Widening the thematic scope without sacrificing too much of the claustrophobia that made the original 1979 Alien universally spooky Prometheus takes the trophy for this summer's most adult-oriented blockbuster entertainment. The movie will leave your mouth agape for its entire runtime first with its majestic exploration of an alien planet and conjectures on the origins of the human race second with its gross-out body horror that leaves no spilled gut to the imagination. Thin characters feel more like pawns in Scott's sci-fi prequel but stunning visuals shocking turns and grand questions more than make up for the shallow ensemble. "Epic" comes in many forms. Prometheus sports all of them.
Based on their discovery of a series of cave drawings all sharing a similar painted design Elizabeth (Noomi Rapace) and Charlie (Logan Marshall-Green) are recruited by Weyland to head a mission to another planet one they believe holds the answers to the creation of life on Earth. Along for the journey are Vickers (Charlize Theron) the ruthless Weyland proxy Janek (Idris Elba) a blue collar captain a slew of faceless scientists and David (Michael Fassbender) HAL 9000-esque resident android who awakens the crew of spaceship Prometheus when they arrive to their destination. Immediately upon descent there's a discovery: a giant mound that's anything but natural. The crew immediately prepares to scope out the scene zipping up high-tech spacesuits jumping in futuristic humvees and heading out to the site. What they discover are the awe-inspiring creations of another race. What they bring back to the ship is what they realize may kill their own.
The first half of Prometheus could be easily mistaken for Steven Spielberg's Alien a sense of wonder glowing from every frame not too unlike Close Encounters. Scott takes full advantage of his fictional settings and imbues them with a reality that makes them even more tantalizing. He shoots the vistas of space and the alien planet like National Geographic porn and savors the interior moments on board the Prometheus full of hologram maps sleeping pods and do-it-yourself surgery modules with the same attention. Prometheus is beautiful shot in immersive 3D that never dampers Dariusz Wolski's sharp photography. Scott's direction seems less interested in the run-or-die scenario set up in the latter half of the film but the film maintains tension and mood from beginning to end. It all just gets a bit…bloodier.
Jon Spaihts' and Damon Lindelof's script doesn't do the performers any favors shuffling them to and fro between the ship and the alien construction without much room for development. Reveals are shoehorned in without much setup (one involving Theron's Vickers that's shockingly mishandled) but for the most part the ensemble is ready to chomp into the script's bigger picture conceits. Rapace is a physical performer capable of pulling off a grisly scene involving an alien some sharp objects and a painful procedure (sure to be the scene of the blockbuster season. Among the rest of the crew Fassbender's David stands out as the film's revelatory performance delivering a digestible ambiguity to his mechanical man that playfully toys with expectations from his first entrance. The creature effects in Prometheus will wow you but even Fassbender's smallest gesture can send the mind spinning. The power of his smile packs more of a punch than any facehugger.
Much like Lindelof's Lost Prometheus aims to explore the idea of asking questions and seeking answers and on Scott's scale it's a tremendous unexpected ride. A few ideas introduced to spur action fall to the way side in the logic department but with a clear mission and end point Prometheus works as a sweeping sci-fi that doesn't require choppy editing or endless explosions to keep us on the edge of our seats. Prometheus isn't too far off from the Alien xenomorphs: born from existing DNA of another creature the movie breaks out as its own beast. And it's wilder than ever.
A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
French composer Jacques Loussier filed a copyright infringement lawsuit in a Manhattan court Thursday claiming Eminem and his record label Interscope Records stole one of his tunes, the Associated Press reports. The suit, which seeks unspecified damages, accuses the Grammy-winning rapper and his label of lifting parts of Loussier's jazz fusion work "Pulsion" for Eminem's "Kill You" which appears on his best-selling album The Marshall Mathers LP. Loussier, 67, gained fame by fusing classical music and jazz with his Play Bach Trio. According to the suit, Loussier has released more than a dozen albums, selling six million copies worldwide.
Talk show host Oprah Winfrey declined an offer from President Bush to join an official U.S. delegation to tour Afghanistan's schools because of her busy schedule. According to the AP, the White House has since postponed the trip, which was to celebrate young girls' return to school after the fall of the Taliban regime. It is not clear whether the delegation will replace with another celebrity. The trip was to feature Bush advisor Karen Hughes and possibly National Security Adviser Condoleezza Rice.
