S1E6: Last night on The X Factor, the 100 remaining contestants were split into groups and given the challenge of learning a song which they had to perform in front of the judges together in five hours time. Some cracked under the pressure, while others rose above the expectations and proved that they were star material. So tonight we picked up right where we left off by watching the remaining groups strut their stuff with the help of vocal coaches, stylists, and choreographers. And after all the ensembles tried to sing their way to safety, the judges had to make some tough decisions - more cuts had to be made.
Once they dwindled the acts down even further, the remaining 64 contestants were presented with one more final challenge: they were given a list of 35 songs and had to choose whichever one they wanted to perform in front of 3,000 people. Oh, and they only had 15 hours to prepare. By the end of the night only 32 acts remained and the judges were finally assigned which category they would mentor for the rest of the competition: boys, girls, over 30's, and groups. So who were the 32 contestants chosen and which judge got assigned what group?
Find out below!
The Girls: Caitlin Koch, Tora Woloshin, Simone Battle, Drew Ryniewicz, Rachel Crow, Jazzlyn Little, Melanie Amaro and Tiah Tolliver.
The Boys: Brennin Hunt, Brian Bradley, Skyelor Anderson, Nick Voss, Tim CIfers, Phillip Lomax, Marcus Canty and Chris Rene.
Over 30s: Elaine Gibbs, Tiger Budbill, Leroy Bell, James Kenney, Josh Krajcik, Christa Collins, Dexter Goodman, and Stacey Francis.
Groups: the Stereo Hogzz, 2squared, 4Shore, The Brewer Boys, Illusion Confusion, The Anser and two groups composed out of those who were initially rejected as soloists.
As for the judges:
Nicole will be mentoring the Over 30s group, L.A. was assigned the boys, Paula is working with the groups, and that leaves Simon with the girls.
So what do you think? Do you think the girls have an edge with Simon as their mentor or is it an even playing field? Which judge would you have wanted? Next week we'll journey into the judges homes where they will help their groups get ready for the live shows!
“Story” is a pejorative term when applied to The Comebacks. The entire concept of the film is basically an excuse to string together and spoof famous scenes from a variety of sports movies including Field of Dreams Bend It Like Beckham Seabiscuit Remember the Titans Rudy Invincible Stick It Drumline et al. David Koechner stars as Lambeau Fields the worst coach in the history of sports who takes one more stab at gridiron glory when he agrees to coach Heartland State University’s luckless football squad. Needless to say this assemblage of losers misfits and malcontents is turned into a winning team under Coach’s somewhat unorthodox tutelage. Unlike most coaches Fields encourages his players to cut class take drugs drink to excess and behave as badly as he does. It all culminates in the championship game (“The Toilet Bowl”) between Coach Fields’ Comebacks and the mighty Invincibles coached by Fields’ one-time friend-turned-rival Freddie Wiseman (Carl Weathers). Despite being down 35-0 at halftime the Comebacks...well you can guess the rest. The collective enthusiasm of the cast goes a long way toward keeping The Comebacks watchable. Koechner enjoying his first big-screen lead has a likable lunk-headed quality that makes Coach Fields an endearing idiot. Melora Hardin scores too as his neglected wife and Brooke Nevin is a looker as their rebellious teenage daughter who also happens to be a gymnastics wiz (Stick It anyone?). Weathers a one-time pro-football player before stardom (in Rocky beckoned) has a good time playing the duplicitous Coach Wiseman and some of the more memorable members of the Comebacks include Matthew Lawrence Jackie Long Noureen DeWulf and Robert Ri’chard. A lot of familiar faces turn up in cameo roles: Will Arnett Dax Shepard Jonathan Gries Kerri Kenney Jillian Grace Eric Christian Olsen Stacy Kiebler Frank Caliendo (doing his impressions of John Madden and Al Michaels) and Andy Dick whose role as the referee during the climactic football game isn’t big enough for him to be as truly annoying as he can be. (That’s a good thing.) Not surprisingly a number of real-life sports personalities turn up in cameos as well: Dennis Rodman (as a prison warden no less!) Michael Irvin Eric Dickerson Lawrence Taylor John Salley Chris Rose and Bill Buckner (reprising his infamous error from the 1986 World Series). Director Tom Brady not to be mistaken for the New England Patriots quarterback previously directed the 2002 Rob Schneider vehicle The Hot Chick. This is unquestionably an improvement. The Comebacks may be dumb--intentionally so--but it’s never dull. There are a good number of groans along with laughs but the film never really runs out of steam. The football scenes are surprisingly well-rendered and are realistic enough that they could easily have come from a straightforward football movie--without the punch lines of course. There’s a pretty even ratio between the gags that work and the ones that don’t and the film’s formula seems to be: When all else fails hit below the belt with repeated crotch jokes. Those looking for a sophisticated highbrow comedy should look elsewhere.
