Director David Wain rounds up some of his buddies from the 1990s comedy troupe The State to poke fun at the do’s and don’ts of the Ten Commandments. No need to fall on your knees and pray for forgiveness if you’ve forgotten whose house you should not covet. Wain breaks down the Ten Commandments in episodic fashion and confers the task of introducing each outlandish morality tale upon his Wet Hot American Summer star Paul Rudd. The silliness is firmly established when Wain examines the consequences of worshipping a false idol. In this case it’s Adam Brody who enjoys fame and fortune after he accidentally jumps from a plane sans parachute. Not that he can reap the benefits of sudden stardom—he’s stuck in the ground and can’t be moved. But Brody’s predictament isn’t necessarily the oddest. A 35-year-old virgin (Gretchen Mol) goes weak at the knees when she’s hit on by none other than Jesus Christ (Justin Theroux). Liev Schreiber engages in a game of oneupmanship with his neighbor when both start snapping their town’s supply of CAT scan machines. Life imitates art when Winona Ryder learns the hard way that stealing causes her nothing but pain and shame. Rudd gets in on the fun as the lucky devil juggles married life with Famke Janssen with his booty calls with Jessica Alba. But Wain inflicts the most humiliation on his co-writer Ken Marino whose arrogant surgeon learns the hard way playing pranks on patients will only led to life in prison and a nightly “ass-raping.” As you can tell Wain’s not really into making subtle statements about the set of rules we observe—intentionally or otherwise—in our everyday lives. By finally making good use of her sticky fingers Winona Ryder reveals she’s ready to laugh at her past transgressions. Not that she goes off on a shoplifting spree. No she purloins a ventriloquist’s puppet in the name of love. Nothing in The Ten beats the hilarious though unsettling sight of a game Ryder getting all freaky with her wooden object of affection. She hasn’t let her hair down like this before so good for her. But she’s got some competition from Gretchen Mol whose screams of “Jesus” during hot and sweaty sex are let out with intense religious fervor. The award for Harried Husband of the Year goes to Paul Rudd Knocked Up’s henpecked spouse. But he plays the role of an estranged hubby with such biting wit that he makes marital disharmony a joy to behold. Still it’s hard to see why Famke Janssen and Jessica Alba—both wasted by the way—would fight over this dweeb. A hysterically deadpan Liev Schreiber spoofs his oh-so-serious forensics expert from this past season’s CSI Oliver Platt does a killer Arnold Schwarzenegger impersonation and Rob Corddry gives brutal prison sex a kind face. The Ten isn’t exactly the full-fledged State reunion fans are waiting for especially as Thomas Lennon and Michael Ian Black barely make their presence felt. But Kerri Kenny is relentlessly cheerful as a sitcom-ish mom who fails to convince her two black sons that their real dad is the Governator. And an oily Ken Marino quickly loses his smirk once behind bars though he takes his punishment like a real man. David Wain can sleep well at night knowing that The Ten won’t cost him his place in Heaven. While there’s no denying that the Bible-inspired buffoonery on display is irreverent at best Wain and cohort Marino do not take a sledgehammer to the stone tablets. Instead they seem more interested in how the Ten Commandments play a role in our lives regardless of our religious beliefs. That said whatever point they try to make is lost amid the sexual shenanigans. Not that it takes a theologian to deduce that murder is bad stealing is wrong and buying up the town’s supply of CAT scan machines is asking for trouble. By the very nature of its structure The Ten can’t help but unfold as a series of interconnected sketches that sadly lack a punchline. But it’s so goofy and hilariously borderline offense that it’s hard not to be caught up in all the silliness. Indeed Wain’s preoccupation with sex provokes more nervous laughs than groans of disgust. And The Ten offers some side-splitting parodies of family sitcoms prison dramas crime procedure shows and preachy faith-based dramas. There’s even a warning against skipping church on Sundays—and letting it all hang out literally with your buddies—that would turn Homer Simpson into Ned Flanders. Wain orchestrates all this madness in the anything-goes manic style of Airplane! or Scary Movie. The Ten is by no means a minor miracle of the comedy kind but if you accept it for what it is rather than what it tries to be than it’s certainly worth skipping evening services to see.
