The 2013 nominees for the Writers Guild of America awards have been announced. Writers, you say? Yes, writers! The people that make words dance on pages to create the worlds in which our favorite shows flourish. Some people, when confronted with a brilliant episode of television automatically assume the credit for its general goodness should go to the actors. But what about the writers? They are often just as (if not more so) likely to be the reason you laughed, cried, gasped, guffawed, or squirmed in your seat during last week's episode of your favorite show.
These makers of televised scripts carry a good chunk of a show's success (and failure) on their shoulders, and leading the pack of successful witty wordsmiths? Lena Dunham and her HBO darling Girls. Overall, it seems as though cable dramas fared better than broadcast (which, duh), but on the flip-side, broadcast comedies outdid their cable brethren. Breaking Bad cleaned up in the episodic drama category, and comedy lady hero Amy Poehler got herself a nod for the episode of Parks and Recreation she penned, "The Debate."
Check out the full list of nominees below!
Boardwalk Empire written by Dave Flebotte, Diane Frolov, Chris Haddock, Rolin Jones, Howard Korder, Steve Kornacki, Andrew Schneider, David Stenn, Terence Winter; HBO
Breaking Bad written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC
Game of Thrones written by David Benioff, Bryan Cogman, George R. R. Martin, Vanessa Taylor, D.B. Weiss; HBO
Homeland written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Meredith Stiehm; Showtime
Mad Men written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Brett Johnson, Janet Leahy, Victor Levin, Erin Levy, Frank Pierson, Michael Saltzman, Tom Smuts, Matthew Weiner; AMC
30 Rock written by Jack Burditt, Kay Cannon, Robert Carlock, Tom Ceraulo, Vali Chandrasekaran, Luke Del Tredici, Tina Fey, Lauren Gurganous, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, John Riggi, Josh Siegel, Ron Weiner, Tracey Wigfield; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
Louie written by Pamela Adlon, Vernon Chatman, Louis C.K.; FX
Modern Family written by Cindy Chupack, Paul Corrigan, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Brad Walsh, Bill Wrubel, Danny Zuker; ABC
Parks and Recreation written by Megan Amram, Greg Daniels, Nate Dimeo, Katie Dippold, Daniel J. Goor, Norm Hiscock, Dave King, Greg Levine, Joe Mande, Aisha Muharrar, Nick Offerman, Chelsea Peretti, Amy Poehler, Alexandra Rushfield, Michael Schur, Mike Scully, Harris Wittels, Alan Yang; NBC
Girls written by Judd Apatow, Lesley Arfin, Lena Dunham, Sarah Heyward, Bruce Eric Kaplan, Jenni Konner, Deborah Schoeneman, Dan Sterling; HBO
The Mindy Project written by Ike Barinholtz, Jeremy Bronson, Linwood Boomer, Adam Countee, Harper Dill, Mindy Kaling, Chris McKenna, B.J. Novak, David Stassen, Matt Warburton; Fox
Nashville written by Wendy Calhoun, Jason George, David Gould, David Marshall Grant, Dee Johnson, Todd Ellis Kessler, Callie Khouri, Meredith Lavender, Nancy Miller, James Parriott, Liz Tigelaar, Marcie Ulin; ABC
The Newsroom written by Brendan Fehily, David Handelman, Cinque Henderson, Paul Redford, Ian Reichbach, Amy Rice, Aaron Sorkin, Gideon Yago; HBO
Veep written by Jesse Armstrong, Simon Blackwell, Roger Drew, Sean Gray, Armando Iannucci, Ian Martin, Tony Roche, Will Smith; HBO
“Buyout” (Breaking Bad), written by Gennifer Hutchison; AMC