Within the whole sports genre we really haven’t seen a Ping-Pong movie before—especially one portayed in such a spectacularly goofy way. Former child Ping-Pong prodigy Randy Daytona (Dan Fogler) who was unceremoniously defeated decades ago is now reduced to performing ball tricks on stage at a local bar. But Randy’s luck changes when FBI Agent Rodriguez (George Lopez) recruits him for a secret mission: to ferret out FBI’s Most Wanted arch-villain and Ping-Pong connoisseur Feng (Christopher Walken) the man who killed Randy’s father. But times have changed since Randy choked and Ping-Pong is now played in an unsanctioned underground and extreme kind of way. Randy has to get into shape with the spiritual guidance of a blind Ping-Pong master named Wong (James Hong) and his kickass niece Maggie (Maggie Q) in order to make it to Feng’s mysterious jungle compound to play in the most unique Ping-Pong tournaments ever staged. Randy has his work cut out for him though if he’s going to wield his paddle and triumph over rampant wickedness. Who is this Dan Fogler guy and why haven’t we seen him before? Apparently he’s been on stage winning a Tony Award for his work in the Broadway play The 25th Annual Putnam County Spelling Bee among other things. Now Hollywood is beckoning—and it looks like Fogler has the chops to stick it out. Sort of a cross between Jack Black and Meatloaf the actor totally makes Balls of Fury’s campiness work. He also has lots of help from his fellow players: Lopez is hilarious as the FBI agent who has been working a desk job but fancies himself a James Bond; veteran Asian actor Hong gets to use chopsticks in some interesting ways as the sage but cantankerous Wong; the hard-bodied Maggie Q (wonder what the "Q" stands for) who up to this point has only kicked butt in action movies like Live Free or Die Hard and Mission: Impossible III plays it light in Balls; and of course Mr. Walken as the evil Feng doing his own impression of any Bond villian you can think of while still being Christopher Walken. That man has WAY too much fun in this film. Also look for loads of cameos by recognizable folks. Director/co-writer Robert Ben Garant and his screenwriting partner actor Thomas Lennon (who plays Randy’s hysterical uber-Nazi Ping-Pong rival Karl Wolfschtagg) certainly have a peculiar sense of humor something they created while working on MTV’s The State’s sketch comedy back in the ‘90s and then cultivated on their Comedy Central show Reno: 911!. They’ve gone PG with writing credits such as Night at the Museum and The Pacifier but have gotten R-rated especially with the Reno 911: Miami big-screen effort. Balls of Fury falls somewhere in between (that would be PG-13)--a mixture of James Bond bad martial-arts films Matrix-like slow-mo effects and just about any sports movie starring Will Ferrell. In other words for as many tiny balls that get batted around in any number of silly ways if you buy into their particular brand of comedy (like me) Balls of Fury will keep you in stitches. Oh and if you're a Def Lepperd fan you'll also be pleased with the soundtrack.
