Good news! Against all odds, the casting director geniuses at The CW have found someone with the same balance of attractiveness, charisma, and menacing terror as Joseph Morgan. The potential Vampire Diaries spinoff, "The Originals," which should unquestionably earn a spot on the network's fall lineup, introduced us to our newest TV crush: Charles Michael Davis.
The actor plays Marcel, the HVIC (head vampire in charge) of New Orleans, whose dimples are just as adorable as JoMo's. A long, long time ago, the Mikaelsons (mostly Klaus) helped found the gorgeous, electric city of New Orleans. Marcel is Klaus' onetime protege who now runs the city — and who is every bit the ruthless killer as his former mentor. I'd like imagine Klaus picked him up from the gutter, Fagin-style, made him adopt a charming British accent, and turned Marcel into the Oliver Twist of his merry band of vampire thugs.
For all we know, that could have happened. But what we do know is that at some point, Klaus and his bros peaced out, while Marcel stayed and turned the city into his own little kingdom. He drove the werewolves away, terrorized the witches so they wouldn't practice magic within city limits, and made New Orleans a vampire's paradise.
Naturally, this means the New Orleans witches aren't happy. Enter Hayley (Phoebe Tonkin), who'd spent a few weeks drinking at various bars around the city while she searched for clues about her family history. A pair of witch sisters noticed something different about her and cast a spell to determine whether their hunch was correct. It was.
A bunch of other stuff happened, Elijah made his way to town (and was super hot and badass in the process, like always), blah blah blah, HAYLEY IS PREGNANT WITH KLAUS' BABY. The Nawlins witches want Klaus' help to take down Marcel, and they're holding Hayley (and Klaus' unborn child) hostage until he helps them out.
Unfortunately, Klaus didn't actually care about his baby or his one night stand, so he not-so-politely declined their offer. Enter Elijah, the voice of reason, who appealed to Klaus' narcissism and mades his brother realize that an heir is exactly what their family needs. Maybe this thing is gonna work out after all!
Here's the thing about the pregnancy — the loophole the writers created to allow Klaus the ability to impregnate someone, that werewolves can procreate even though vampires can't, is totally believable. It's got that WTF?! element of most of TVD's best plot twists, and adds an urgent, emotional layer to the storyline. Although kids make everything complicated, this is a fascinating complication that I have no doubt the talented TVD/Originals writing team can make even more complicated and interesting (in the best way possible).
The other new character of note, Camille (Leah Pipes) — or Cami, as she'd prefer to be known— seems a worthy, gorgeous love interest for Klaus. But even though there's crazy romance potential there, it was comforting to see the hybrid call his Mystic Falls object of affection, Caroline, instead of engaging this new girl. He was standing in a city he loved and he wanted to be with the girl he loves (even if that love isn't exactly reciprocated).
Back in Mystic Falls, Rebekah remained resolute that she would not help Klaus. Seems like she'll eventually come around, though, considering she's supposed to be a series regular on the new show. Also, Stefan and Damon are desiccating Elena until she gets weak enough to scare some humanity into her. This was the only Mystic Falls-related revelation we learned all night. And guess what? I hardly noticed.
"The Originals" felt darker and more mature than TVD — as advertised — but the most striking thing about the episode is how it felt like a natural evolution of the vampire drama we love so much. It also felt like a natural extension of the story. This was no forced spinoff. The characters belong in the world of New Orleans, and there's plenty of story to be told. If The CW doesn't announce in the next two days that it's already picked up 22 episodes of the new show for its fall schedule, then they're more oblivious than Bonnie Bennett.
More:What's the Secret to 'The Originals' Success?'Vampire Diaries' Recap: Prom at Mystic Falls HighThrowback Thursday: 5 TV Proms 'TVD' Needs To Live Up To
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Gavin O’Connor’s (Miracle Pride and Glory) stirring new drama Warrior is an underdog tale set in the nascent sport of Mixed Martial Arts fighting. In its relatively short life MMA has yet to inspire much quality cinema of note. It now has its Rocky.
Warrior’s twist on the traditional underdog formula is to provide us with dual protagonists: the fightin’ Conlon brothers Brendan (Joel Edgerton) and Tommy (Tom Hardy). Neither have spoken to each other since the dissolution of the parents’ marriage fourteen years earlier. Both of late have fallen on hard times. Tommy is an Iraq war veteran who has turned to pills and booze since returning from abroad; Brendan is a high school science teacher and devoted family man victimized by the financial crisis. Circumstances compel them both to seek salvation in the fight game.
