The magical R-rating is both a gift and a curse to Adam Sandler's signature brand of lowbrow humor. In That's My Boy the comedian returns to the dim-witted roots that made him a star in early outings like Billy Madison and Happy Gilmore (complete with high-pitched mushmouth accent) but with a ramped up "ew" factor. Unrestrained Sandler piles on as many expletives and gross-out scenarios as a two-hour movie can hold — and it works out quite well. With costar Samberg nailing the disgusted straight man role Sandler's penchant for acting like a fool is enhanced by the sick stylings of director Sean Anders (Sex Drive) and only occasionally teetering into truly offensive territory. Laughs aren't guaranteed but the movie provokes (which is a big step up from Jack and Jill).
Back in the '80s Donny had a secret relationship with his teacher Ms. McGarricle that resulted in a son Han Solo (he's a middle schooler what do you expect?). The torrid affair put McGarricle in jail Donny into celebrity tabloid spotlight and Han Solo in the hands of a tween father. Thirty years later everyone's screwed up: Donny (Adam Sandler) is a drunk on the brink of jail time for tax evasion McGarricle's still in jail and Han Solo (Andy Samberg) now "Todd " is a successful number-cruncher with severe social issues. On the weekend of Todd's wedding Donny reenters his life hoping to bring revive their relationship and reunite him with his mother — that is on camera so Donny can make $50 000 from a gossip TV show and stay out of the slammer. Posing as Todd's long-lost best friend Donny stirs up trouble becoming buddies with Todd's friends and family and acting like a imbecile.
The wedding setup is overdone but always prime for comedy: plenty for a numbskull to screw up logical progression (there's a wedding at the end!) and a bachelor party scene to squeeze in the most disgusting bits and have them make sense. That's My Boy makes the most of its conventions — including what we all know and expect from a Sandler comedy — by continually one-upping itself. After a night of heavy drinking at the local strip club/omelette bar that results in do-it-yourself ear piercing and robbing a convenience store with Vanilla Ice Todd returns home to expel the night's worth of drinking all over his fiancee's wedding dress. Then he makes love to the dress. Then his fiancee (Leighton Meester) wakes up to find the dress. Then it goes even further than one would care to imagine. Grossed out yet? Amazingly lower-than-low brow material is handled with clever timing and great delivery. It's just that the foundation is bodily fluids.
That's My Boy falters when it throws in gags that serve zero purpose to the story. Strange racist humor a mentally retarded bar patron played by Nick Swardson (a Sandler mainstay) random allusions to Todd Bridges' drug habits — barrel-scraping one-offs that have nothing to do with the movie. At two hours the movie needs slimming and the fat is apparent. Thankfully the main ensemble goes to great lengths to make the hard R comedy click with Sandler and Samberg playing well off each other (although Samberg doesn't have the making of a leading man after this movie) and SNL alums like Will Forte Rachel Dratch and Ana Gasteyer driving by to bring the funny. Even Vanilla Ice's extended cameo fits the anything-goes tone playing a version of himself that befriended Donny in his celebrity days. Now he works at an ice skating rink.
After a few lame ducks That's My Boy is a return to form for Sandler. It wavers in quality but it has energy and color. A cash-in this is not and for any Sandler fan with a stomach for hardcore bathroom humor it's a must-see.
We meet the two very unlikely sisters while each are having sex. Rose Feller (Toni Collette) is a successful lawyer who is sleeping with her boss and thinking of ways it can improve her career. Maggie Feller (Cameron Diaz) is a party girl and at her 10-year high school reunion--after trying to have a fling in a bathroom stall--she ends up puking instead. Inevitably Maggie gets kicked out of her dad and stepmother's house and winds up on the doorstep of her sister. The Feller girls were close once when they were young girls especially after their mentally unstable mother died. But now their grown-up personalities clash rather dramatically. And when Maggie seriously crosses the line by seducing Rose's new boyfriend the straw is broken. Forced out Maggie stumbles upon some birthday cards from a long-lost grandmother and decides to go hit her up for cash. Turns out Grandma Ella (Shirley MacLaine) lives in a senior citizen's community in Florida that gets its humor from Golden Girls re-runs. Maggie may ingratiate herself within this new environment but isn't any more redeemed by reconnecting with Ella. She still acts like a petulant child. But rather than throwing her out Ella along with the gang of old folk forces Maggie to take some responsibility.