Based on James Bradley’s bestselling book of the same name Flags of Our Fathers is Saving Private Ryan meets Stand By Me. Buried in the collective national conscious the Associated Press photo of six American soldiers raising a flag of victory over Iwo Jima is the basis of the film. Bradley’s father Doc Bradley (played by Ryan Phillippe in the film) who was one of the flag-raising soldiers never fully shared the details of the experience with his son but Flags meditates on some of those unanswered questions. The Iwo Jima conflict fortified by crags of Japanese snipers lays siege to thousands of messy casualties and the tattered flag--immediately seized by U.S. government officials to rallying and recruit soldiers--emerges as a symbol for American pride while the five Marines and one corpsman who raised it are basically forgotten. Heavy dramatics are saved for Adam Beach (Windtalkers) as Ira Hayes the Native American Marine who degenerates into madness. He represents the bittersweet languor of lost ambition and broken spirits. Director Clint Eastwood is actually the film’s best actor even though he isn’t in the movie. We can see his simmering restraint in the Flags’ acting ensemble as he guides his actors into finely tuned performances. From Beach to Phillippe to Paul Walker (2 Fast 2 Furious) Eastwood gets the most out of his young cast by playing them down. Similar to real-life soldiers allegiance to the team is the actors’ goal creating authenticity. Intense stress requires the actors to have genuine instincts. But by intentionally constructing a more lived-in feel there is consequently no flashy or Oscar-worthy stand-outs. To his credit Walker who usually goes for the brain-dead million dollar paychecks tries something different here while in his pivotal role Beach plays the juicy role as best as he can. Still Beach’s breakdown scene is quite honestly one-dimensional and doesn’t have the same dramatic impact as say Born on the Fourth of July’s Tom Cruise. Of Flags’ likely award recognitions the acting seems to have the least chance of reaching the winner’s circle. Vintage Eastwood is a lion in winter directing as though there’s no tomorrow. With Flags he interweaves numerous themes to create a war movie which despite its cliché-filled genre is constantly real in tone. The film is historically credible from the American perspective only but Eastwood has also directed a companion piece Letters from Iwo Jima about the Japanese side which hits theaters next year. Complex themes of celebrity worship also give the film a post-modern jaded Iraq War-era vision. Then there are the visuals. Eastwood incorporates breathtaking CGI shots of the fleet of warships reminiscent of Troy on top of an old-style photographic framing black and white and green all washed-out. It’s like looking at a scrapbook of old photos on a high-definition CD-ROM. Naturalistic scenes--sprawling in their panoramic framing with cactuses and hills of black sand--remind us we’re watching one of America’s cinematic icons at work. Flags could be Eastwood’s third Best Director Oscar--and will likely net him $100 million-plus at the box office.
Randolph Smiley (Robin Williams) is on top of his game--he's the eponymous star of the highest rated kid's TV show Rainbow Randolph has his own Times Square billboard and makes lots of money. Until that is he gets caught taking bribes from stage parents. Suddenly he becomes the social pariah of the millennium and of course gets canned. Losing Rainbow Randolph however leaves the network in a bind. Now they have to find a squeaky-clean replacement pronto. Enter Sheldon Mopes (Edward Norton) and his alter-ego Smoochy an abnormally large fuschia rhino who sings children's songs about kicking drug habits and stepdads who aren't mean but simply adjusting. With his naivete unwavering ethics and unflagging ambition to make the world a better place he becomes the new number one show. Sheldon soon learns however how cutthroat children's entertainment can be as the powers that be try to corrupt his ideals. Meanwhile a homeless Randolph makes it his number-one priority to destroy the bastard who stole his life. Who's going to get Smoochy first the corrupt businessmen or crazy Rainbow Randy? Stay tuned...
When you hear the Smoochy cast list--Williams Danny DeVito Jon Stewart Catherine Keener--you automatically think mondo laughs. Added to the list is Norton who may not be known for his comedic talents but certainly adds credibility to the movie especially given that he rarely picks bad scripts. Luckily no one disappoints. Norton plays the straight guy with aplomb and shines brilliantly when singing his sappy yet lesson-filled songs. Keener whom we haven't seen since her Oscar-nominated turn in Being John Malkovich is also a standout as the jaded development VP who falls for Sheldon's sweet manner. She has an uncanny way of delivering lines that bite to the bone. And then there's Williams--as always he has extraordinary moments of sheer hilarity in the film. This isn't one of those films where the comedian has to attempt to act or simply be reined in by the director (as some have done) to give a good performance. Director DeVito (who also plays the greedy agent) is wise enough to simply turn the camera on the comedian and let him go. Just wish we could have seen more of him.
Ever wonder what it would be like to kill Barney? We're betting DeVito thought about it quite often--and things never turn out good for that purple dinosaur. The premise of Smoochy is one of the funnier ones in recent memory and seems to follow the dark comedic path DeVito has chosen in his other directorial efforts including War of the Roses and Throw Momma From the Train. Unfortunately Smoochy doesn't quite hold up to its hype (or its trailers) because basically it focuses on the wrong character. It's got some great moments granted especially when Smoochy is on his show. But instead of being about Randy's obsession to do away with his replacement the film chooses to follow Mopes and deal with the dirty business of making a kid's show which appears to involve the Mob (whatever). Smoochy would have been a lot funnier if Randolph could have finally succeeded in his quest instead of getting all sappy.