Conveniently enough the opportunity of a lifetime arrives in the form of Sparta a brand-new winner-take-all MMA tournament that awards its champion a cool $5 million – more than enough for Brendan to save his house from foreclosure or for Tommy to make good on his pledge to provide for the family of a friend killed in Iraq. By this point we know for certain that fate has determined Brendan and Tommy will meet in the final and we know for certain how utterly ridiculous this scenario is. And yet we accept it because by this point Warrior already has us in its corner.
The origins of the brothers’ enmity are ultimately traced to their father Paddy (Nick Nolte) a monstrous alcoholic whose abusiveness led their mother and Tommy to flee fourteen years prior. Brendan stayed behind and Tommy never forgave him for it. When we see Paddy he’s broken-down husk of a man God-fearing and 1000 days sober his face creased with shame and regret. Neither son can stand the sight of their old man but Tommy in need of someone to train him for the tournament reluctantly enlists his father’s help. Paddy eyeing a last chance at redemption enthusiastically complies.
Cue the training montage. A fighter rising from obscurity to the upper echelons in his sport within a matter of weeks is hard to swallow; when two fighters do it it’s a borderline insult to the sport. MMA aficionados might blanch at watching Tommy and Brendan gain one unlikely win after another; more likely they’ll be too absorbed by the action to care. It helps that Hardy and Edgerton both look the part and are both skilled enough at their craft to lend the film’s many brutal fight scenes a distinct realism. It helps even more that the story and the actors' stellar performances have us firmly aligned with their goals.
O’Conner a veteran of the genre deploys the underdog tropes at his disposal freely but assiduously crafting a tale that is unabashedly far-fetched but grounded in characters who are intensely appealing and who feel authentic. The storytelling is clumsy at times – that Nolte’s character listens to a book-on-tape of Moby Dick throughout the film feels particularly heavy-handed – but Warrior wisely steers clear of bombastic speeches or cloying sentiment.
Warrior’s climactic final fight in which the estranged brothers at last meet in the ring is both gut- and heart-wrenching. When the film’s suitably happy ending does eventually arrive the film gives way ever-so-briefly to hokeyness. But after what these kids have gone through you can forgive them for getting a little emotional.
Merging Serpico with an almost Shakespearean sense of tragedy Pride and Glory details an extremely complicated investigation into the gunning down of four New York City cops after an attempted drug bust goes terribly wrong. With increasingly bad PR and an apparent cop killer still at large the Chief of Manhattan Detectives Francis Tierney Sr. (Jon Voight) assigns his son Detective Ray Tierney (Edward Norton) to lead the probe. The younger Tierney is reluctant since he knows all four cops served under his brother Francis Jr. (Noah Emmerich) and brother-in-law Jimmy Egan (Colin Farrell). Ray’s instincts may be right because as he digs deeper he discovers an awkward and uncomfortable connection between Francis Jimmy and the case. Could his own family have been involved in an inside job and tipped off the drug dealers? Soon Ray finds himself having to choose between the greatest moral dilemma of all: loyalty to the job or loyalty to his family. Although Pride and Glory doesn’t break any new ground and is composed of elements we’ve seen in many previous films dealing with police corruption this film is distinguished by some of the finest work in the storied careers of many of its cast. Norton follows up his summer comic-book movie The Incredible Hulk with a far smaller and more focused character in P&G playing a man caught in a moral bind facing the unthinkable prospect of going after his own family members. Norton wears his ticklish predicament on his face and is enormously effective conveying pure angst. Emmerich (Little Children) delivers a rich portrayal of a tortured soul not only caught up in an intense investigation but dealing with a wife (Jennifer Ehle) dying of cancer. Farrell is better than he has been in some time playing a shady officer who seemingly will stop at nothing to get what he needs. Voight as the proud family patriarch and veteran of the NYPD clearly understands the dilemma of this man who is watching his family torn apart. Co-writer/director Gavin O'Connor has spent a frustrating couple of years trying to bring this story to the screen but his perseverance pays off. Pride and Glory is a well-written cop tale that co-exists as an interesting character study about the power of family ties vs. personal pride. O’Connor manages to put us right in the center of the moral conflict at the heart of his story and with several first-rate actors (even in the lesser roles) crafts a film that seems authentic to its core. Incorporating Declan Quinn’s in-your-face realistic cinematography O’Connor resists going for a more obvious audience-pleasing flashier style achieving a look and feel that seems more grounded in the milieu he’s trying to capture. His script co-written with Joe Carnahan (who wrote and directed the equally gritty Narc) is tight and unsympathetic slowly letting layers of a very intricate and complex story peel away to reveal a core that packs a punch right to the gut.
