After the central story of Nucky Thompson's conflicted enmity with protegee Jimmy Darmody was set to an ill-conceived rest, the show seemed to have set in place a new "villain of the season" formula - a phenomenon we could more or less guess was set to become tradition even in its first incarnation, Season 3's Gyp Rosetti, played by Bobby Cannavale. Already upping the ante in both quality and quantity, Season 4 seems to be presenting a dichotomy of danger in its two newest and most interesting characters. First, we have the way-younger-than-he-looks Brian Geraghty as Prohibition Agent Warren Knox, a character who puts on a dopey shtick (think Woody Harrelson in Cheers) to cover up his sinister, corrupt internality (think Woody Harrelson in Natural Born Killers). A fun watch in the contrast of his doe-eyed demeanor and his sociopathic machinations, Knox's introduction into the life of Nucky this week gives us hope for Boardwalk's fourth season. Whereas Gyp Rosetti was a firecracker who just kept acting loonier, dissolving his actions of any real surprise or emotional impact, Knox seems far more unpredictable. We don't know his angle. We just know he has one.
Also creeping his way into Nucky Thompson's life is one Dr. Valentin Narcisse, who takes a more sophisticated, almost Bond villain-like approach to criminality. Narcisse represents Cora Pastor — the woman who entangled Dunn Purnsley in a perverse act of sadomasochism that provoked him to kill her husband — not to mention an impassioned albeit slow-cooking movement for the progression of blacks in America. Narcisse views himself, and Nucky, as a king, bent on seizing the coveted Atlantic throne. Again, Narcisse is already proving to be a good deal more fun than Rosetti was. Sure, we've seen the eloquent and poised evil mastermind explored time and time again in film and television, but there's an added bonus here: Jeffrey Wright. A cinematic vet who could very well make the stoic, soft-spoken Narcisse into something more than a rehashed trope.
Another perk of this week's episode: its reunion with one of the series' best characters and performers: Nelson Van Alden/Harold Muller, played consistently charmingly by Michael Shannon. The disgraced lawman has become a glorified thug for Chicago's Irish mobster O'Banion... but succumbs to the threats and calls of Chicago's Italian crook Al Capone. Wading between two crime kingpins is not exactly an ideal lot, especially for the psychologically rattled Van Alden, who has got two children and a wife to care for. And ugh, that apartment does need a good wall papering.
Which of this season's new baddies are you gearing up to enjoy the most? The dopey crooked cop or the affluent, poised crime genius?
More:'Boardwalk Empire' Season 4 Premiere Recap'Boardwalk Empire' Snags Patricia ArquetteVampire Weekend + Steve Buscemi = Strange Glory
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Amanda Seyfried has been tapped to play Linda Lovelace in Lovelace, a biopic about the '70s porn actress, Deadline.com reports. Seyfried steps in for Kate Hudson, who had been slated to play the Deep Throat star before getting pregnant. Peter Sarsgaard (Green Lantern) is in talks to play her husband/svengali Chuck Traynor, a role to which James Franco had once been attached. Rob Epstein and Jeffrey Friedman will direct from a script by Andy Belling and W. Merritt Johnson. The filmmakers expect to begin shooting in January.
Amanda Seyfried stars alongside Justin Timberlake in the sci-fi thriller In Time, which is now playing in theaters. Click below for more images of the doe-eyed beauty:
In Red Riding Hood the age-old fairytale of a little girl who learns the perils of talking to strangers has been turned into a sort of supernatural harlequin murder mystery by Catherine Hardwicke director of the 2008 teen vampire flick Twilight. Though nominally a horror film its dearth of scares and potent strain of adolescent melodrama will inspire more comparisons to Stephenie Meyer’s bestselling saga than its director would probably care to acknowledge.
In this version the titular red-cloaked heroine played by doe-eyed Amanda Seyfried is given a name – Valerie – and cast not as the disobedient naïf we remember from the original fable but a headstrong and independent-minded young lady who would never fall for the tricks of some hairy beast masquerading as her grandmother. Although betrothed by parental arrangement to Henry (Max Irons) the respectable scion of a wealthy blacksmithing family her heart really belongs to Peter (Shiloh Fernandez) the darkly handsome town badboy whose chosen occupation woodworker apparently ranks far below blacksmith in the social hierarchy.
Valerie is inclined to run off with Peter but soon such inclinations must be shelved when her sister turns up dead the apparent victim of a wolf that has terrorized the residents of Daggerhorn the rustic medieval-ish mountain village in which the film is set (the exact setting and time period are kept weirdly indeterminate) for decades. The men of Daggerhorn resolve to avenge the girl’s death and slay the murderous animal once and for all but they appear hopelessly outmatched until Father Solomon (Gary Oldman) a blustery hunter/inquisitor with dubious religious credentials arrives on the scene. Solomon informs the beleaguered Daggerhornians that the wolf they are dealing with is no mere wolf but a shape-shifting werewolf with powers far greater than any of them had anticipated.
Even worse when the moon isn’t full he (or she) walks among them unnoticed in human form. Everyone is a suspect Solomon declares and soon Red Riding Hood evolves into a hokey whodunit filled with all sorts of unconvincing feints and red herrings. At the center of the mystery is poor Valerie in whom the werewolf seems inordinately interested. “Ohmigod you can talk!” she gasps when the werewolf first speaks to her telepathically – a line that got some of the loudest laughs in a film that is far too often inadvertently comedic.
Such is the danger of a film that treats such a subject as ridiculous as Red Riding Hood’s with such unrelenting gravity – melodrama curdles into gooey processed cheese. And this film is slathered with it. Which wouldn't be so bad if the subject matters were at least a little suspenseful but Hardwicke is unable to exact much terror or fright out of David Leslie Johnson’s too-tame script. (The film’s PG-13 rating doesn’t help.) What we’re left with is a gauzy romance that might have even ardent Twi-hard types rolling their eyes.
A New York resident is suing the makers of Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, claiming his civil rights were violated during his brief cameo.
Jeffrey Lemerond, 31, has filed suit under the name John Doe, in a U.S. District Court, after he appeared in the 2006 movie running away in fear from Sacha Baron Cohen's Kazakh character Borat Sadiyev.
In the suit, Lemerond claims he did not give permission for his likeness to be used in the movie and "as a result of defendant's outrageous and illegal conducts, Plaintiff has suffered public ridicule, degradation and humiliation."
Lemerond noted that while Fox studios pixilated his face in the movie's trailer, they did not follow suit in the actual movie and subsequent DVD release, according to documents posted on TheSmokingGun.com.
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