Filming has begun on the annual Doctor Who Christmas special, which will see current star Matt Smith regenerate into new lead Peter Capaldi. For the uninitiated: one of the rules of the long-running British sci-fi series is that the Doctor can dodge death by altering every cell in his body, allowing the show to continue even as Ryan Gosling steals Smith away to embark on a promising film career.
The Scottish Capaldi will be the 12th actor to take on the role of the traveling Time Lord. At 55, he ties first Doctor William Hartnell as the oldest man in the part. But what else should we know about the new captain of the TARDIS? Read on to meet the new man of mystery behind the universe's ultimate man of mystery.
He's an Oscar Winner!The next actor to whisk us across time and space is the only one who can boast an Oscar! Peter Capaldi won the Live Action Short Film Academy Award in 1995 for directing Franz Kafka's It's A Wonderful Life. Confident from his win, he claims to have taken one disappointing meeting in Los Angeles before getting on the next plane back across the pond.
He's Totally Punk Rock!While in art school in Glasgow, Capaldi was the lead singer of a post-punk band called The Dreamboys. The drummer? Future chat show host and Doctor Who superfan, Craig Ferguson. Ferguson introduced Capaldi on his show as a guest with whom he's "dropped acid." Wouldn't you have liked to have partied with those guys?
He Has ExperienceCapaldi has already been seen in Doctor Who, playing a desperate father dealing with a ready-to-pop Mount Vesuvius right outside his front door in Season 4 episode "The Fires of Pompeii." He also played a significant role in the third season of Who spinoff Torchwood. Tissues required for that one.
The Cumberbatch ConnectionHe costars with Hollywood's current Brit obsession Benedict Cumberbatch in the upcoming Julian Assange flick The Fifth Estate. But they've also played the same suspicious angel in two different adaptations of fantasy author Neil Gaiman's Neverwhere. Capaldi's was a charmingly low-budget 1996 miniseries, while Cumberbatch's is a 2013 radio play co-starring James McAvoy.
He's Most Likely Not in Harvey Weinstein's RolodexCapaldi tells reporters that he based his breakout role as the fabulously foul-mouthed Malcom Tucker in comedy series The Thick of It and spin-off film In The Loop on blustering Hollywood heavyweights, particularly Weinstein.
His Last Role Was Creepily PropheticCapaldi was last seen by American audiences in the Brad Pitt-fronted summer blockbuster World War Z, credited as a "W.H.O. Doctor." We know that acronym stands for World Health Organization, but still, hmmmm...
He's a BeatleSort of. He played George Harrison in the 1985 TV movie, John and Yoko: A Love Story.
He's a Grown-Up Fanboy.During the initial, classic run of Doctor Who, UK magazine The Radio Times published a fan letter from 15-year-old Capaldi congratulating them on a recent special edition focusing on the show. Now he's all grown up and essentially becoming his childhood hero, giving faith to Whovians everywhere.
Oh My God, He Totally Knows Brangelina!After fighting zombies with Brad, Capaldi joins Angelina Jolie on the darker side of one of our favorite fairy tales. He spent six hours in makeup every day for his upcoming role as King Kinloch in Maleficent, the origin story of Sleeping Beauty's evil witch.
The Silver Fox EffectThe Doctor is regenerating in December, but his companion is staying put. Jenna Louise Coleman, who plays the Time Lord's current best pal Clara Oswald, is 28 years Capaldi's junior, making their age difference the largest in the show's history.
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The Tony Award winner's adaptation will debut at The National Theatre of Scotland in June (12) before transferring to New York's Lincoln Center.
Cumming tells theatre publication The Stage, "I have been obsessed with the play all my life. It was the first Shakespeare I was in, at the Tron in Glasgow."
Newcomer Connor McCarron has won acclaim for his role as a youth who becomes embroiled in gangland violence in the 1970s in new movie Neds.
The 17 year old recently claimed his father, John, was a "role model" who kept him away from dangerous gang culture as he was growing up.
But the actor's comments have now come under fire from grieving parents Ronald and Helen Auld, whose son William was stabbed to death by John McCarron following an argument in a Glasgow bar early last year (10).