The story is the same. Poor little orphaned Oliver Twist (Barney Clark) has had a hard life. Either toiling in a horrible workhouse or being beaten at a miserable foster home it's hasn't been easy for the 9-year-old. The boy finally runs away to London where he is immediately spotted by the Artful Dodger (Harry Eden) a wily pickpocket. He whisks the sickly Oliver off to meet Fagin (Ben Kingsley) the leader of the pickpocket gang. Under the watchful guidance of Fagin and the other boys Oliver is taught the fine art of lifting. But when he finds himself at the wrong place at the wrong time and is falsely accused for a theft Oliver is inadvertently taken under the wing of the kindly Mr. Brownlow (Edward Hardwicke) a rich man who adopts the boy. Finally some happiness right? Not if you're in a Dickens novel. No sooner is Oliver contentedly ensconced with Brownlow when tragedy strikes again. Fagin's business partner the utterly cruel Bill Sykes (Jamie Forman) kidnaps Oliver and forces him to help them rob Brownlow's house. And when that doesn't go so well Bill then wants to get rid of Oliver. Only with the help of Bill's mistress Nancy (Leanne Rowe) who feels sympathy for Oliver can the boy be reunited with the only person who has ever showed him any kindness.
In a film full of fine performances from relatively unknown British actors Ben Kingsley stands out--and rightly so. Finally Kingsley has been given a part worthy of his talent and the Oscar-winning actor plays one of literature's more memorable characters to the hilt. Part Shakespeare's Falstaff part Lord of the Rings' Gollum Kingsley enjoys playing up Fagin's sprightly nature and physicality. Fagin is a merry prankster even if he's all hunched over and craggy faced with a high squeaky voice and a long moldy beard. But Fagin suffers. He doesn't really want to corrupt young Oliver. He knows the boy is pure of heart but he's too afraid of getting caught--or of evoking Bill's wrath--to let Oliver go. Kingsley subtly shows this internal struggle of good and evil raging within Fagin. As far as the rest of the cast it's interesting to note how all the children are fresh-faced and wide-eyed especially Clark as the oh-so-fragile yet surprising resilient Oliver and Eden as the crafty but goodhearted Dodger. All the adults especially the mean-spirited ones are either very severe and haggard or doughy and sweaty. In fact the film is a great study in faces a testament to Polanski's keen eye for the human condition.
Roman Polanski may have made some bad choices in his personal life but the man sure knows how to make a movie. With Oliver Twist the Oscar-winning director returns to the 19th century England he so vividly painted in his 1979 Tess--except this time around it's a bleak existence in the mud-caked streets of Victorian London being used as a backdrop instead of the lush English countryside. Polanski and his team painstakingly recreate the newly industrialized London from the ground up. It's a bustling teeming frightfully dirty environ filled with pestilence and vermin of all kinds. It must have been such an awful and a brutal time period to have endured and Polanski wants to make sure we understand this so we'll be that more amazed by how this little boy survives in it. There are times you almost wish they would break out into song ("Food! Glorious food!") just to lighten the mood a bit--but of course that's an entirely different Oliver Twist. And therein lies the film's problem: too many Twists. By count there's about 18 other versions either done as feature films or television movies/miniseries--and that's not including the Oscar-winning 1968 musical Oliver!. With all of Polanski's talents he could have picked something that was a little less of a retread.
Top Story: Halle Berry File for Divorce
Actress Halle Berry has filed for divorce six months after separating from her husband of three years, R&B singer Eric Benet. Berry's publicist confirmed the filing Monday in Los Angeles Superior Court, The Associated Press reports. The couple met in 1999 at an HBO party for the premiere of the biopic Introducing Dorothy Dandridge, in which Berry starred as the first black woman nominated for a Best Actress Oscar with 1954's Carmen Jones. They married in January 2001. At the time of their split, tabloids speculated Benet's faithfulness was an issue in their marriage. In a statement issued by her publicist in October 2003, Berry said: "Eric and I have had marital problems for some time now and have tried to work things out together. However, at this point, I feel we need time apart to reevaluate our union." This is the second divorce for Berry, 37, whose previous marriage to Cleveland Indians outfielder David Justice ended in divorce in 1996.