"Dead Freight” (Breaking Bad), written by George Mastras; AMC
“Fifty-One” (Breaking Bad), written by Sam Catlin; AMC
“New Car Smell” (Homeland), written by Meredith Stiehm; Showtime
“The Other Woman” (Mad Men), written by Semi Chellas and Matthew Weiner; AMC
“Say My Name” (Breaking Bad), written by Thomas Schnauz; AMC
“The Debate” (Parks and Recreation), written by Amy Poehler; NBC
“Episode 9” (Episodes), written by David Crane & Jeffrey Klarik; Showtime
“Leap Day” (30 Rock), written by Luke Del Tredici; NBC
“Little Bo Bleep” (Modern Family), written by Cindy Chupack; ABC
“Mistery Date” (Modern Family), written by Jeffrey Richman; ABC
“Virgin Territory” (Modern Family), written by Elaine Ko; ABC
LONG FORM – ORIGINAL
Hatfields and McCoys, Nights 2 and 3, teleplay by Ted Mann and Ronald Parker, Story by Bill Kerby and Ted Mann; History Channel
Hemingway & Gelhorn written by Jerry Stahl and Barbara Turner; HBO
Pilot (Political Animals), written by Greg Berlanti; USA
LONG FORM – ADAPTED
Coma, Nights 1 and 2, teleplay by John McLaughlin, based on the book by Robin Cook; A&E
Game Change written by Danny Strong, based on the book by Mark Halperin and John Heilemann; HBO
“A Farewell to Arms” (Futurama), written by Josh Weinstein; Comedy Central
“Forget-Me-Not” (Family Guy), written by David A. Goodman; Fox
“Holidays of Future Passed” (The Simpsons), written by J. Stewart Burns; Fox
“Ned and Edna’s Blend Agenda” (The Simpsons), written by Jeff Westbrook; Fox
“Treehouse of Horror XXIII” (The Simpsons), written by David Mandel & Brian Kelley; Fox
COMEDY / VARIETY (INCLUDING TALK) – SERIES
The Colbert Report writers: Michael Brumm, Stephen Colbert, Rich Dahm, Paul Dinello, Eric Drysdale, Rob Dubbin, Glenn Eichler, Dan Guterman, Peter Gwinn, Barry Julien, Jay Katsir, Frank Lesser, Opus Moreschi, Tom Purcell, Meredith Scardino, Scott Sherman, Max Werner; Comedy Central
Conan writers: Jose Arroyo, Andres du Bouchet, Deon Cole, Josh Comers, Dan Cronin, Michael Gordon, Brian Kiley, Laurie Kilmartin, Rob Kutner, Todd Levin, Brian McCann, Conan O'Brien, Matt O'Brien, Jesse Popp, Andy Richter, Brian Stack, Mike Sweeney; TBS
The Daily Show With Jon Stewart writers: Rory Albanese, Kevin Bleyer, Richard Blomquist, Steve Bodow, Tim Carvell, Hallie Haglund, J.R. Havlan, Elliott Kalan, Dan McCoy, Jo Miller, John Oliver, Zhubin Parang, Daniel Radosh, Jason Ross, Jon Stewart; Comedy Central
Jimmy Kimmel Live writers: Tony Barbieri, Jonathan Bines, Joelle Boucai, Sal Iacono, Eric Immerman, Gary Greenberg, Josh Halloway, Bess Kalb, Jimmy Kimmel, Jeff Loveness, Molly McNearney, Bryan Paulk, Danny Ricker, Rick Rosner; ABC
Key & Peele writers: Jay Martel, Ian Roberts, Keegan Michael Key, Jordan Peele, Sean Conroy, Colton Dunn, Charlie Sanders, Alex Rubens, Rebecca Drysdale; Comedy Central
Portlandia writers: Fred R. Armisen, Carrie Brownstein, Karey Dornetto, Jonathan Krisel, Bill Oakley; IFC
Real Time With Bill Maher writers: Scott Carter, Adam Felber, Matt Gunn, Brian Jacobsmeyer, Jay Jaroch, Chris Kelly, Mike Larsen, Bill Maher, Billy Martin; HBO
Saturday Night Live Head writer: Seth Meyers. Writers: James Anderson, Alex Baze, Neil Casey, Jessica Conrad, James Downey, Shelly Gossman, Steve Higgins, Colin Jost, Zach Kanin, Chris Kelly, Joe Kelly, Erik Kenward, Rob Klein, Lorne Michaels, John Mulaney, Christine Nangle, Mike O’Brien, Josh Patten, Paula Pell, Marika Sawyer, Sarah Schneider, Pete Schultz, John Solomon, Kent Sublette, Bryan Tucker, Additional Sketch By Emily Spivey, Jorma Taccone, Additional Material By Frank Sebastiano; NBC Universal