He was sentenced to a minimum of 18 years behind bars last August (10).
Ronald Auld tells Britain's Daily Record, "Connor was saying his dad was a role model and that got us upset. His father is doing 18 years for murder."
Warner Bros.' highly anticipated sci-fi sequel The Matrix Reloaded crushed the competition at the box office with a mind-bending five-day take of $135.7 million*, making it the second best weekend opening of all time. The megahyped actioner also set a new record for the biggest consecutive four-day domestic box office gross in cinema history with $134.3 million, became the highest grossing R-rated film ever and broke the one-day box office record on its formal opening day, with $42.5 million. Reloaded premiered on about 2,750 screens across the country Wednesday night--two hours before its nationwide release Thursday in some 3,603 theaters with a record 8,517 prints. But its early release could also be why it failed to beat Sony Picture's Spider-Man's still-standing record as the best weekend opener of all time.Reloaded went on to gross $93.2 million Friday through Sunday, which was not enough to defeat Spider-Man's record three-day haul of $114.8 million. The previous No. 2 spot was held by Warner's Harry Potter and the Sorcerer's Stone with $90.3 million.Still, Reloaded managed to sell out most evening showtimes despite its restrictive rating, which many industry insiders believed would lessen its chance to reach a broad audience. With the highest playdate count of any R-rated film, Reloaded blew away the previous record for the best opening for an R rated pic, held by Universal's horror sequel Hannibal, which raked in $58 million in its opening weekend in February 2001."This just shows that ratings matter to a point, but if people want to see the movie, they're going to see the movie," Paul Dergarabedian, president of box office tracker Exhibitor Relations Co. told The Associated Press Sunday. "It was review proof and it was ratings proof." "You had a whole legion of fans under 17 whose parents were obviously willing to take them to see this movie," he added. "You can almost call this an R-rated family film."Other R-rated blockbusters opening this summer, including Terminator 3: Rise of the Machines, Bad Boys II and American Wedding--the third installment in the American Pie trilogy--will no doubt see Reloaded's weighty box office take as a positive sign. THE TOP TENWarner Bros.' R rated sci-fi sequel The Matrix Reloaded easily debuted at the top of the box office with an ESTIMATED three-day take $93.2 million at 3,603 theaters. The film's $25,884 per theater average was the highest of any film playing this weekend. Its cume is approximately $135.7 million.In the trilogy's second installment, Neo, Trinity and Morpheus continue their battle against the Machines both in and out of the Matrix as mankind has just 72 hours before the destruction of the human city of Zion. Directed by Larry and Andy Wachowski, it stars Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss and Hugo Weaving.Sony Pictures' PG-rated Daddy Day Care remained in the No. 2 spot in its second week with an ESTIMATED $19.2 million (-30%) at 3,408 theaters (+38 theaters, $5,634 per theater). Its cume is approximately $51.3 million.Directed by Steve Carr, it stars Eddie Murphy, Jeff Garlin, Steve Zahn, Regina King and Anjelica Huston. Lats week's box office topper, 20th Century Fox's comic book sequel X2: X-Men United skipped second place and went straight to No. 3 in its third week of release with an ESTIMATED $17.1 million (-57%) at 3,489 theaters (-260 theaters, $4,910 per theater average). Its cume is approximately $174 million, heading towards the $200 million mark.Directed by Bryan Singer, it stars Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry, Famke Janssen, James Marsden and Rebecca Romijn-Stamos.In fourth place is 20th Century Fox's PG-13 romantic comedy Down With Love, which