Actor/director James Franco is preparing to tackle a second film adaptation of William Faulkner's work after receiving favourable reviews for his take on the writer's acclaimed novel As I Lay Dying. The star teamed up with his pal Matt Rager to adapt the story and it was warmly received when he unveiled the drama, which co-stars Danny McBride, at the Cannes Film Festival in France earlier this year (13).
He has now set his sights on turning Faulkner's 1929 classic The Sound and the Fury, about a family of Southern aristocrats who fall on hard times, into a film, which he plans to direct and star in, reports the Los Angeles Times.
Franco has already penned the script with Rager and he is hoping to recruit Mad Men star Jon Hamm to portray the family patriarch, Mr. Compson. McBride and Franco's actor brother Dave are also expected to be cast.
The star is keen to begin production on The Sound and the Fury this autumn (13), but admits there are still some funding issues to straighten out: "We're in pretty good shape (financially), but there are a few more things that have to happen before we're good."
The Sound and the Fury was last adapted for the big screen in 1959 by director Martin Ritt, with Yul Brynner in the lead role as Jason Compson.
The Cannes Film Festival: where big name Hollywood stars and renowned American directors rub shoulders with the global elite. It's like moviedom's version of the Olympics, filmmakers and performers from around the world spend a week along the beaches of France, showing off their latest work in hopes of generating buzz and finding breakout success.
This year's slate of films sports plenty of recognizable faces: Ryan Gosling reteams with his Drive director Nicolas Winding-Refn for Only God Forgives; the Coen Bros. will show their loose Dave Van Ronk biopic starring Oscar Isaacs, Carey Mulligan, and Justin Timberlake; Steven Soderbergh's HBO movie Behind The Candelabra touts Matt Damon and Michael Douglas; and the "Out of Competition" category boasts Emma Watson's bad girl crime pic Bling Ring and the James Franco-directed Faulkner adaptation, As I Lay Dying. A packed roster.
On top of that, Cannes 2013 also has an eclectic collection of foreign films that look equally fascinating — if they can live side by side with the Hollywood elite, that means something.
Dive in to the full lineup below and watch out for Hollywood.com's coverage of the 2013 Cannes Film Festival when the debuts begin in mid-May:
Opening film: The Great Gatsby, dir: Baz Luhrmann
Closing film: Zulu, dir: Jérôme Salle
CompetitionOnly God Forgives, dir: Nicolas Winding-RefnLa Grande Bellezza, dir: Paolo SorrentinoBehind The Candelabra, Steven SoderberghThe Immigrant, dir: James GrayVenus In Fur, dir: Roman PolanskiStraw Shield, dir: Takashi MiikeNebraska, dir: Alexander PayneJeune Et Jolie, dir: Francois OzonThe Past, dir: Asghar FarhadiInside Llewyn Davis, dir: Joel & Ethan CoenJimmy P., dir: Arnaud DesplechinHeli, dir: Amat EscalanteGrisgris, dir: Mahamat-Saleh HarounLike Father Like Son, dir: Hirokazu Kore-EdaLa Vie D’Adèle, dir: Abdellatif KechicheBorgman, dir: Alex Vann WarmerdamA Touch Of Sin, dir: Zhangke JiaMichael Kohlhaas, dir: Arnaud DespallièresUn Château En Italie, dir: Valeria Bruni-Tedeschi
Out of CompetitionBlood Ties, dir: Guillaume CanetAll Is Lost, dir: J.C. Chandor
Un Certain RegardThe Bling Ring, dir: Sofia Coppola (Opening film)Omar, dir: Hany Abu-AssadDeath March, dir: Adolfo Alix, JrFruitvale: dir: Ryan Coogler*The Bastards, dir: Claire DenisNorte, Hangganan Ng Kasaysayan, dir: Lav DiazAs I Lay Dying, dir: James FrancoMiele, dir: Valeria Golino*L’Inconnu Du Lac, dir: Alain GuiraudieBends, dir: Flora Lau*L’Image Manquante, dir: Rithy PanhLa Jaula De Oro, dir: Diego Quemada-Diez*Anonymousv, dir: Mohammad RasoulofSarah Préfère La Course, dir: Chloé Robichaud*Grand Central, dir: Rebecca Zlotowski
Midnight ScreeningsBlind Detective, dir: Johnnie ToMonsoon Shootout, dir: Amit Kumar*
Homage To Jerry LewisMax Rose, dir: Daniel Noah
Special ScreeningsSeduced And Abandoned, dir: James TobackWeekend Of A Champion, dir: Roman PolanskiMuhammad Ali’s Greatest Fight, dir: Stephen FrearsStop The Pounding Heart, dir: Roberto MinerviniBite The Dust, dir: Taisia Igumentseva (Cinéfondation)*
Gala Screening in honor of IndiaBombay Talkies, dirs: Anurag Kashyap, Dibakar Banerjee, Zoya Akhtar, Karan Johar
Follow Matt Patches on Twitter @misterpatches
More: Ryan Gosling Looks... Different On The 'Only God Forgives' PosterSee Emma Watson Pole Dancing In 'Bling Ring' — VideoMatt Damon and Michael Douglas Say 'Behind The Candelabra' Will Respect Liberace's Legacy
From Our Partners:Eva Longoria Bikinis on Spring Break (Celebuzz)33 Child Stars: Where Are They Now? (Celebuzz)
The 127 Hours star, who will co-host the Oscars in February (11), was desperate to turn Cormac McCarthy’s Blood Meridian into a movie - but Scott Rudin, the producer behind the project, was unsure about hiring the actor as his director.