COMEDY / VARIETY – MUSIC, AWARDS, TRIBUTES – SPECIALS
66th Annual Tony Awards written by Dave Boone; special material by Paul Greenberg; opening and closing songs by David Javerbaum, Adam Schlesinger; CBS
2012 Film Independent Spirit Awards written by Billy Kimball, Wayne Federman; IFC
After the Academy Awards Head writers Gary Greenberg, Molly McNearney. Writers Tony Barbieri, Jonathan Bines, Sal Iacono, Eric Immerman, Jimmy Kimmel, Jeffrey Loveness, Bryan Paulk, Danny Ricker, Richard G. Rosner; ABC
National Memorial Day Concert written by Joan Meyerson; PBS
Days of Our Lives written by Lorraine Broderick, Carolyn Culliton, Richard Culliton, Rick Draughon, Christopher Dunn, Lacey Dyer, Janet Iacobuzio, David A. Levinson, Ryan Quan, Dave Ryan, Melissa Salmons, Roger Schroeder, Elizabeth Snyder, Christopher J. Whitesell, Nancy Williams Watt; NBC
One Life to Live written by Lorraine Broderick, Ron Carlivati, Anna Theresa Cascio, Daniel J. O’Connor, Elizabeth Page, Jean Passanante, Melissa Salmons, Katherine Schock, Scott Sickles, Courtney Simon, Chris Van Etten; ABC
The Young and the Restless written by Amanda Beall, Jeff Beldner, Brent Boyd, Susan Dansby, Janice Ferri Esser, Jay Gibson, Scott Hamner, Maria Kanelos, Natalie Minardi Slater, Beth Milstein, Michael Montgomery, Anne Schoettle, Linda Schreiber, Lisa Seidman, Sarah K. Smith, Christopher J. Whitesell, Teresa Zimmerman; CBS
CHILDREN'S – EPISODIC & SPECIALS
“The Good Sport” (Sesame Street), written by Christine Ferraro; PBS
CHILDREN’S – LONG FORM OR SPECIAL
Girl vs. Monster story by Annie De Young; teleplay by Annie De Young and Ron McGee; Disney Channel
Winners will be announced on February 17th at events in New York and Los Angeles. What do you think of this year's nominees? Let us know in the comments!
[Photo Credit: Jojo Whilden/HBO]
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A decade-long gap between sequels could leave a franchise stale but in the case of Men in Black 3 it's the launch pad for an unexpectedly great blockbuster. The kooky antics of Agent J (Will Smith) and Agent K (Tommy Lee Jones) don't stray far from their 1997 and 2002 adventures but without a bombardment of follow-ups to keep the series in mind the wonderfully weird sensibilities of Men in Black feel fresh Smith's natural charisma once again on full display. Barry Sonnenfeld returns for the threequel another space alien romp with a time travel twist — which turns out to be Pandora's Box for the director's deranged imagination.
As time passed in the real world so did it for the timeline in the world of Men in Black. Picking up ten years after MIB 2 J and K are continuing to protect the Earth from alien threats and enforce the law on those who live incognito. While dealing with their own personal issues — K is at his all-time crabbiest for seemingly no reason — the suited duo encounter an old enemy Boris the Animal (Jemaine Clement) a prickly assassin seeking revenge on K who blew his arm off back in the '60s. Their street fight is more of a warning; Boris' real plan is to head back in time to save his arm and kill off K. He's successful prompting J to take his own leap through the time-space continuum — and team up with a younger K (Josh Brolin) to put an end to Boris plans for world domination.