debuted in one New York theater last week and expanded into 2,123 theaters this week with an ESTIMATED $ 7.5 million, with a $3,573 per theater average. Its cume is approximately $7.6 million.The film, an homage to Doris Day/Rock Hudson movies, follows a feminist writer who knocks heads with a playboy journalist. Directed by Peyton Reed, it stars Renee Zellweger, Ewan McGregor and David Hyde Pierce.Buena Vista's PG rated The Lizzie McGuire Movie fell two notches to fifth place in its third week with an ESTIMATED $4.5 million (-38%) at 2,825 theaters (-167 theaters, $1,693 per theater). Its cume is approximately $32.1 million.Directed by Jim Fall, it stars Hilary Duff, Adam Lamberg and Yani Gellman.*Box office estimates provided by Exhibitor Relations, Inc.Sony Pictures' PG-13 rated comedy Anger Management fell one rung to No. 6 in its sixth week with an ESTIMATED $3.6 million (-37%) at 2,476 theaters (-343 theaters, $1,454 per theater). Its cume is approximately $128.3million.Directed by Peter Segal, it stars Adam Sandler, Jack Nicholson, Marisa Tomei and John Turturro.Sony Pictures' R-rated psychological thriller Identity dropped three places in its fourth week with an ESTIMATED $3.4 million (-48%) at 2,196 theaters (-422, $1,548 per theater). Its cume is approximately $44.8 million.Directed by James Mangold, it stars John Cusack, Ray Liotta, Amanda Peet, Rebecca DeMornay and Alfred Molina. Buena Vista's PG rated teen comedy Holes fell from sixth to eighth place in its fifth week with an ESTIMATED $3 million (-38%) at 2,232 theaters (-220 theaters, $1,344 per theater). Its cume is approximately $45 million.Directed by Andrew Davis, it stars Rick Fox, Sigourney Weaver, Jon Voight, Tim Blake Nelson and Shia LeBeouf. Warner Bros. PG-13 A Mighty Wind, dropped from seventh to No. 9 in its fifth week with an ESTIMATED $1.7 million (-42%) at 770 theaters (+5 theaters; $2,253 per theater). Its cume is approximately $12.1 million. Directed by and starring Christopher Guest, it also stars Michael McKean, Harry Shearer, Bob Balaban, Eugene Levy, Catherine O'Hara and more. Rounding out the Top Ten is Fox Searchlight's PG-13 rated Bend It Like Beckham. The soccer comedy fell one notch in its tenth week of release stateside with an ESTIMATED $1.5 million (-13%) at 553 theaters (-2 theaters, $2,731 per theater). Its cume is approximately 15.1 million.Directed Gurinder Chadha, it stars Parminder Nagra, Keira Knightley and Jonathan Rhys Meyers.OTHERSMiramax Film's G rated animated sequel Pokémon Heroes opened with an ESTIMATED $225,000 at 196 theaters ($1,148 per theater).This is the fifth in the series of Japanese anime films including: Pokemon The First Movie (1999), Pokemon The Movie 2000 (2000), Pokemon 3 The Movie: Spell of the Unknown (2001) and Pokemon 4Ever (2002). Lion Gate's R rated prison drama Sweet Sixteen, meanwhile, debuted in three theaters with an ESTIMATED $30,000, with an impressive $10,000 per theater average.The film revolves around a young teen struggling to realize his dream in the gritty streets of Glasgow while waiting for his mother's release from prison.Directed by Ken Loach, it stars Martin Compston, William Ruane, Annmarie Fulton and Michelle Abercromby.WEEKEND COMPARISONThe Top 12 films this weekend grossed an ESTIMATED $156 million, up a whopping 52.3 percent from last week when they totaled $102.4 million.The Top 12 were down about 4 percent from last year when they totaled $162.6 million.Last year, Fox's PG rated Star Wars: Episode II Attack of the Clones premiered at the top of the box office with $80 million at 3,161 theaters ($25,317 per theater); Sony's PG-13 rated Spider-Man came in second in its third week with with $45 million at 3,615 theaters ($12,458 per theater); and Fox's R rated Unfaithful came in third in its second week with $10 million at 2,624 theaters ($3,816 per theater).
Go to our Box Office section for recent weekend movie analysis.