Everything appears to be status quo between humans and mutants. There’s a president who is sympathetic towards mutants Prof. Charles Xavier’s (Patrick Stewart) school is thriving and Magneto (Ian McKellen) is quiet--for the moment. But when a “cure” for mutancy is discovered which would give those with the mutant gene the choice to give up their powers and become human Magneto sees red. Cure mutants? Dem’s fightin’ words. With a few more allies on his side--including the resurrected Jean Grey (Famke Janssen) who now calls herself the Phoenix and has unlimited powers--Magneto prepares to trigger the war to end all wars while the X-Men--lead by the stalwart Wolverine (Hugh Jackman) and milquetoasty Storm (Halle Berry)--try to stop him. I seriously doubt this is really their Last Stand. All the usual suspects are back. Stewart is once again sufficiently wise as Xavier while McKellen’s Magneto continues to be one of the cooler comic-book villains. It’s amusing to watch him calmly mangle cars or dislodge the Golden Gate bridge with a gleam in his eye. Janssen also seems to relish playing dual roles--the tormented Grey and her evil alter ego Phoenix who is one scary broad. Unfortunately Jackman doesn’t have as much to chew on in Last Stand as he did in X2 and Berry is once again only good for drumming up fog. But the new mutants are kind of fun: Ellen Page (so deadly in Hard Candy) plays sweet this time as Kitty Pryde who can “phase” through solid material; Vinnie Jones (Snatch) is boisterous as the aptly named Juggernaut; Kelsey Grammer is diplomatic as the highly intelligent--and very blue--Dr. Hank McCoy aka Beast; and Dania Ramirez (Fat Albert) as the blink-of-an-eye quick Callisto gets to kick Storm’s ass. Cool cat fight. How dare director Bryan Singer leave his X-Men to go direct another superhero movie even if it is Superman Returns. If Wolverine had anything to say about he might have ripped Singer a new one. You really do feel Singer’s absence in The Last Stand. All of the director’s tormented pathos towards his mutant comrades and their struggles to live in the human world are not as prevalent in this third installment. Instead we’ve got happy-go-lucky director Brett Ratner of Rush Hour fame who turns The Last Stand into one giant id--big explosive and campy. Of course to his credit Ratner is pretty good at delivering a rousing albeit superficial action movie. It’s just not as gripping as X2. But listen the spirit of the comic is already built in from the previous installments so in essence we already know these characters pretty well. Do we really need more angst?
DreamWorks' "Gladiator" should be victorious again on the box office battlefield this weekend.
With "Gladiator" still commanding a 30% first-choice tracking score among opening and released movies, there's little doubt the R-rated action adventure will keep a tight grip on the top spot.
If "Gladiator" slips 36% from its $34.8 million opening, its second weekend tribute will still be a handsome sum of about $22 million.
DreamWorks is distributing "Gladiator" domestically, while Universal is releasing it internationally. The two studios co-financed the film, which reportedly cost $103 million to make, and are 50-50 partners, sharing equally in its success.
Directed by Ridley Scott, it stars Russell Crowe.
Warner Bros. and Franchise Pictures' PG-13 rated sci-fi action adventure "Battlefield Earth," opening at 3,307 theaters, should win the battle for second place. With its 19% overall first-choice tracking score, it's likely to gross about $10 million.
"It's a 22% first choice for males under 25 and a 29% first choice for males over 25," explains one studio executive. "Its awareness is 80% and the definite interest is 42% for males."
Directed by Roger Christian, it stars John Travolta, Barry Pepper and Forest Whitaker.
Universal's PG-13-rated comedy "Screwed," opening at 1,760 theaters, is a 12% first choice in the tracking. It is likely to be third with $7-8 million.
"It certainly did pop on the tracking," says an insider. "It's a 20% first choice for males. The awareness for males is 81% and the definite interest is 48% for males."
Written and directed by Scott Alexander and Larry Karaszewski, it stars Norm MacDonald, David Chappelle and Danny DeVito.
Universal's "U-571" should float downstream two slots to fourth place in its fourth week. If the PG-13-rated World War II submarine drama falls 40%, it will gross about $5 million.
Directed by Jonathan Mostow, "U-571" stars Matthew McConaughey, Bill Paxton, Harvey Keitel and Jon Bon Jovi.
New Line's PG-13-rated time thriller "Frequency" should tumble one peg to fifth place in its third week. If it slides 35%, it will do about $4 million.
Directed by Gregory Hoblit, it stars Dennis Quaid and Jim Caviezel.
Columbia's PG-13-rated youth appeal dance film "Center Stage," opening at 1,506 theaters, isn't likely to kick off in the Top Five given its modest 7% first-choice tracking.
"It's not showing on the tracking much at all," notes one studio executive.
Directed by Nicholas Hytner, it stars Amanda Schull, Zoe Saldana, Susan May Pratt, Peter Gallagher, Donna Murphy and Ethan Stiefel.
