This year's Best Director Oscar race has proven a surprising one, with two of the most-nominated directors at every other awards show being shut out of the big game. We're, of course, talking about Ben Affleck and Kathryn Bigelow for Argo and Zero Dark Thirty, respectively. So hopes were high that vindication would be at their backs, guiding at least one of them to gold. And what a victory it was for winner Affleck, who took home the top feature film honors at the ceremony in Hollywood. Affleck's win is just one of many that he's gained for directing the story of Tony Mendez and the six fugitive Americans embassy workers in 1980. At this point, it seems hard to imagine Affleck will miss the Oscar trophy he could've won, had the Academy not snubbed him during nominations. What's one award amongst friends, right?
But it wasn't just a big night for movies. Big names in television — including Lena Dunham, Louis C.K., Bryan Cranston, and Looper's Rian Johnson — were all up for directoral nods on the small screen. But it was the seemingly-unstoppable Dunham that took home the top prize in comedic television for her HBO series Girls — and on her first nomination, to boot! Welcome to 2013: Year of the Dunham. (And you thought it was 2012, pish posh!) Johnson took home the dramatic prize for his work on the Cranston-fronted Breaking Bad. Cranston himself was up for directing an episode of Modern Family. From meth kingpin to primetime comedy director — there's really nothing that man can't do, huh?
Check out the full list of nominees (and winners; bolded) below!
Outstanding Directorial Achievement in Feature Film
Argo (Warner Bros. Pictures)
Zero Dark Thirty
Life of Pi
(Twentieth Century Fox)
(DreamWorks Pictures/Twentieth Century Fox)
Outstanding Directorial Achievement in Movies for Television and Mini-Series
Political Animals, “Pilot”
Hemingway & Gellhorn
Hatfields & McCoys
Game Change (HBO)
American Horror Story: Asylum, “Dark Cousin”
Outstanding Directorial Achievement in Dramatic Series
Homeland, "The Choice"
Mad Men, “A Little Kiss”
LESLI LINKA GLATTER
Breaking Bad, “Fifty-One” (AMC)
The Newsroom, “We Just Decided To” (Pilot)
Outstanding Directorial Achievement in Comedy Series
Louie, “New Year’s Eve”
The Big Bang Theory, “The Date Night Variable”
Modern Family, “Election Day”
Girls, “Pilot” (HBO)
30 Rock, “Live from Studio 6H”
Outstanding Directorial Achievement in Musical Variety
12-12-12: The Concert for Sandy Relief
(Multiple Networks/Cable Outlets)
DON ROY KING
Saturday Night Live with Host Mick Jagger
84th Annual Academy Awards
The Daily Show with Jon Stewart, "Episode #17153"
66th Annual Tony Awards (CBS)
Outstanding Directorial Achievement in Reality Programs
America’s Next Top Model, "The Girl Who Becomes America’s Next Top Model"
Face Off, "Scene of the Crime"
Master Chef, “Episode #305” (FOX)
J. RUPERT THOMPSON
Stars Earn Stripes, “Amphibious Assault”
Ink Master, “Pasties and a Cameltoe”
Outstanding Directorial Achievement in Daytime Serials
Days of Our Lives, “Trapped”
General Hospital, “Bad Water”
General Hospital, “Magic Milo”
General Hospital, “Shot Through The Heart”
One Life To Live, “Between Heaven and Hell” (ABC)
Outstanding Directorial Achievement in Children's Programs
Girl vs. Monster
Let it Shine (Disney Channel)
SAVAGE STEVE HOLLAND
Big Time Movie
Don’t Divorce Me! Kids’ Rules for Parents on Divorce
Outstanding Directorial Achievement in Documentary
Searching For Sugar Man
The Invisible War
How To Survive A Plague
The Queen of Versailles
Ai Weiwei: Never Sorry
What do you think of this year's winners? Let us know in the comments!
[Photo Credit: Getty Images]
Follow Alicia on Twitter @alicialutes
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The catastrophic battles of the Clone Wars are in their final stages as the crumbling Republic--supported by the ever-vigilant Jedi Knights--fight against the Separatist Alliance lead by a particularly nasty half-droid half-alien named General Grievous. Jedi überheroes Obi-Wan Kenobi (Ewan McGregor) and Anakin Skywalker (Hayden Christensen) are sent to kill General Grievous and end the war but it isn't easy. Meanwhile Yoda Mace Windu (Samuel L. Jackson) and the other Jedi Council members fear for the state of the Republic under the guidance of the nebulously sinister Chancellor Palpatine (Ian McDiarmid). I know what you're thinking "Yeah yeah just tell us how Anakin goes bad." Poor Annie. He still has some serious anger issues which now revolve around his adoring young wife Padme (Natalie Portman) and their unborn child (or children in this case). He thinks he foresees Padme's death and will do anything to keep her safe including listening to Palpatine malevolently whisper promises of immortality and the power of the Dark Side into his ear. Not the best thing for this volatile fellow. Yes Darth Vader will soon emerge and the inevitable duel between the good and the Dark Side is at hand. Get your lightsabers ready.
Happily all the main actors--save for perhaps Natalie Portman as the ineffectual Padme--get a lot more to chew on in this final installment. Christensen is thankfully done being the whining teenager from Attack of the Clones and turns into a brooding conflicted pre-Vader who can't control his anger. Of course he overdoes it a bit with the scowling and evil cold stares but that's OK. It's what the part requires. The love story between Christensen and Portman however is still kind of painful to watch. The two actors look more than a little embarrassed professing their love for one another ("I'm so much in love with you" "No I'm so much in love with YOU!"). And besides bringing back the infamous Leia "cinnamon bun" look Portman isn't given a darn thing to do but fret and pace and rub her pregnant belly praying Anakin will be all right. You'd think after wielding a gun in The Phantom Menace she'd get to do more fighting. Oh well. On the flip side McGregor Jackson and even McDiarmid all get to kick some serious butt in Revenge of the Sith each with their own action-packed fight sequences. Jackson just seems happy to be swinging a lightsaber around. McGregor with the full beard and biting commentary does a nice job setting the stage for the elderly Ben Kenobi to come. And McDiarmid a veteran British stage thesp finally gets his chance to shine as the malicious Palpatine as we see his own transformation into the ultimate evil being he becomes.
Oh George what are you going to do now that it's all over? Of course Lucas has said he is going to redo all the six Star Wars episodes in 3-D as well as produce a TV series which follows the events after Return of the Jedi. Then there's the fourth Indiana Jones movie to look forward to. But Lucas will probably hole back up at his Skywalker Ranch in northern California and dream up even better ways to generate special effects for the big screen. That's what he does best. He truly is an amazing genius at creating visuals and Revenge of the Sith is no exception. From the battle between General Grievous and Obi-Wan to Yoda's clash with Darth Sidious to Obi-Wan's climactic duel with Anakin Sith is simply riveting. The only difficulty Lucas has ever had is with the human element. I'll admit I'm one of those die-hard fans of the original trilogy who had a problem with the lack of an emotional core in the prequels. After writing and directing the first Star Wars (or Episode IV for those counting) Lucas understood then that maybe he wasn't the best choice to write the next two handing the chores off to screenwriter Lawrence Kasdan. It worked. Big time. Yet with all three prequels (that's Episodes I-III) Lucas did it all himself and his obvious shortcomings are evident. But hey does it really matter how connected you feel to the characters when you've got the Force Jedi Knights evil Darths an ass-kicking little green guy clone armies droid armies Wookiee armies (yeah that's a lot of fur) and an ultimate turn towards the Dark Side? No. But it helps.