Richard Gere has canceled a planned appearance before the German parliament's human rights committee, the AP reports. Gere, a committed Buddhist, did not give an explanation for the cancellation. He was invited to a meeting of the panel in Berlin on April 17 because he is considered "knowledgeable about the political situation " in Tibet, the head of the parliament committee told German magazine Der Spiegel last month.
Former Spice Girl Geri Halliwell is going to have laser surgery to remove two tattoos on her back, UK's the Mail on Sunday reports. The singer will reportedly visit Cher's doctor in California to discuss the procedure. "I've changed," she told the paper. "It's time to get rid of them and move on." The tattoos include an eight-pronged star between her shoulder blades and a black jaguar on her lower back.
Kylie Minogue has reportedly turned down a $1.7 million offer to pose nude for Playboy magazine. The singer told The News of the World: "I don't think I'll take it up. I'd never pose topless because it's not me." Minogue however is contemplating an offer from the Sultan of Brunei to sing at a private birthday party for his son, the paper reports.
In-flight publication SkyMall will distribute the first of 10 celebrity versions of the catalogue starting in April, the AP reports. The debut catalog, which will be distributed in the seatbacks of 24 airlines, will feature George Segal and Wendie Malick who star in the NBC comedy Just Shoot Me. The company said the stars were chosen because Segal, whose character Jack Gallo is a magazine publisher, is depicted as a SkyMall fan.
Clarkston District Court Judge Gerald McNally refused to disqualify himself in the crotch-rubbing case against shock rocker Marilyn Manson. Prosecutor Kenneth Frazee had asked McNally disqualify himself from the case because the judge had indicated he would likely charge Manson $4,000 without hearing all the facts. McNally says that his knowledge of some of the facts does not warrant his removal, the AP reports.
Iggy Pop, Perry Farrell and Ben Harper have reportedly been dumped by EMI's Virgin Records. According to the New York Post, the record company is experiencing a shake-up amid the arrival of new label head Matt Serletic and new EMI chief Alain Levy. The paper also claims Virgin insiders said Paul McCartney and Mick Jagger (as a solo artist) just missed the ax. EMI recently paid Mariah Carey $50 million to back out of her $100 million contract, and the label also announced 1,800 layoffs.
AMC Entertainment Inc. has completed the purchase of GC Companies, the parent company of General Cinemas. According to an AMC press release, the acquisition, which was approved by the U.S. Bankruptcy Court in Delaware on March 18, includes 66 theaters with 621 screens in the United States. AMC is one of the survivors of a wave of cinema bankruptcies in recent years that include United Artist Theater Co., Edwards Cinemas, Carmike Cinemas and General Cinemas.
On the [Crime] Scene
Following reports that a plea bargain deal had been struck in PR princess Lizzie Grubman's road rage trial, one of the victims is speaking out. "I want the truth to come out, " the victim told the New York Post on the condition of anonymity. "I do want to see her stand trial. It's not fair to just see her walk away." Grubman, you may recall, was charged with assault and leaving the scene of an accident after she plowed down 16 people outside a Southampton's club last July. Grubman, a close friend of actress Tara Reid, represents a long list of clients, including Jay-Z.
Author Ray Bradbury, who wrote the classic science fiction novel The Martian Chronicles, will receive a star on the Hollywood Walk of Fame Monday. The ceremony, which will be attended by Los Angeles Mayor Jim Hahn and actor Charlton Heston, will kick off the month-long reading campaign called "One Book, One City L.A." with residents being urged to read Bradbury's Farenheit 451. The book is about a futuristic firefighter who must burn books for a living.
Ed Turner, the man who helped establish CNN as a major respected news source, died at George Washington University Hospital in Washington, D.C., Saturday after a long battle with liver cancer. He was 66. One of the first professionals brought into the company in 1980, he was nicknamed "No Relation" Turner because he coincidentally shared the last name of founder Ted Turner, the AP reports.
Comedian and scriptwriter Barry Took died Sunday morning at a nursing home in London after suffering from cancer. He was 73. Took, who helped create the classic radio comedy Round the Horne, was responsible for bringing the Monty Python team to the BBC. He was also a successful TV and radio presenter, hosting Points of View and The News Quiz.
The man found dead in actor Art Malik's swimming pool Friday was his daughter's boyfriend, Daniel Williams, Reuters reports. Williams had attended the woman's 21st birthday and was later found unconscious in the pool. Malik, who starred in Passage to India and Jewel in the Crown, said: "Dan was a very special person and we very much considered him part of our family. He had been Jessica's boyfriend for seven months and they were very happy together." Williams' death is not being treated as suspicious.