Nicolas Cage is in early talks with Columbia to play the gangster villain to Seth Rogen's Green Hornet. Although the film switched directors mid-development stream with Michel Gondry in for Stephen Chow -- and although Chow later left the project entirely rather than play sidekick Kato -- the film is moving full-steam ahead.
Recently, it was reported that Cameron Diaz is negotiating to play a reporter and love interest.
A fall start date is planned while the studio looks to cast Kato. Rogen and Evan Goldberg wrote the script and Neal Moritz is producing through his Original Films banner.
Cage just completed The Sorcerer's Apprentice and remake The Bad Lieutenant. Diaz will star with Tom Cruise in James Mangold's formerly titled Wichita.
MORE NEWS: Cowell: "I Want Abdul on 'Idol'"
WHAT IT’S ABOUT?
Pixar makes it ten gems in a row with this enchanting animated story of 78-year-old Carl Fredricksen a recent widower who decides to fulfill his (plus his late wife’s) lifelong dream of tying thousands of balloons to their house and floating off to a mountaintop in South America. But he soon discovers a stowaway in the form of Russell a precocious eight-year-old “Wilderness Explorer” who he reluctantly allows to accompany him on his journey. Together the unlikely pair embark on the adventure of a lifetime encountering Kevin a rare 13-foot tall-flightless bird; Dug an overly-friendly talking pooch; and Charles Muntz a once-famous adventurer who now lives alone in a massive airship surrounded by a pack of attack dogs.
WHO’S IN IT?
Sticking to their general custom of casting actors not big stars in key voice roles Pixar assembled a superb cast for Up led by veteran TV star Ed Asner (The Mary Tyler Moore Show) as the aged Carl who takes flight in his house and finds there is a lot to learn about life even as you near death. Asner’s grumpy delivery provides the perfect counterpoint to nine-year-old Jordan Nagai’s Russell a bright and optimistic kid who proves an invaluable assistant to Carl throughout their journey. Christopher Plummer (The Sound of Music) is authoritative and intriguing as the obsessed Muntz and John Ratzenberger (Cheers) extends his streak of Pixar films to 10 as a construction engineer who tries to convince Carl to sell his house. Bob Peterson does delightful double duty as two of the key dog voices lovable Dug and the menacing Alpha head of the pack.
Like Pixar’s previous Oscar-winning masterpiece Wall-E Up is a ‘toon that is not content to explore the same places we’ve seen in previous animated blockbusters. Centering an action comedy around a 78-year-old man isn’t a strategy you’ll find in the youth-obsessed Hollywood recipe book but it pays great dividends here with a moral that life’s greatest adventure is the one you share with someone you love. The non-humans — particularly Kevin and Dug — are hilarious and unique and a silent sequence detailing the courtship and marriage of the Fredricksens is a sweet touch that could have come straight out of a Charlie Chaplin movie.
With a string of critically-acclaimed hits that includes Toy Story Finding Nemo The Incredibles Ratatouille Wall-E and now Up Pixar is ruining it for everyone else. There is simply no way they can be topped when it comes to pushing the boundaries of animated movies. Bad for other studios. Good for us.
Could Up which just became the first animated film to open the Cannes Film Festival also become the first to be nominated for the Best Picture Oscar since Beauty and the Beast in 1991 (before the Animation category was even established)? At this point in the year it’s actually a good bet. Whatever the case expect Up to earn several nominations come Oscar time.
A swashbuckling swordfight across the skies between two near-octogenarians? It’s the best action scene in a summer full of ‘em.
NETFLIX OR MULTIPLEX?
Oh pleeeeeease! Get to a theater fast. Up is also available in 3-D at select locations. Either way it’s a must-see.
February 23, 2009 5:35am EST
Backstage, Best Actress winner Kate Winslet (The Reader) gushed, "It's just dawning on me now that I've won an Oscar. It's just starting to sink in. Oh my God...And as someone who's been nominated before, I can tell you winning is really a lot better than losing. Really a lot better."
When a gossip columnist insisted Winslet give an answer for who she would pass the nude-scene torch to, she took some time and then replied with a glint in her eye, "Susan Sarandon."
Following are select remarks from other Sunday night winners:
Best Actor Sean Penn (Milk):
Remarking on the protesters outside the Kodak Theater, Penn said, "I'd tell 'em to turn in their hate card and find their better self...It's very sad in a way, because it's a demonstration of such cowardice, emotional cowardice, to be so afraid of extending the same rights to your fellow man as you would want for yourself."
Penn also extended his tribute to fellow nominee Mickey Rourke as "someone I've alternatively looked up to and advised," adding that Rourke "quite literally had me almost throughout 'The Wrestler' weeping."
"I've known Mickey for over 25 years. He's an excellent bridge burner at times, but we've had for the most part a very close friendship. Comebacks are funny, and we talk about it with him, but everyone in this room has to make a comeback every day. Life is tough. What I think is sensational about (Mickey) is that he's simply one of the great poetic talents in acting."
Bset Director Danny Boyle (Slumdog Millionaire):
"You see Heath Ledger's work acknowledged in The Dark Knight, and it is extraordinary work. But like virtually everybody, Heath started small, he started in small films. Everybody does, and we've got to protect them. The first film I made cost a million pounds, and that's where you learn your craft. And you don't know what you're doing - and I'm a big fan of keeping it that way."
Slumdog producer Christian Colson:
"Even the studios will take note that we made this for 7 million pounds. It's gonna cross $100 million in the US Tuesday or Wednesday. That's good business for them."
