight shoots for the skies — and on purpose. The music is constantly swelling the photography glossy and unnatural and rarely do we breach Washington's wild exterior for a sense of what Whitaker's really grappling with. For Zemeckis Flight is still a spectacle film with Washington's ability to emote as the magical special effect. Instead of using it sparingly he once again goes big. Too big.
Sift through comments on franchise sequel announcements and you'll find many crying afoul to Hollywood's insistence of resurfacing every last brand in their bank of titles. The desire for original content is reasonable but occasionally a cinematic follow-up does have the potential to be rich and rewarding. Revisiting characters who've seen time pass in their own lives is worthy of exploration — Peter Bogdanovich's Texasville Richard Linklater's Before Sunset and even A Very Harold & Kumar Christmas prove that theory. American Reunion reaches for that same dramatic arc reentering the lives of its core cast eight years after American Wedding. But instead of mixing comedy with any weighty issues the movie only tickles the nostalgia bone (and without f**king one pie in the process) — a hurdle that keeps American Reunion from being nearly as riotous as the original.
Life hits a wall for Jim (Jason Biggs) in 2012. He's a happily married man a father and a moderately successful employee of a faceless company. But after catching his wife Michelle (Alyson Hannigan) enjoying the company of a shower head it dawns on Jim that he's in need of a shake-up. Perfect timing: Jim packs up the family and heads to his hometown for his 13th high school reunion (sure why not) where he reunites with the old gang: Kevin (Thomas Ian Nicholas) currently whipped into submission by his girlfriend Finch (Eddie Kaye Thomas) back from a trip around the world Oz (Chris Klein) now a superstar sportscaster fresh off a celebrity dance show stint and Steve Stifler (Seann William Scott) a law firm temp who continues to turn women into his own personal squeeze toys. The high school buddies devolve quickly into their old habits alcoholic antics and potty-mouthed rants by the red solo cupful. Good fun for Jim no fun for Michelle.
Instead of digging deep into its well-founded characters (which I swear is allowed in a raunchy R-rated comedy) American Reunion sticks to the familiar goofball scenarios of its predecessors. Which is passable because the core group who stuck through all three movies — Biggs Nicholas Thomas and Scott — make poop-infused pranks and slapstick shtick like a scene in which Jim and co. must get a drunken naked eighteen-year-old back into her parents' house without looking like total creepsters highly entertaining. Scott once again proves him an underused comedic talent making Stifler one of the few characters who can rattle off colorful cuss words while showing a glimmer of humanity. Same goes for Eugene Levy as Jim's Dad who finds his role beefed up now that he's once again single. Grieving for years over his wife's death Jim helps his advice-dealing pop hit the dating scene and Levy spins gold out of the silliest of situations.
The problem with American Reunion is everyone else. Chris Klein never clicks with the rest of the group (that's what he gets for skipping out on Jim's wedding) while the rest of the ensemble feel ham-fisted for cameo purposes rather than complimenting the storyline. Tara Reid and Mena Suvari return to the franchise to stand around and react to the ineptitude of their male counterparts. Natasha Lyonne is in and out faster than Jim's first time. Other brief character appearances are like bigfoot sightings. The idea of bringing the entire cast of the original back for more seems perfect but without proper pacing from writers/directors Jon Hurwitz and Hayden Schlossberg (Harold & Kumar Escape from Guantanamo Bay) there's never a moment to enjoy it.
American Reunion is a flaccid entry servicing fans while coming through with enough laugh out loud moments to make one scream (In one scene Jim takes a page out of Michael Fassbender's Shame that will elicit audible reactions). If these were fresh characters we'd brush it off — but at the film's core is a lovable familiar bunch of knuckleheads that can't be ignored. And if Stifler wants to party you party.
Twilight star Ashley Greene and Hung star Thomas Jane are in negotiations to join Miley Cyrus and Demi Moore in LOL, Mandate's English-language remake of Lisa Azuelos' French comedy. Also joining the cast are Ashley Hinshaw and George Finn, says The Hollywood Reporter.
Azuelos is directing the new film produced by Michael Shamberg and Stacey Sher.
The story centers on a teenage girl who is dumped by her more sexually experienced boyfriend while her divorcee mother struggles to move on with her life. Greene will play a high school bad girl, and Jane will be Cyrus' father.
Douglas Booth has already been cast as Cyrus' love interest.
Shooting begins July 20 in Detroit.