In Barrow Alaska there comes a time each winter when sunlight fades out and darkness rolls in like an unwelcome visitor—for a month. Many people abandon the small town without hesitation while those who stay brace themselves for a storm of inhumane relentless frigidity and a test of sanity. But this year one group keeps the town warm—with blood—for its 30 days of night. The town’s two remaining law enforcers Eben (Josh Hartnett) and Stella (Melissa George) are forewarned by a strange drifter (Ben Foster) that “something’s comin’ ” but before they can even finish scoffing the sun has set and the vampires have descended or ascended upon Barrow for blood and recruitment. With only himself and Stella to keep the few living well alive Eben is forced to go on the defensive for the full 30 days. But as he soon learns these vamps are a smart breed with a perpetual case of the munchies. Just when you think Josh Hartnett has finally chosen the right role to suit his dark features and limited range—he decides not to play a vampire. Still 30 Days' constant darkness and overall chaos would seem to accentuate his positives by drowning out his negatives much the way Sin City spun and sold his small role but that’s not quite so. It turns out he’s capable of the quickie action or momentary drama but the scenes in which he is to save the er night—well it’s a good thing the Hartnett-as-Superman rumor was just that. As Hartnett’s partner in non-crime/estranged lover George (Turistas) manages to create some tension without resorting to shrieking or the drama-school histrionics we’ve come to expect from supporting actresses in horrors. Also successful is the ever-versatile Ray Winstone (The Departed) playing a grizzly outsider-turned-insider who joins the anti-vampire crusade. In a role surprisingly tiny considering his current rate of ascension in the industry Foster (3:10 to Yuma) is the best and creepiest this movie has to offer. And in the vampire corner is Danny Huston (The Number 23) who is horrifying as hell on first look only to de-emphasize that appearance by crowing and chatting instead of simply chugging blood. On the first day of night the vampires will seem scary; by the 30th day they’ll seem more like zombies—unless that’s just you projecting onto them. Director David Slade whose previous feature (the indie Hard Candy) could not have been more different from this one will initially win over horror-philes with 30 Days. After all it starts off on a high note with an almost apocalyptic aura to the impending darkness and its consequences. The story is set up adequately and the scares to come are alluded to without getting too greedy. And Slade doesn’t let us down immediately following sundown with jolting flashes of the beasts readying to overtake the small town. But once he gives them faces and personalities it doesn’t take long for the suspense to die—and die some more. That’s almost midway in after which point it becomes clear that the movie will consist only of a heavily abridged countdown to that 30th night and predictable bloodshed. As Slade nears the film’s climax 30 Days nears videogame-like music and machismo before its slightly more compelling conclusion is reached. On a brighter note the lightless Alaskan town—although obviously not totally pitch black for the movie’s sake—does look positively bleak especially when the cinematography takes to the skies.
Don’t let the previews fool you—Terabithia isn’t anything like Chronicles of Narnia. Based on the Newbery-Award winning children’s novel by Katharine Paterson the story is more about childhood friendships and the way imagination can quite literally open new worlds. Jess Aarons (Josh Hutcherson) sees himself as an outsider at school—and at home. He really only feels himself when he’s drawing. Then he meets the new kid Leslie Burke (AnnaSophia Robb) who has just moved from the big city. Despite their differences—she’s rich he’s poor—they become fast friends. Leslie who likes to spin magical stories opens Jess’ eyes to the possibilities and together they create the secret kingdom of Terabithia a mystical place accessible by swinging on an old rope over a stream in the woods near their homes. Interacting with the Terabithian denizens they’ve imagined both evil and good Jess and Leslie learn to deal with the pressures of their young pre-adolescent lives—and learn what the power of real friendship truly means. The young fresh cast really make Bridge to Terabithia work. Robb and Hutcherson are already veteran kid actors: Robb is best known for stealing hearts in Because of Winn-Dixie (another kid novel adaptation) and popping chewing gum as Violet in Charlie and the Chocolate Factory while Hutcherson played the tough older brother in Zathura as well as Robin Williams’ kid in R.V. Their acting experience clearly shows as they make the friendship between Jess and Leslie both genuine and heartfelt. There isn’t a false moment in their performances especially from Hutcherson who at first sends off an I-could-care-less vibe but through his soulful eyes becomes more attached to Leslie and their secret place. And as Jess’ little sister 7 year-old Bailee Madison plays the moppet without any cutesy affectations. As far as the adults are concerned stand outs include Robert Patrick as Jess’ stern dad just trying to make ends meet for his family and Zooey Deschanel as the kids’ music teacher who Jess has a crush on. In 1978 author Katharine Paterson wrote Bridge to Terabithia for her then 11 year-old son David Paterson about a special friendship he had. It was an instant hit. Now David all grown up is able to bring his mom’s touching story to life as one of the writers. Talk about a family effort backed by Walden Media--the geniuses behind Holes and Chronicles of Narnia. Directed by Rugrats creator Gabor Csupo Terabithia truly captures the essence of childhood imagination even I dare say more so than Narnia. Maybe it’s because the idea of Terabithia comes from the minds’ of very real children who are going through very real emotions as they enter into adolescence. Csupo keeps the imagery simple allowing audiences to create a fantasy world filled with mythical creatures right along with the film’s main characters. And if you haven’t read the book you might be surprised by the story’s poignancy. In a saturated field of animated duds and kid films better suited as after-school TV specials Bridge to Terabithia stands out as a one of the better family movies to come around in a long time.