20th Century Fox's PG-13-rated drama "Where the Heart Is," a $9 million domestic pick up for Fox, was fifth with $5.1 million last week. Its third week should see it depart the Top Five.
Directed and produced by Matt Williams, it stars Natalie Portman, Ashley Judd, Stockard Channing and Joan Cusack.
Columbia's "I Dreamed Of Africa," which opened in ninth place last week to just $2.4 million, will be struggling to stay in the Top Ten in its second week.
"Africa," made on a mid-range budget of about $34 million, is directed by Hugh Hudson and stars Kim Basinger.
Filling out lower rungs: "Flintstones in Viva Rock Vegas" and "Love & Basketball."
On the limited release front: Miramax Films opens its R-rated contemporary version of "Hamlet" in New York and Los Angeles.
Directed by Michael Almereyda, it stars Ethan Hawke, Kyle MacLachlan, Sam Shepard, Diane Venora, Bill Murray, Liev Schreiber and Julia Stiles.
Although this weekend won't set any records, insiders are happy because they anticipate a strong summer season spread around among most of the major studios. That's exactly the sort of summer theater owners enjoy most since it keeps their multiplexes filled with moviegoers, who are certain to buy their share of popcorn, candy and soda.
This summer should see business spread around among many mid-sized hits rather than concentrated, as it was last summer, in two mega-hits -- Fox and Lucasfilm's "Star Wars: Episode One - The Phantom Menace" and New Line's "Austin Powers: The Spy Who Shagged Me." Together, the two sequels did about $626 million in ticket sales through Labor Day weekend.
This summer there already are very high hopes for Paramount's "Mission: Impossible 2," which will own Memorial Day weekend. Although "M: I-2" doesn't arrive until May 24, it's already an enviable 23% first choice in the tracking. The original "Mission: Impossible" opened May 22, 1996, and grossed $180.9 million domestically, $284 million internationally -- for a worldwide total of $464.9 million.
Memorial Day weekend hits don't always wind up as the summer's biggest grossing films. The original "Mission," for example, was out-grossed by "Twister," which opened nearly two weeks earlier on May 10, 1996, and went on to gross $241.7 million domestically, $254 million internationally -- for a worldwide cume of $495.7 million.
Hollywood has found over the years that movies opening in mid-June or for July Fourth weekend often are the ones that rewrite the record books.
For instance, "Jurassic Park" opened June 11, 1993, and did $357 million domestically. "Independence Day" opened July 3, 1996, and did $306.2 million domestically. "The Lion King" arrived June 15, 1994, and did $312.8 million domestically. "Forrest Gump" opened July 6, 1994, and did $329.7 million domestically. "Men In Black" opened July 2, 1997, and did $250.1 million domestically. "Ghost" appeared July 13, 1990, and did $217.6 million domestically.
Looking beyond "M: I-2," at least eight other summer releases are already shaping up as potentially big box office contenders. Those generating the best buzz at this early point - listed in order of their release dates - include:
* Buena Vista/Disney's computer-animated family film "Dinosaur," which reportedly cost $150 million-plus to make (May 19).
* 20th Century Fox's R-rated comedy "Me, Myself & Irene," directed by Bobby and Peter Farrelly ("There's Something About Mary") and starring Jim Carrey and Renee Zellweger (June 23).
* Columbia's action-adventure "The Patriot," set during the Revolutionary War, directed by Roland Emmerich ("Independence Day") and starring Mel Gibson (June 28), which reportedly cost about $100 million to make.
* Warner Bros.' Action-adventure "The Perfect Storm," directed by Wolfgang Petersen ("Air Force One") and starring George Clooney, which reportedly cost about $120 million to make (June 30).
* 20th Century Fox's live-action fantasy-adventure "X-Men," based on the best-selling comic book series, directed by Bryan Singer ("The Usual Suspects") and starring Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry, Famke Janssen, James Marsden, Bruce Davison, Rebecca Romijn-Stamos, Ray Park and Anna Paquin (July 14).
* DreamWorks' fantasy thriller "What Lies Beneath," directed by Robert Zemeckis ("Forrest Gump") and starring Harrison Ford and Michelle Pfeiffer (July 21).
* Universal and Imagine Entertainment's comedy sequel "Nutty Professor II: The Klumps," directed by Peter Seagal ("Tommy Boy") and starring Eddie Murphy, Janet Jackson, Larry Miller and John Ales (July 28).
* 20th Century Fox's comedy remake "Bedazzled," directed by Harold Ramis ("Groundhog Day") and starring Brendan Fraser and Elizabeth Hurley, a potential summer sleeper (Aug. 11).