Supporting Actor Heath Ledger's family (The Dark Knight):
Ledger's father said the statuette will go to the actor's daughter with Michelle Williams, Matilda, when she turns 18. "Michelle will make the decisions here, when it's appropriate to celebrate this kind of thing, when she'll be at an age when she can celebrate it."
Ledger's mother remarked, "Just to look at Matilda, she's totally like her daddy. She has the same mannerisms. I really feel he's in her."
Original Screenplay winner Dustin Lance Black (Milk):
Winning for Black was "sort of an out-of-body thing...I don't believe it yet. Maybe when I see my mom in a few minutes."
Choking up, he said he didn't have his speech planned in full. "My whole thing was just to pay it forward. Harvey (Milk) gave me his story and it saved my life. My whole thing was to tell those kids out there that they'll be alright."
Supporting Actress Penelope Cruz (Vicky Cristina Barcelona):
Acknowledging that before her recent success, she had to weather a lot of criticism, particularly of her Spanish-accented English, Cruz said, "You have to keep climbing mountains, and sometimes there are things that it's better not to listen to. In this room, how many accents are there here? We are all mixed together, more and more everyday, and that has to be represented in cinema. I'm happy that finally, that door seems to be more open."
Best Adapted Screenplay winner Simon Beaufoy (Slumdog Millionaire):
"I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go."
Kunio Kato who won for animated short commented on his favorite moment of the evening through an interpreter, "Meeting Mr. Jack Black was the most exciting thing. I always wanted to be as funny as he is."
Departures director Yojiro Takita admitted, he expected to hear Waltz with Bashir read out as foreign-language film winner. "I didn't believe it. It was unbelievable."
James Marsh who won the documentary feature prize for Man on Wire escorted the film's subject Philippe Petit backstage with them. The wire-walker said he's not done taking chances. "It's in my veins, I have to keep walking. I'm going to walk in NYC in the fall, to a library, I won't tell you which one. It's a walk for literacy to inspire kids to read."
Cinematography winner Anthony Dod Mantle (Slumdog Millionaire), said he brought some of the skills he'd learned in his documentary work to Slumdog.
"You have to see what's going on in a short space of time and grab it. Maybe my background from documentary is more relevant."My main brief was to learn how to run with the boys, run with them at a certain height and certain pace. And that was no small thing in the slums of Mumbai."
Other tidbits from EW's Hollywood Insider coverage:
*Philip Seymour Hoffman explained his hat saying he's in a film with "crazy hair" and would "rather deal with hat jokes" than hair jokes.
*The kids from Slumdog Millionaire were regular autograph hounds asking Meryl Streep and Daniel Craig for their John Hancocks.
*Robert Pattinson remarked that the Oscars are "more organized. At Twilight premieres, you think you're going to die."
*Doubt writer/director John Patrick Shanley says he's working on an original script next with a one-word hint: "Magic."
Click Here: Wiretap Headlines!
MORE NEWS: Franco, Cruz Win at the Indie Spirit Awards
Set in a world inhabited only by motor vehicles Cars is sort of a cross between Michael J. Fox's Doc Hollywood and NASCAR. The main hero is a hotshot rookie race car named Lightning McQueen (Owen Wilson)--an obvious homage to the late fast-driving Steve McQueen--whose one goal in life is to win the Piston Cup and bask in fame and glory. Yet on his cross-country trip to the Piston Cup Championship in California to compete against two seasoned pros (real-life legendary racer Richard Petty voices the reigning champion The King) Lightning finds himself unexpectedly detoured in the sleepy--and forgotten--Route 66 town of Radiator Springs. There he meets its colorful denizens--including Sally (Bonnie Hunt) a snazzy 2002 Porsche who owns the local “rest” stop; Mater (Larry the Cable Guy) the town’s rusty but trusty tow truck; and Doc Hudson (Paul Newman) a 1951 Hudson Hornet who rules the town with a steady hand er wheel. Together they all help the cocksure Lightning realize that there are more important things than trophies fame and sponsorship. If Pixar calls you come running so it isn’t at all surprising how impressive the Cars vocal line-up is starting with legendary screen icon Newman as the Doc. Come on being the race car driving nut that he is you think the 81-year-old actor would say no to voicing a 1951 Hudson Hornet who has his own mysterious past in the racing world? Hell no. The rest of the cast also seem to have a good time channeling their inner car from Wilson’s snarky speedster to Hunt’s cute and sexy Porsche a big-city lawyer who decides to get out of the fast lane. Supporting voices include Cheech Marin and Tony Shalhoub as Radiator Springs’ low-riding body shop and Italian Fiat tire shop owners respectively. Even George Carlin gets into the act as a groovy ‘60s VW wagon who sells “organic” fuel. Good stuff. Of course what Pixar flick would be complete without its comic relief? Although he’s no Ellen DeGeneres as a short-term memory impaired fish Larry the Cable Guy fills in nicely as the dim but sweet Mater the ultimate hick tow truck. Having been out of the directing loop since his 1999 sequel Toy Story 2 Cars marks Pixar’s golden boy John Lasseter return--and this is his big love letter to the splendor that is the automobile. Of course his demand for perfection took its toll. The animators had to come up with a new technique called “ray tracing ” which allows the car stars--that are metallic and heavily contoured--to credibly reflect their environments. Even with a sophisticated network of 3 000 computers and state-of-the-art lightning-fast processors that operate up to four times faster than they did on The Incredibles the average time to render a single frame of film was 17 hours. Still all that time spent pays off. Cars is a real visual treat with another firm grasp in storytelling. Sure it’s a bit of a vanity project and may shoot way over the kiddies’ heads making them squirm a little during the “slow” parts. But as one of the recently appointed top guns at Disney Lasseter can do just about anything he wants these days--and we are going to love it dammit.