Luke (Steven Strait) and Brier (Pell James) first cross paths on a New York City subway before the doors shut on their instant attraction to one another. Of course it is immediately and abundantly clear that they will naturally meet up again before long but where and how? The answers: L.A. and well it's complicated. Each having forgotten about the other Brier a top model in NYC decides she needs a change of scenery and tells her agent (Carrie Fisher clearly in it for the paycheck) she's heading out to L.A. to pursue acting while Luke and his brother Euan (Kip Pardue) decide to move to the West Coast as well. Once there Brier befriends Clea (Ashlee Simpson) and on her first night in town takes Brier to a local dive bar where Luke works as a struggling "musician." Wow that's some coincidence. There is an instant re-connection between Luke and Brier but she refuses to get involved with musicians since her rock-star ex mistreated her. Instead she shifts her focus on generating buzz for Luke. Eventually Luke gets the big recording contract becomes the rock-star jerk he'd swore he'd never become and loses it all. But all is well when Brier decides she can no longer resist Luke's ballads and Metallica-guitarist-circa-'85 hair.
The theme of Undiscovered could apply to its cast. Each of the four leads are on the cusp of being on the cusp and certainly they hope this movie will take them one step closer. For James that might happen. She is a natural on screen and gives a breakthrough performance as the comely Brier. Strait is also a relative newcomer. After turning his debut performance in this summer's Sky High he holds his own in Undiscovered but seems to be relegated to taking his shirt off to make the teenyboppers swoon. Finally there's Simpson who is also making her major-role debut. It's awkward to see her on-screen and yes subconsciously you wait for her to make a noticeable mistake (or butcher a voice-over due to acid reflux). Of course it doesn't happen; she moves along pretty smoothly but is at times subjected to dialogue that seems beyond her especially when she has to words big words such as "banter." And certainly it's not her fault when she describes Luke--a musician best left struggling--as "a cross between Jeff Buckley and Elvis Costello." That's just someone else's words she reciting.
Prolific music-video director Meiert Avis is making his feature film directorial debut with Undiscovered--and his obvious greenness shows. At times the film is more like a music video surrounded by a weak storyline than a cohesive film. His expertise in the rather linear realm of music videos doesn't exactly qualify him for the complexities of a 90-minute film contrived and straightforward as his debut may be. Avis tries to employ every possible clichéd obstacle for the characters to overcome--which reeks of inexperience but could also be the screenwriter's fault. No doubt Avis feels at home with newcomers such as Strait and Simpson who--for all intents and purposes--sing and act but the plethora of singing scenes feel forced. That is forced into the script to showcase the soundtrack when the movie goes undiscovered at the box office.
After surviving a devastating car accident following her first college party freshman Cassie (Melissa Sagemiller) falls into a coma and steps into a nightmare of otherworldly visitations. Haunted by a grim reaper of a far different kind her only hope is to cling to chance encounters with her lost love Sean (Casey Affleck) and the aid of a mysterious young priest named Father Jude (Luke Wilson). Cassie's malicious friends Matt (Wes Bentley) Annabel (Eliza Dushku) and the morose Raven (Angela Featherstone) seem intent on drawing her to the dark side but the spirit of her soul mate Sean guides her back to the world of the living.
Sagemiller (Get Over It) may be a fine actress but this film--her second full-length feature--isn't the one to prove it. Not that Sagemiller does a poor job but like most dull and stale horror movies the female lead isn't asked to do much other than look frightened and scream--a lot. Affleck (Good Will Hunting) Bentley (American Beauty) and Dushku (Jay and Silent Bob Strike Back) are among the more talented actors of their generation but are completely wasted especially Affleck in his one-dimensional role. Wilson as Father Jude is the only character with an interesting part but unfortunately the good Father's development is stunted and incomplete leaving Wilson little to work with.
Steve Carpenter's first turn as a director leaves much to be desired. Of course Carpenter wrote the formulaic script so why shouldn't he be the one to helm it? One major flaw (and there are plenty to choose from) is that nearly half the movie is shot tight on the characters giving the audience a very myopic view. Even if that was intentional it certainly did nothing to heighten the tension (what little of it there was) in the movie. The flick's tagline "The World of the Dead and the World of the Living... are About to Collide" conveys the message of an epic struggle between the forces of evil and the forces of good--a struggle that never materializes. And the film's final message that love conquers all is the boring hackneyed truism that breaks the cliché camel's back.