I can almost guarantee that Toy Story is a near-exact illustration of what Shawn Levy's childhood was like: his best friends were his playthings that he always sort of knew, in the back of his head, were alive. And that's what drives him to make so many movies about non-living things becoming living things. As if both Night at the Museum movies and Reel Steel weren't enough, he's now taking a stab at the original toy-come-to-life story: Pinocchio. Only, he's not really focusing on the whole Pinocchio aspect (naturally); instead, he's working on a prequel about the love life of Pinocchio's father, Gepetto. The script is titled The Three Misfortunes of Gepetto, and it is written by Michael Vukadinovich.
The newest entity in the cyclone of re-imagination that has hit Hollywood will follow the lonely puppeteer through an adventure to win the heart of a girl named Julia Moon. This name alone is a departure from the more European-sounding names of the original Disney film's characters (Pinocchio, Gepetto, Figaro, Cleo, Monstro...let's call Jiminy Cricket a tourist). A minor detail, perhaps, but should this indicate other, wider liberties taken with the story and character we know and love?
But back to the matter at hand: Levy has a truly strange fixation on this whole "things coming to life" theme that doesn't stop at the works listed. He's also attached to a Frankenstein project written by Max Landis. Hopefully this will satisfy his craving for now...if Levy gets involved with any of those rumored projects like Toy Story 4, Short Circuit reboot or Indian in the Cupboard IMAX Experience (okay, that last one I just made up), someone might have to call a good therapist. Source: Deadline
I would trust Shawn Levy with my life.
Perhaps not all of the director's big screen pursuits have been triumphs, but he has solidified his genius in my mind forever with the simple fact that he directed six episodes of the greatest live-action television series ever made: The Secret World of Alex Mack. A man so inspired as to deliver us a collective three hours of the most worthwhile character in modern fiction would naturally be a good choice to direct a film about another pretty decent literary figure: Frankenstein's monster.
Fox's Frankenstein film, written by Max Landis, is seeking a director. That director, reportedly, might very well be Levy. If there's one thing the man clearly understands, it is being an outsider. Someone who must hide his true identity, for fear of persecution. Someone struggling to understand his own purpose. Someone with a story to tell, but no one to whom to tell it.
If anyone in this movie turns into a puddle, my neurons will combust.
A Native American legend tells a story about humans named Skinwalkers who get supernatural powers once they feast on blood. The legend also says a 13 year-old boy will come someday when the moon is blood red and break the curse. Enter Timothy (Matthew Knight) a 13 year-old who lives in the town of Hugenot. His mother (Rhona Mitra) is concerned about her son's persistent nightmares and tells Uncle Jonas (Elias Koteas) she wants to leave town. Maybe it’s because a pack of Skinwalkers led by Varek (Jason Behr) have invaded the town. But Mom is in for a shock. It turns out Uncle Jonas his daughter (Sarah Carter) her fiancé (Shawn Roberts) the mailman (Lyriq Bent) and even Nana (Barbara Gordon) all turn into werewolves once a month and Timothy is the half-breed who may save them. Behr (Roswell) is practically unrecognizable but does a nice job as the long-haired well-built Skinwalker who sets out to kill the boy but soon discovers a secret that changes his mind. His sidekicks are both scary (Kim Coates) and sexy (Natassia Malthe) and they do well playing evil. Familiar character actor Koteas becomes the emotional soul of the film even when he transforms into a werewolf. But it's young Knight (The Grudge 2) who has the biggest challenge showing he can be scared fearless and smart—all at the same time. Not easy to do but the kid handles the chores with aplomb. Skinwalkers is really a rather tame werewolf film not unlike the Lon Chaney versions back in the 1940s. It's hard to make a compelling werewolf movie these days because they focus just on the gore. The classic exception is John Landis’ An American Werewolf in London which combined blood and guts with comedy but Skinwalkers actually comes close. It has action a good story and decent special effects without relying on the usual violence. Skinwalkers’ director James Isaac was responsible for one of the more creative Friday the 13ths Jason X and has a special effects background which is evident in Skinwalkers’ wolf transformations. The battles are nearly Matrix-esque and the scenes of the red moon and the morning sunrises are quite spectacular. The film may have suffered some bad buzz earlier on but it's far better than most of the other werewolf offerings.