Theatrics slapstick and cheer are cinematic qualities you rarely find outside the realm of animation. Disney perfected it with their pantheon of cartoon classics mixing music humor spectacle and light-hearted drama that swept up children while still capturing the imaginations and hearts of their parents. But these days even reinterpretations of fairy tales get the gritty make-over leaving little room for silliness and unfiltered glee. Emerging through that dark cloud is Mirror Mirror a film that achieves every bit of imagination crafted by its two-dimensional predecessors and then some. Under the eye of master visualist Tarsem Singh (The Fall Immortals) Mirror Mirror's heightened realism imbues it with the power to pull off anything — and the movie never skimps on the anything.
Like its animated counterparts Mirror Mirror stays faithful to its source material but twists it just enough to feel unique. When Snow White (Lily Collins) was a little girl her father the King ventured into a nearby dark forest to do battle with an evil creature and was never seen or heard from again. The kingdom was inherited by The Queen (Julia Roberts) Snow's evil stepmother and the fair-skinned beauty lived locked up in the castle until her 18th birthday. Grown up and tired of her wicked parental substitute White sneaks out of the castle to the village for the first time. There she witnesses the economic horrors The Queen has imposed upon the people of her land all to fuel her expensive beautification. Along the way Snow also meets Prince Alcott (Armie Hammer) who is suffering from his own money troubles — mainly being robbed by a band of stilt-wearing dwarves. When the Queen catches wind of the secret excursion she casts Snow out of the castle to be murdered by her assistant Brighton (Nathan Lane).
Fairy tales take flack for rejecting the idea of women being capable but even with its flighty presentation and dedication to the old school Disney method Mirror Mirror empowers its Snow White in a genuine way thanks to Collins' snappy charming performance. After being set free by Brighton Snow crosses paths with the thieving dwarves and quickly takes a role on their pilfering team (which she helps turn in to a Robin Hooding business). Tarsem wisely mines a spectrum of personalities out of the seven dwarves instead of simply playing them for one note comedy. Sure there's plenty of slapstick and pun humor (purposefully and wonderfully corny) but each member of the septet stands out as a warm compassionate companion to Snow even in the fantasy world.
Mirror Mirror is richly designed and executed in true Tarsem-fashion with breathtaking costumes (everything from ball gowns to the dwarf expando-stilts to ridiculous pirate ship hats with working canons) whimsical sets and a pitch-perfect score by Disney-mainstay Alan Menken. The world is a storybook and even its monsters look like illustrations rather than photo-real creations. But what makes it all click is the actors. Collins holds her own against the legendary Julia Roberts who relishes in the fun she's having playing someone despicable. She delivers every word with playful bite and her rapport with Lane is off-the-wall fun. Armie Hammer riffs on his own Prince Charming physique as Alcott. The only real misgiving of the film is the undercooked relationship between him and Snow. We know they'll get together but the journey's half the fun and Mirror Mirror serves that portion undercooked.
Children will swoon for Mirror Mirror but there's plenty here for adults — dialogue peppered with sharp wisecracks and a visual style ripped from an elegant tapestry. The movie wears its heart on its sleeve and rarely do we get a picture where both the heart and the sleeve feel truly magical.
I attended a screening of Relativity Media and Bandito Brothers action adventure Act of Valor a couple weeks ago in the movie theater on the Intrepid aircraft carrier in the harbour in Manhattan thanks to a invite from one of the executive producers. Obviously this was the perfect venue to see a film that stars real active duty Navy SEALs. Act of Valor is a powerful and uniquely authentic action film -- real Navy Seals play most of the key parts using real ammo (first time this has been done in the last 100 years in Hollywood) with real military weaponry and equipment. Even the aviators who were involved in the film as well as the personnel in submarines are all real military members and you literally feel the realism.
No need for special effects in Act of Valor when the reality is much better; the action sequences will have you pushing back in your seat like being in the front row of a awesome roller coaster ride. The best scene in the film - when the Seals ascend onto a moving ocean-going yacht and interrogate a drug dealer-terrorist makes you feel like you’re in the scene watching from two feet away -- amazing filmmaking with great intensity enhanced by the fact that the interrogator is an actual SEALs operative.
If you like action films you’ll love Act of Valor because it breaks new ground in filmmaking by virtue of its use of non-actors in key roles. Some critics may say the dramatic scenes lack emotion because more professional actors were not used but this is just not the case. This is the real deal and as such adds an emotional depth and intensity that is impossible to fake on the big screen.
Just ask anyone who attended the special screening on the Intrepid. At the conclusion of the film there was a long standing ovation and then the audience heard from many of the SEALs in person explaining why they participated and acted in the film. These guys are true American heroes and you’ll love watching them in action in Act of Valor a valiant story of mission commitment combat weaponry and most importantly valor and brotherhood. While most movies star actors who merely portray heroes on screen Act of Valor stars actual heroes showing how they lay it on the line for the freedoms that we as civilians enjoy every day. You’re going to enjoy the ride.