So Franco turned to his pals and family and asked them to star in a test sequence he financed - in the hope it would prove he had what it took to become a filmmaker.
The movie star tells EW.com, "I called him (Rudin) up and said, 'I’m planning on doing this. You don’t have to give me any money, I can finance this shoot. Would you just wait? Don’t do anything with it until I show this to you.’ And I showed it to him and he loved it."
As a result, Franco got the job - and now his career as a director is on track; he is in talks to take charge of a new biopic of movie icon Sal Mineo and he has begun discussions with writer William Faulkner’s estate executors and is working on convincing them to grant him permission to turn the classic As I Lay Dying, about a family's attempt to honour a loved one's wishes to be buried in a specific town, into a movie.
The actor has already lined up financial backing for the project, should he win over Faulkner's estate - Fox Searchlight executives have signed on to develop the work, which Franco hopes to start production on in early 2012.
Slackers stars Devon Sawa as Dave a lazy college bum who along with his two cronies Sam (Jason Segel) and Jeff (Michael Maronna) cheats his way through school in a variety of schemes that involve elaborate ways of getting advance peeks at test questions and then paying the smart nerdy kids to provide the correct answers. (Methinks it would be far easier for them to just do the work themselves.) While stealing the midterm test from a physics class Dave meets a pretty girl Angela (James King) and asks her out. It turns out to be a big mistake because Angela has previously attracted the attentions of Cool Ethan (Jason Schwartzman) a psychotic geek who is stalking poor Angela without her knowledge. Happening upon a document that will expose Dave's misdeeds Ethan blackmails Dave and his gang--in return for not incriminating them they must work their magic and get Ethan the necessary information to win the heart of unsuspecting Angela.
Ethan is clearly the film's antagonist and Schwartzman's (who was brilliant in Rushmore) fearlessly repellent performance is as insanely funny as it is completely disturbing. (It's also the one true thing that sets Slackers apart from complete anonymity.) There's no sweet side to this guy that Angela might fall for if she only got to know him. Schwartzman's Ethan is abrasive aggressive unrelenting hyperactive socially inept and full of ill-advised impulses he never filters. Meanwhile Sawa and King come off as a bland cut-and-paste Ken and Barbie who never set the screen on fire. Aside from the sock puppet gag bit Maronna and Segel are wasted as Sawa's slavishly devoted friends. Laura Prepon (TV's That '70s Show) tantalizes us as King's lascivious roommate but we just don't get to see enough of her fine performance.
There's little wittiness found in Dewey Nicks' direction or in the writing though there are a handful of moments that rise above the film's generally uninspired technique. Nicks effectively rips off Spike Lee's floating camera movement in a scene where Dave walks through an operatic graduation celebration and the alternate reality sequences (Cool Ethan's kissing threesome; Jeff's sock puppet; the cheaters imagining themselves as superheroes rap stars and Peter Pan) are genuinely funny and almost innovative. Nicks almost inserts enough of this to make Slackers more than just your routine gross-out romp rife with weird sex masturbation and toilet humor--but just almost. Ultimately in Nicks' hands the movie never rises above its pedestrian plot and dialogue.