Men in Black 3 is the Will Smith show. Splitting his time between the brick personalities of Jones and Brolin's K Smith struts his stuff with all the fast-talking comedic style that made him a star in yesteryears. In present day he's still the laid back normal guy in a world of oddities — J raises an eyebrow as new head honcho O (Emma Thompson) delivers a eulogy in a screeching alien tongue but coming up with real world explanations for flying saucer crashes comes a little easier. But back in 1969 he's an even bigger fish out water. Surprisingly director Barry Sonnenfeld and writer Etan Cohen dabble in the inherent issues that would spring up if a black gentlemen decked out in a slick suit paraded around New York in the late '60s. A star of Smith's caliber may stray away from that type of racy humor but the hook of Men in Black 3 is the actor's readiness for anything. He turns J's jokey anachronisms into genuine laughs and doesn't mind letting the special effect artists stretch him into an unrecognizable Twizzler for the movie's epic time jump sequence.
Unlike other summer blockbusters Men in Black 3 is light on the action Sonnenfeld utilizing his effects budget and dazzling creature work (by the legendary Rick Baker) to push the comedy forward. J's fight with an oversized extraterrestrial fish won't keep you on the edge of your seat but his slapstick escape and the marine animal's eventual demise are genuinely amusing. Sonnenfeld carries over the twisted sensibilities he displayed in small screen work like Pushing Daisies favoring bizarre banter and elaborating on the kookiness of the alien underworld than battle scenes. MIB3's chase scene is passable but the movie in its prime when Smith is sparring with Brolin and newcomer Michael Stuhlbarg who steals the show as a being capable of seeing the future. His twitchy character keeps Smith and the audience on their toes.
Men in Black 3 digs up nostalgia I wasn't aware I had. Smith's the golden boy of summer and even with modern ingenuity keeping it fresh — Sonnenfeld uses the mandatory 3D to full and fun effect — there's an element to the film that feels plucked from another era. The movie is economical and slight with plenty of lapses in logic that will provoke head scratching on the walk out of the theater but it's also perfectly executed. After ten years of cinematic neutralizing the folks behind Men in Black haven't forgotten what made the first movie work so well. After al these years Smith continues to make the goofy plot wild spectacle and crazed alien antics look good.
Everyone knows Steve Carell is funny. Even if you don’t like the movies he chooses to make (like Date Night or Evan Almighty or Dinner for Schmucks) and you might question his capabilities as a dramatic actor, I’m pretty sure we can all agree that his embodiment of Michael Scott on The Office revolutionized comedic television. So, since we all concur Carell is an immensely talented actor and someone who is very much responsible for making the world a more welcoming place for multidimensional characters to exist (both on TV and in reality), I shouldn’t have to work very hard to convince you that he deserves to win the Emmy for being an Outstanding Lead Actor in a Comedy Series this year.
Aw, man! I still don’t have you believing he’s the person most worthy of such a terrific honor this year? Alright, well it just so happens I’ve come to this quick draw very much prepared.
Surely you know that my first piece of ammunition in this battle is going to be that since Carell just left the cast of The Office, there really is no better way to thank him for entertaining us than to send him on his way with a nice statue. Carell has been included in the Outstanding Lead Actor in a Comedy category and walked away empty handed a total of five times, and the universe will be forever off kilter if his sixth and final nomination doesn’t result in an award. Because without his very own Little Miss Sunshine, he will never be able to look back on the time he spent on television and be proud of it. How could he? Carell has nothing to show for all his efforts! And what do we have? We have Michael Scott quotes printed on t-shirts, mouse pads, set as our screensavers, and as our email accounts' automated replies! Essentially, this man has given us so much more than just an excuse to not join the employee softball team, and it’s pretty much about damn time we thank him for everything.
