While recent animated blockbusters have aimed to viewers of all ages starting with fantastical concepts and breathtaking visuals but tackling complex emotional issues along the way Ice Age: Continental Drift is crafted especially for the wee ones — and it works. Venturing back to prehistoric times once again the fourth Ice Age film paints broad strokes on the theme of familial relationships throwing in plenty of physical comedy along the way. The movie isn't that far off from one of the many Land Before Time direct-to-video sequels: not particularly innovative or necessary but harmless thrilling fun for anyone with a sense of humor. Unless they have a particular distaste for wooly mammoths the kids will love it.
Ice Age: Continental Drift continues to snowball its cartoon roster bringing back the original film's trio (Ray Romano as Manny the Mammoth Denis Leary as Diego the Sabertooth Tiger and John Leguizamo as Sid the Sloth) new faces acquired over the course of the franchise (Queen Latifah as Manny's wife Ellie) and a handful of new characters to spice things up everyone from Nicki Minaj as Manny's daughter Steffie to Wanda Sykes as Sid's wily grandma. The whole gang is living a pleasant existence as a herd with Manny's biggest problem being playing overbearing dad to the rebellious daughter. Teen mammoths they always want to go out and play by the waterfall! Whippersnappers.
The main thrust of the film comes when Scratch the Rat (whose silent comedy routines in the vein of Tex Avery/WB cartoons continue to be the series highlight) accidentally cracks the singular continent Pangea into the world we know today. Manny Diego and Sid find themselves stranded on an iceberg once again forced on a road trip journey of survival. The rest of the herd embarks to meet them giving Steffie time to realize the true meaning of friendship with help from her mole pal Louis (Josh Gad).
The ham-handed lessons may drag for those who've passed Kindergarten but Ice Age: Continental Drift is a lot of fun when the main gang crosses paths with a group of villainous pirates. (Back then monkeys rabbits and seals were hitting the high seas together pillaging via boat-shaped icebergs. Obviously.) Quickly Ice Age becomes an old school pirate adventure complete with maritime navigation buried treasure and sword fights. Gut (Peter Dinklage) an evil ape with a deadly... fingernail leads the evil-doers who pose an entertaining threat for the familiar bunch. Jennifer Lopez pops by as Gut's second-in-command Shira the White Tiger and the film's two cats have a chase scene that should rouse even the most apathetic adults. Hearing Dinklage (of Game of Thrones fame) belt out a pirate shanty may be worth the price of admission alone.
With solid action (that doesn't need the 3D addition) cartoony animation and gags out the wazoo Ice Age: Continental Drift is entertainment to enjoy with the whole family. Revelatory? Not quite. Until we get a feature length silent film of Scratch's acorn pursuit we may never see a "classic" Ice Age film but Continental Drift keeps it together long enough to tell a simple story with delightful flare that should hold attention spans of any length. Massive amounts of sugar not even required.
[Photo Credit: 20th Century Fox]
As a bearded hysterical Matthew Fox once said “We have to go back.” A simple phrase that proved inexorably memorable. The wish to go back in time — to relive the better days to prevent the worse — is universal. It’s a wish fueled by nostalgia and regret that makes up such a sorrowfully large component of man’s core. And it’s a wish that is right at the center of Safety Not Guaranteed a movie that tries very hard to do justice to its powerful theme.
Colin Trevorrow’s feature debut attacks the idea from a few different angles. In fact quite literally. The story opens with the abrupt introduction of a so-called nutcase (mumblecore king Mark Duplass) who is planning a voyage back to the year 2001 via a time machine he has allegedly built. Of course no one believes him. Not the sour crass magazine journalist (New Girl's Jake M. Johnson) whose job it is to chronicle the missions of this lunatic. Not his timid lonely med-student tagalong (Karan Soni). And of course not the center of the whole expedition: Darius (Parks and Recreation star Aubrey Plaza) the listless friendless post-grad magazine intern who is plagued by overt apathy and a bridled remorse over her mother’s untimely death several years earlier. Not at first anyway.
Darius agrees to the out-of-town excursion primarily to escape monotony. Arnau jumps on the bandwagon to bolster his résumé but also to stay close to Darius on whom he has a very obvious and very uncomfortable crush. And Jeff (Johnson) is actually on a quest to reunite with an old summer flame from his much happier teen years. All three characters embody the theme being driven home by Safety Not Guaranteed as does — most of all — aforementioned oddball Kenneth (Duplass) whose journey back in time revolves around his own attempt to recapture the lost love of a former girlfriend.
The pulp is there. The problem is the film never truly figures out how to showcase its internal. We never learn enough even subtextually about Darius to understand or appreciate her character entirely. The same goes for Kenneth — who yes is supposed to be mysterious but is also supposed to be sympathetic. Instead he remains at the same distance from the audience throughout the film; we never really figure out if he’s off his rocker or someone who just looks at the world differently.
The film is often a fun one: it serves as a playground for traditional ideas on the well-tread territory of time travel. Time travel tropes are tossed around with a quirky humor and an emotional investment in the genre the way real world friends might discuss the hypothetical. All starring parties and their supporting cast members are endearing and funny. But the emotionality never hits the stride it seems to be going for.
We know that the stories of Darius Kenneth Jeff and Arnau are supposed to be painful. Unfortunately not enough attention is paid to building these people’s heartbreaks. They come off as a bit superficial. As such their separate emotional storylines linked only in spirit come off as a bit disjointed.
At points the film’s stars’ performances seem like less gripping versions of their television characters. The most winning scene actually comes from the cast newcomer Soni whose grief-stricken Arnau could well hit a nerve for a few viewers. Admittedly some might fault Soni and his character for borrowing from the well of racial stereotypes — but that argument aside his personal climax makes his character the movie’s most memorable strength.
Safety Not Guaranteed has plenty of good in it and will most likely keep a willing participant entertained from beginning to end. It’s fun funny and conducive to the plight of the nerd slacker artist or whatever type of outcast group you might fall into. Unfortunately the film never climbs to the point of being as powerful a movie as its contents could justifiably make it. To put it in apropos time travel terms: you can muster up as many gigawatts of linoleum as you can find but without that flux capacitor at the center you’re not really going anywhere.