For the bulk of every Rocky and Bullwinkle episode, moose and squirrel would engage in high concept escapades that satirized geopolitics, contemporary cinema, and the very fabrics of the human condition. With all of that to work with, there's no excuse for why the pair and their Soviet nemeses haven't gotten a decent movie adaptation. But the ingenious Mr. Peabody and his faithful boy Sherman are another story, intercut between Rocky and Bullwinkle segments to teach kids brief history lessons and toss in a nearly lethal dose of puns. Their stories and relationship were much simpler, which means that bringing their shtick to the big screen would entail a lot more invention — always risky when you're dealing with precious material.
For the most part, Mr. Peabody & Sherman handles the regeneration of its heroes aptly, allowing for emotionally substance in their unique father-son relationship and all the difficulties inherent therein. The story is no subtle metaphor for the difficulties surrounding gay adoption, with society decreeing that a dog, no matter how hyper-intelligent, cannot be a suitable father. The central plot has Peabody hosting a party for a disapproving child services agent and the parents of a young girl with whom 7-year-old Sherman had a schoolyard spat, all in order to prove himself a suitable dad. Of course, the WABAC comes into play when the tots take it for a spin, forcing Peabody to rush to their rescue.
Getting down to personals, we also see the left brain-heavy Peabody struggle with being father Sherman deserves. The bulk of the emotional marks are hit as we learn just how much Peabody cares for Sherman, and just how hard it has been to accept that his only family is growing up and changing.
But more successful than the new is the film's handling of the old — the material that Peabody and Sherman purists will adore. They travel back in time via the WABAC Machine to Ancient Egypt, the Renaissance, and the Trojan War, and 18th Century France, explaining the cultural backdrop and historical significance of the settings and characters they happen upon, all with that irreverent (but no longer racist) flare that the old cartoons enjoyed. And oh... the puns.
Mr. Peabody & Sherman is a f**king treasure trove of some of the most amazingly bad puns in recent cinema. This effort alone will leave you in awe.
The film does unravel in its final act, bringing the science-fiction of time travel a little too close to the forefront and dropping the ball on a good deal of its emotional groundwork. What seemed to be substantial building blocks do not pay off in the way we might, as scholars of animated family cinema, have anticipated, leaving the movie with an unfinished feeling.
But all in all, it's a bright, compassionate, reasonably educational, and occasionally funny if not altogether worthy tribute to an old favorite. And since we don't have our own WABAC machine to return to a time of regularly scheduled Peabody and Sherman cartoons, this will do okay for now.
If nothing else, it's worth your time for the puns.
Follow @Michael Arbeiter
| Follow @Hollywood_com
WHAT IT’S ABOUT?
When all-American girl Susan Murphy is inadvertently hit by a falling meteor on her wedding day she grows to be nearly 50 feet tall. The U.S. military gets wind of this renames her Ginormica and locks her away with a slacker group of other “monsters” in a top-secret compound. But when a mysterious alien robot lands on Earth and begins wreaking havoc these good-hearted but inept creatures are called into action by the President and must band together as a team to save the world from certain catastrophe.
WHO’S IN IT?
As usual Dreamworks has assembled a stellar A-list voice cast led by Reese Witherspoon as Susan/Ginormica. Playing one of the rare female animated heroes Witherspoon’s sweet/confused demeanor — in light of her highly unusual status as a fearsome freakazoid — hits just the right tone generously letting her zanier colleagues steal scenes from right under her (a long way down by the way). Chief among these are a not-so-bright gelatinous blue mass named B.O.B. hilariously voiced by Seth Rogen; the genius Dr. Cockroach Ph.D in the capable hands of House doc Hugh Laurie; and Will Arnett’s half-ape half-fish The Missing Link. In the human roles there’s Stephen Colbert as the idiotic U.S. President Kiefer Sutherland as the monster’s prison guardian Paul Rudd as the ego-driven weatherman fiancé of Susan; and a deliciously villainous Rainn Wilson as Galaxhar the alien determined to take over Earth.
Superb 3-D effects aren’t overdone and add immeasurably to the ginormous fun of the film but even seeing it in theaters that only show it in regular 2-D doesn’t spoil the pure joy of this cartoonish War of the Worlds. Throw in parodies of every cheap '50s sci-fi movie you can think of and you have the ingredients for a silly monster mash sure to appeal to just about anyone who wants to laugh. Despite the impressive production elements it’s the smart and clever script that really sets it apart from its competitors — and that even includes the similar Monsters Inc. from Pixar.
Like any kid-oriented comic ‘toon today the action can be a bit too frenetic and Monsters vs. Aliens piles a lot of it on in its trim 95 minutes. Still the lovable characters carry the day and somehow make it all palatable.
When Susan now Ginormica brings her new friends home to meet her parents chaos ensues and so do the laughs. Also impressive are the large action scenes that make fine use of CGI animation breakthroughs.
BEST SUPPORTING BLOB:
It's easily the one-eyed lame-brained blue lug of a people hugger named B.O.B. perfectly matched to the talents of Rogen. He rolls away with the movie and inevitably the merchandise tie-ins.
If animals could indeed view their surroundings intellectually and talk to each other it’s entirely possible they’d discuss how screwed up human beings are especially in the ridiculous way we waste food. But hey to RJ (Bruce Willis) a wily raccoon what we throw away today becomes lunch tomorrow. He tries to impart some of this wisdom to his newfound friends--a motley crew lead by Verne the turtle (Garry Shandling)--after they wake up after a long winter’s nap and discover most of their natural habitat has been turned into a housing development separated by a very tall hedge. Yep these woodsy folk are sure in for an eye-opening adventure as the manipulative RJ convinces the gang to start collecting boxes of cheese doodles Girl Scout cookies and marshmallows telling them there is little to fear and everything to gain from their over-indulgent new neighbors. Now if they can only get rid of that cat... If you’re an actor these days the chances to play a serious Oscar-worthy role are just as great as playing a squirrel. Or a hedgehog. Or a guy called the Verminator. Over the Hedge has a fine slate of voices starting with Willis as RJ the raconteur raccoon whose pretty savvy to the ways of the paved and pre-packaged world of suburbia. Shandling is the heart of the film as the mild-mannered Verne who just wants to take care of his little woodland family. They include a couple of married-with-kids hedgehogs (pitch perfect Eugene Levy and Catherine O'Hara); a hyperactive but tender-hearted squirrel (a hilarious Steve Carell); an overdramatic possum (William Shatner playing it to the hilt) and his embarrassed teenage daughter (pop star Avril Lavigne); and a snarky skunk with attitude (Wanda Sykes who else?). As far as the humans Allison Janney voices a shrieking but vindictive homeowner while the Thomas Haden Church is said Verminator a fat balding but ruthless pest exterminator. What fun! Over the Hedge keeps to the spirit of the popular comic strip by Michael Fry and T. Lewis on which the film is based. The strip focuses on the travails of friends RJ and Verne as they exploit the human world for their own personal gain while sardonically commenting on how messed up it is. Hedge sort of shows how these two might have met and is just a hoot from beginning to end. The images of woodland animal-meets-modern-day people are spot on: RJ’s spiel on how humans get food (“That’s the receptacle to get the food [a phone]...and that’s the tone when the food comes [the doorbell]”); SUVs (“Humans are slowly phasing out walking all together”); the skunk seducing the stupid cat (“I like your smell.”). The best is when Hammy the squirrel getting so hopped up on caffeinated soda the whole world comes to a stand still for him. Side-splitting stuff. Again success in animation comes when you stick with a simple story and create characters everyone can relate to. Plus hilarious dialogue. It’ll work every time.