Another reason Carell deserves an Emmy this year is because of the beautiful way he balanced his character’s obnoxious habits with some completely new and endearing traits. For six years, Michael Scott has always been the guy who took things too far, misread people’s signals, and caused tons of unnecessary drama at Dunder Mifflin. But this season, we saw Michael finally find the love he’d always wanted for himself. This meant that going into the season, Carell had to be careful to express a softening in Michael’s personality WITHOUT completely abandoning the person Michael was originally. In other words, Carell recognized that Michael matured significantly in the show’s seventh season because he finally found the love he’d always dreamed of having in Holly. But he also understood that Holly fell in love with Michael because of how idiosyncratic he was, and wasn’t asking him to change, and so Michael would still retain some of his old habits even though love had finally entered his life -- and Carell beautifully conveyed how it’s possible for love to make someone a better person without entirely changing them. And let’s face it – is there anything better than watching someone who is worthy of love finally receiving it?
So, as you’re all at your Emmy parties drinking and arguing with each other about who should win the Outstanding Lead Actor in a Comedy Series Emmy, just remember that Steve Carell worked really hard to dry your tears when your boyfriend left you, when your brand of lavender body lotion was discontinued, and when you heard that there was going to be a fourth Bourne movie without Matt Damon. He deserves some love now.
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Hollywood Reporter editor Anita M. Busch resigned Monday following a dispute with publisher Robert Dowling over his decision to quash an article by the trade paper's labor reporter. The article by David Robb questioned whether the paper's gossip columnist, George Christy, had accepted favors from movie producers in return for mentions in his column. Robb resigned last week. Another Reporter writer, Beth Laski, also quit Monday. Busch, who last week appeared to be trying to control the internal fallout from the incident, apparently was jolted by a statement issued by Dowling to The Associated Press on Friday accusing Robb of losing his objectivity and failing to adhere to the Reporter's standards and journalistic ethics. In a letter to the editorial staff, Busch said, "I just can't stand by comments made to The Associated Press about a journalist that I know as being one of the most ethical and incorruptible I have ever worked with." In a statement Monday expressing disappointment over Busch's resignation, Dowling repeated his accusations against Robb and, in interviews with other publications, maintained that Robb's story was not killed but "reassigned." He told the Internet media magazine Inside: "As I said in the staff meeting today, if I had to do it over again, I would make the same decision." A story about the Christy matter, written by two other Reporter writers, appeared in the trade paper on Monday, noting that the Screen Actors Guild is investigating charges that Christy received credits in movies without ever working in them in order to receive benefits from the guild's pension and health fund. Robb told the New York Post that it was "a shadow of my story. They had to write something." Meanwhile, Christy, in an interview with AP, insisted that he had in fact worked in the films for which he was credited. He added, "I should say that there is such a thing as a cutting-room floor."
LITTLE TV "DIVERSITY" AT 8 P.M., SAYS STUDY
According to a study by the organization Children Now, the so-called Family Hour between 8 p.m. to 9 p.m., contains the least racially diverse casts in all of primetime TV. Minorities are included in these shows only to provide "a service, a piece of information or a punch line," the study said. It found that only 13 percent of network fare during the hour featured a mixed cast, versus 67 percent during the 10 p.m. hour. The study also found that men outnumbered women on programs during the 8 p.m. hour by more than 2-1 and that the female characters on them tended to be "beautiful, young, thin and white."
BACK TO THE '70S COMMERCIALS, TOO
In a one-time stunt, Fox TV's That '70s Show on Tuesday will include commercials for five regular advertisers -- Cola-Cola, Dr Pepper, Kentucky Fried Chicken and Volkswagen -- that originally aired in the '70s. Jon Nesvig, president for sales at Fox Broadcasting, told Tuesday's New York Times: "We were looking for a way to 'event-ize' That '70s Show for the sweeps. ... It becomes a little bit like the Super Bowl, where the commercials are part of the show, so hopefully people will stay tuned to watch." Although the TV Land cable channel regularly runs vintage commercials for free, advertisers will be paying an estimated $150,000 apiece for those airing on Fox tonight, the Times reported.