Jackson Personally Terminated Lead Attorneys
Michael Jackson said in a statement posted on his Web site Monday that he personally "terminated" his two lead defense attorneys--Mark Geragos and Benjamin Brafman--in his child molestation case. The statement was made in defense to press reports that the two legal eagles had stepped down. On Sunday, Brafman told Reuters Sunday he and Geragos had resigned from the case over "complicated legal and practical issues" that he could not discuss. Jackson, however, did not come out and say why he dismissed his two lead attorneys, but hinted: "It is imperative that I have the full attention of those who are representing me. My life is at stake. Therefore I must feel confident that my interests are of the highest priority."
Godsend Web Site Causes Controversy
Web surfers have started petitions to close a Web site to promote Lions Gate's upcoming drama Godsend, in which a couple clone their dead son. The site, www.godsendinstitute.org, promotes a fertility clinic run by a Dr. Richard Wells, billed as "the top genetic engineering researcher" in the United States. The problem seems to be the fact that the site doesn't mention the film or that the Godsend Institute is fictitious and its Dr. Wells is actor Robert De Niro. "Almost everyone who goes to the site thinks it's real, but by the time they leave, most have figured it's fiction. Some even applaud it," Tom Ortenberg, president of film releasing for Lions Gate, told Reuters. He added that the studio is getting several hundred phone calls a day to the fake clinic's toll-free number, but none have been from people actually looking for help.
Blake's P.I. Won't Testify Before Trial
Los Angeles Superior Court Judge Darlene Schempp ruled Monday that prosecutors in the Robert Blake murder trial couldn't take pretrial testimony from a private investigator hired by actor to dig into his wife's past. Blake allegedly hired Jordan to investigate Bakley during a custody battle for the couple's 3-year-old daughter daughter. According to Reuters, prosecutors had wanted to examine 77-year-old William Jordan, a former police detective, under oath before the trial starts because of his age and the importance of his testimony. But Schempp rejected the motion because it is too close to the trial date. Blake is scheduled to go to trial in Sept. 9 for the May 4, 2001, murder of his wife, Bonny Lee Bakley. The Baretta star is free on $1.5 million bail
Stern's Ratings Soar Despite Crackdown
Even though federal regulators have recently tighten restrictions on indecency, specifically targeting shock jock Howard Stern, his radio show's ratings have only gone up. Reuters reports the show scored major gains in listenership during the winter quarter ended Mar. 31 in the three biggest U.S. markets--New York, Los Angeles and Chicago--according to figures made public on Monday by the Arbitron radio ratings service. In Stern's home market of New York, where his show is broadcast on WXRK-FM, he topped all morning drive-time competition with a 7.2 share in total audience, up 22 percent from the fall quarter and 18 percent from last winter, Arbitron said. Stern's show had dipped slipped to No. 2 in total audience last fall.
Blanchett Becomes Mommy for Second Time
Oscar-nominated actress Cate Blanchett and husband writer Andrew Upton welcomed their second son, Roman Robert, last Friday, Blanchett's publicist told Reuters. The couple have a 2-year-old son, Dashiell. The 34-year-old actress will be seen next in Martin Scorsese's Howard Hughes biopic The Aviator, portraying screen legend Katharine Hepburn.
Pointer Sister Faces Drug Charges
June Pointer Whitmore, the youngest member of the '70s hit-making group the Pointer Sisters, was charged Monday with cocaine possession, Reuters reports. She was arrested last Thursday with two other people outside the Hollywood apartment of her older sister, Bonnie, but was released on bail. Details of Whitmore's arrest were sketchy, Reuters reports, but a spokeswoman for prosecutors said she and her co-defendants were confronted by police officers who responded to citizen complaints and found them in possession of cocaine and cocaine pipes.
Role Call: Polanski Finds His Oliver Twist
Oscar-winning director Roman Polanski, who is helming an adaptation of Charles Dickens' classic novel Oliver Twist, has found the right young actor to portray the title character, after a search of London's drama schools. After a screen test in Prague, where Oliver Twist will be shot, 10-year-old Barney Clarke won the role. Ben Kingsley will play Fagin. Shooting begins July 12.