Universal via Everett Collection
Lone Survivor isn't a film for the faint of heart. It's a film that beats you down and only lets you up for a few precious moments before the credits roll, but that emotional throttling is what helps make the film such a powerful experience.
Peter Berg's Lone Survivor tells the story of Operation Red Wings, primarily focusing on a group of four Navy SEALs who are sent to the mountains of Afganistan to capture or kill a member of the Taliban. The plan goes wrong, and the team has to fight for their lives to escape the enemy-infested area. The film does a marvelous job of ratcheting up the tension before collapsing into its main action sequence, one that is as thrilling as it is unsettling. The long sequence brings forth memories of the infamous D-Day opening of Saving Private Ryan, except this film's fire-fight stretches out the violence like a medieval torture device. The langourous scene is, at times, hard to sit through. Each moment slips by in coiled tension. It's undoubtedly uncomfortable, and the film makes a point to never make the violence fun or enticing. The action isn't consequence-free, and every bullet fired carries weight, making the scenes brutal and unrelenting because of it. The film takes on the aura of a horror movie that wants you to feel every second that ticks by, and director Berg makes sure that a pressing hopelessness starts to weigh on the viewer just as it does on the soldiers.
Mark Wahlberg is plenty capable as Marcus Lutrell, a member of the SEAL unit that is sent on the mission. The supporting cast plays its parts admirably by believably infusing a diverse set of personalities and values into the soldiers, while still keeping them in tune with the same military culture that governs much of their thoughts and actions. There's a great scene where a difficult decision has to be made, and the viewer gets to see the different directions to which some of the character's moral compasses are tuned. Sometimes the right thing can mean different things to different people when the risk of death is on the table. The real standout in the cast is Ben Foster, whose SO2 Matthew Alexson swirls with barely contained fury. He is darkly intense and has electric screen presence that really starts to manifest when the bullets star flying and things become dire.
Universal via Everett Collection
For all the good will that the film builds up in its first and second act, the final third of the film hits some snags as history demands that the story take itself to a different location, sacrificing some of the tension that it has built up. In the last 30 minutes of the film, there are some odd tonal choices that don't gel with the tension brimming in the first half. A comedic scene involving a language barrier stands out in particular.
The movie makes a point to steer clear of any political judgment, and it doesn't try to lay blame for the botched mission on any one head. And while the film never outwardly states and opinion on the conflicts that America found itself embroiled in during this time period, the searing brutality depicted in the movie highlight that no one should be subjected to the pain that these men were faced with. Made abundantly clear is the soldiers' willingness to drop everything and serve their country the best way they know how. Lone Survivor tries to honor the soldier, but not glorify war.
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Lone Survivor is at its best when it makes you feel the worst. It gives soldiers their due reverence by showcasing the true terror of the battlefield, and while the film does start to sag a bit in its third act, it's still more than worth the experience in order understand the consequences of war, and its toll on the people in the trenches.
When a movie gets knocked around from one crummy release date to another one would assume that it is pretty awful. However even I a knowledgeable and open-minded film geek wasn’t prepared for the monstrosity that is Season of the Witch a medieval mess that has reportedly been in the works for a decade. You’d never be able to tell so many years of preparation went into this sad excuse for a B-movie based on its laughable CGI dialogue and contrived premise. How many flavors of bad is this supernatural stinker? Sample this…
A period horror action flick Season of the Witch is initially set in a cursed city suffering from the Black Plague that has deformed and decimated the majority of its population. The disease has been unleashed as a result of a literal witch-hunt gone wrong. Ancient evil forces are afoot and the blame is put on a young girl who the Church believes is a witch. Though imprisoned in the dungeons of a castle her power reigns supreme. Enter Behman (Nicolas Cage) and Felson (Ron Perlman) Knights of the Crusades who happen upon the city on their way back to civilization. Once recognized as deserters they are imprisoned and given the choice to remain captive or lead a suicide transport mission to a remote monastery where the girl’s innocence or guilt can be determined. If deemed evil she is to be destroyed.
The premise though far from original could have been cool if executed with some style but director Dominic Sena (Gone In Sixty Seconds) is incapable of making it enjoyable. Instead of creating suspense through eerie environments he settles for cheap thrills that fall short every time. His use of CGI is painfully bad conjuring effects that would’ve looked dated around the turn of the century. Most insulting is the film’s big “twist” - a lazy paradigm shift so easily foreseeable the movie should have just been called The Devil’s Advocate. Is that not bad enough for you? Just wait it gets better (read: worse).
Stars Cage and Perlman are Razzie bound with a pair of pathetic non-performances. The accomplished actors don’t even try to get into character. Rather they don period garb shield and sword and run around like cheap imitations of their former selves for two hours. You won’t hear any attempts at English accents because apparently 14th Century Knights are just like contemporary buddy cops. With this little effort being put forth by the two men who are essentially the reason folks will pay to see the movie Season of the Witch doesn’t have much of a leg to stand on. The supporting cast which includes Ulrich Thomsen Stephen Graham and Christopher Lee try to bear the burden but cannot undo the damage that Cage and Perlman inflict upon this film. The scariest thing about Season of the Witch is the movie itself an abomination of bad filmmaking and terrible acting.