CAMERON SAYS HE'LL WAIT HIS TURN TO FLY INTO SPACE
James Cameron, who has proposed a television series for Fox TV filmed aboard the International Space Station, has indicated that he does not want to become embroiled in the same sort of controversy between NASA and the Russian Aviation and Space Agency that involved "space tourist" Dennis Tito. In an interview with Tuesday's USA Today, Cameron said that he would await the completion of safety and training protocols for non-professional astronauts. The newspaper quoted a Russian space official as saying that Cameron would be required to undergo extensive training before being allowed to fly to the space station and that he would not be able to make the trip until late 2002 at the earliest.
WEAKEST GROWS WEAKER
Although it won its time slot, NBC's The Weakest Link slipped significantly in the ratings Monday night. The Anne Robinson-hosted quiz show sank to an 8.7 rating and a 14 share versus a 10.5/16 a week earlier. The slide helped CBS regain the leadership on Monday night as it averaged a 9.3/14. ABC took second place with an 8.7/13, while NBC slid to third with an 8.5/13, just a notch above Fox, which scored an 8.4/13.
DISNEY DOESN'T WANT DREAMWORKS SPOTS ON ITS KIDS RADIO NET
The Walt Disney Co. is attempting to block affiliates of the Radio Disney kids radio network from accepting promotions and advertisements for the upcoming DreamWorks movie Shrek, the online media magazine Inside reported Tuesday. Inside published a notice that appeared in Radio Disney's affiliate newsletter, reading in part: "Due to recent initiatives with the Walt Disney Company, we are being asked not to align ourselves promotionally with this new release. Stations may accept spot dollars only in individual markets." Promotions and screenings for Shrek that had already been arranged in San Francisco, Chicago, Cleveland Phoenix and Seattle were canceled, Inside said.
IN THE MIDNIGHT HOUR
Spokespersons for the Writers Guild of America and for film and TV producers continued to express optimism Monday that the two sides would be able to agree to terms for a new labor contract before the current one expires at 12:01 a.m. PT Wednesday. However, as Tuesday's Washington Post observed, there is "little clear evidence to support the sunnier view," and many expect that the guild may ask members for strike authorization following today's meeting (although it is likely to agree to an extension of the deadline). On Monday, Mayor Richard Riordan renewed his offer to mediate the dispute and implied that he was miffed that his previous offer had not been accepted. "Both sides so far have said they don't want politicians involved," Riordan said, "but a strike could be devastating to the city."
GET-OUT-THE-VOTE ACTOR DIDN'T GET OUT TO VOTE, SAYS WEB SITE
Calling it a "colossal display of hypocrisy," the enterprising online investigative site The Smoking Gun reported Monday that actor Ben Affleck, who received much TV coverage during the last election when he participated in get-out-the-vote drives for Al Gore, never bothered to vote in the election himself and in fact has not voted in federal or state races since 1992. Although on election day, Affleck concluded an appearance on the Rosie O'Donnell show by remarking, "I think this is the time to get involved, especially the young folks who are here. ... I'm about to go vote," he had not even registered to do so, the article claimed. A spokesman for the actor said that he was prevented from voting because of a "bureaucratic snafu."
A NEW EALING COMEDY IS COMING
For the first time since 1957, the Ealing comedy logo will be attached to a new film when a remake of Oscar Wilde's The Importance of Being Ernest is released next year, the British newspaper The Guardian reported Tuesday. The $15-million film starring Rupert Everett, Judi Dench and Reese Witherspoon recently began shooting in the west London studio, now owned by the BBC, where such classics as Kind Hearts and Coronets, The Man in the White Suit, The Lavender Hill Mob and The Ladykillers were produced.