Collette (The Sixth Sense) is fantastic as the frumpy pudgy Philadelphia lawyer who gives up everything so she can walk dogs and lead a simpler life. But she's done this many times before--and honestly is so much better than Muriel's Wedding. Diaz (my personal favorite Charlie's Angel) doesn't need to stretch too far to play a conniving ditz with a heart. This is her There's Something About Mary role albeit a tad more screwed-up with a sister and lost grandma. So that leaves MacLaine as the saving grace for any worthwhile acting in this movie. Despite the obvious shuffleboard clichés--and the occasional leers at Diaz by the old guys around the pool--when the old folk are around the film gets lively and tolerable believe it or not. MacLaine leads the way with the quips and barbs but in a more subtle way than we are used to from this usually eccentric actress. The supporting cast of cranky cronies have some great moments especially veteran actor Norman Lloyd as the blind professor who teaches Maggie a thing or two about manners trust and family.
If this were Nora Ephron directing that would have been one thing but coming from Curtis Hanson the Oscar-winner who gave us L.A. Confidential it just doesn't mesh. Hanson can do quirky (Wonder Boys) he can do adventure (The River Wild) he can do hard-hittin' rap stories (8 Mile) and he can even do scary (Hand That Rocks the Cradle) but why in the world would he attempt a saccharine-soaked female family story that threatens to be a Crimes of the Heart tear-jerker? Screenwriter Susannah Grant who adapted In Her Shoes from Jennifer Weiner's popular bestseller of the same name also wrote Erin Brockovich and 28 Days. She understands strong female characters but there's still a major layer of sugar coating that Hanson can't scrape off. He doesn't tone anything down from Grant's script--not the overly cute dogs nor the embarrassing bridal shower nor the expected moments of guilt-tripping between the ladies. Instead he plods through the paint-by-number script and wraps it all up nicely into a crowd-pleasing film that is ultimately forgettable.
On Friday, a judge sided with filmmaker Woody Allen in his lawsuit against former business partner Jean Doumanian and her boyfriend and business partner, Jacqui Safra. Allen is suing both Doumanian and Safra, claiming they cheated him out of profits on eight movies since 1993, including Bullets Over Broadway, Mighty Aphrodite, Everyone Says I Love You, Deconstructing Harry and Small Time Crooks. According to The Associated Press, Justice Ira Gammerman disagreed with the defendants' position that the films were an extension of a three-picture agreement they had with Allen in computing profits. The case is scheduled to resume today.
Newspapers reported Sunday that Rolling Stone frontman Mick Jagger could be headed for knighthood. The News of the World and the Sunday Times both reported that Jagger will be knighted by Queen Elizabeth in her honors list next weekend, but a spokeswoman for the British government told Reuters they never comment on honors until they are published.
Eminem reportedly brought in his old car, a purple Ford Mustang, for trade-in last week at a Detroit-area dealership. According to the AP, Eminem's uncle brought the car in to Russ Milne Ford while the rapper waited outside, where one of the workers recognized him. Russ Milne said it is considering selling the car and donating the proceeds to charity. Unfortunately, the car's $7,000 stereo system and Cobra tires were removed prior to the trade.
Former teen idol Johnny Depp is in talks to star in two action pics for producer Jerry Bruckheimer. The two-picture deal with the Walt Disney Co. would have Depp working with Bruckheimer on Takedown and Pirates of the Caribbean, according to The Hollywood Reporter. Depp last starred in the historical thriller From Hell by director Albert Hughes.
Fritz Lang's 1927 expressionist film Metropolis will premiere at the Film Forum in New York on July 12, Variety reports. The new version, a digitally restored 35mm print, premiered at the 2001 Berlin Film Festival as a work-in-progress, with the final reel of footage still unrestored.
It looks as though Brad Pitt's big-budget sci-fi epic The Fountain is set to begin production soon after a change of co-financiers. The film, budgeted at upwards of $70 million, will be directed by Darren Aronofsky from a script he co-wrote with Ari Handel. The film is being produced by New Regency and Warner Bros.
New Line Cinema is in talks with Antz scribe Todd Alcott to write the live-action adaptation of the adventure series Samurai Jack. According to The Hollywood Reporter, the film will be directed by Rush Hour 2's Brett Ratner.
Two songwriters have filed a lawsuit in federal court in Philadelphia against Britney Spears, her publishing company, Zomba, and her record company, Jive Records, claiming they own the copyright to a song on her Oops!...I Did It Again album. According to Sky News, Michael Cottrill and Larry Wnukowski say they wrote the song "What You See Is What You Get" in 1999 and want recognition for the tune.
Herman Cohen, the originator of the teen fright flick, died of throat cancer at Cedar-Sinai Medical Center in Los Angeles on June 2, Reuters reports. Cohen produced the 1957 cult classic I Was a Teenage Werewolf, which launched the late Michael Landon's career. Cohen went on to produce six more teen horror pictures, including I Was a Teenage Frankenstein and How to Make a Monster. Cohen is survived by a brother and sister.