Tomorrow has finally arrived, and it has brought with it the trailer for the upcoming Annie remake, starring Quvenzhané Wallis as the titular orphan and a supporting cast that includes Cameron Diaz as Miss Hannigan and Jamie Foxx as the modern-day Daddy Warbucks, Will Stacks. In this version of the classic story, Wallis' Annie lives with her evil foster caretaker (Diaz) and several other over-worked, unappreciated girls in Harlem before she is plucked out of her apartment by the billionaire mogul Stacks, who is running for mayor and looking for an attention-grabbing photo opp. After she moves into his penthouse apartment, the two grow closer and both of them find the family they've been searching for.
Of course, any time a beloved classic is remade or updated, people are bound to be apprehensive. But no matter how you feel about the score getting a vaguely hip-hop remix or Diaz chewing the scenery as the obnoxious Miss Hannigan, Annie fans can take comfort in the fact that the trailer shows the new film featuring an important staple of musical cinema. We are instead referring to the scenes of Wallis and the rest of the cast dancing around the rooftops of New York City, which has long been a feature of films, movies and musicals.
In honor of the new Annie trailer, we've decided to salute Wallis and her castmates for their bravery and and well-executed choreography with a list of ten great rooftop dance sequences from film and television. Although please, don't actually try this home. We really don't want to be responsible for inspiring a wave of severe injuries just for the sake of a light-hearted dance routine. We're including clips, just live vicariously through them.
Empire Records After you've damned the man and saved the Empire, what better way to celebrate than with a rooftop dance party? Joe owns the store now, everyone's forgotten about Lucas stealing the money, Warren has a job, Corey and AJ are officially together, Gina and Deb are finally getting along and Mark... well, he's Mark, so everyone gets to spin around the roof in the glow of the newly-fixed sign. If you're looking for a way to celebrate Rex Manning Day, this is it.
10 Things I Hate About You If we've learned anything from the teen movies of the '90s, it's that a story has never properly ended until someone gives a rooftop performance while the credits roll, and 10 Things I Hate About You wrapped up the love story of Heath Ledger and Julia Stiles by having Letters to Cleo perform a Cheap Trick cover on what appeared to be the tallest castle spire in all the land. And lest you worry that this scene doesn't fit the "dancing" criteria of this list, we'd like to remind you of the two guys in this band whose sole purpose it is to arm-dance behind the lead singer. Don't shatter their dreams.
The Princess and the FrogTeen movies aren't the only ones that like to wrap up a story with some well-lit, rooftop dancing; Disney has fallen victim to the same urge, and The Princess and the Frog ends with Tiana and Naveen dancing a giddy Charleston in the skyline over New Orleans at sunset. You know how people say that Disney films have given them unrealistic expectations about love and life? This scene is one of the reasons why.
West Side Story Yes, the main character of this film is technically sweet, innocent Maria, but everyone knows the real star was Anita, who was played to perfection by Rita Moreno. The scene that established her dominance over the movie musical genre is the rooftop-set dance off "America." She gets all the best lines, all the best dance moves, and once she starts sassing the boys and twirling her skirt, it's impossible to care about Tony and Maria's sappy romance anymore. If you watch carefully, you can pinpoint the exact high kick that earned Moreno that Oscar.
Friends, "The One With the Ballroom Dancing" In order to keep the superintendent, Mr. Traeger, from evicting Rachel and Monica, Joey sucks up to him by helping him learn how to dance for "The Super Ball," which culminates in a tender, beautifully choreographed dance sequence between the two on the roof of the building. Who knew Joey was so smooth?
Mary Poppins When you think "dancing on the roof," it's almost impossible not to think about the chimney sweeps tap dancing and high kicking around the roofs of London. Thanks to the repetitive lyrics, everyone can learn to do this dance (once you figure out what Dick Van Dyke is saying through that terrible accent), and everyone did when they were little, stomping and twirling their way around the living room along with all of the chimney sweeps. And if you were really adventurous, you probably threw in some couch-hopping as well.
Clerks IINo matter how foul-mouthed your characters are, there's always an opportunity to work in a romantic rooftop dancing scene, and so Kevin Smith managed to work on into Clerks II with Becky attempting to teach Dante how to dance to "ABC" by the Jackson 5. Unlike the rest of the films on this list, this one turns into an all-out, elaborate dance party, but it all started with Rosario Dawson shimmying around the roof.
High School Musical 3 Sometimes the rooftop dance sequence is important to the plot, sometimes it's a fun moment of celebration, and sometimes it's just there to look pretty, which is the case with Troy and Gabriella's number in High School Musical 3. Theoretically, it's part of Troy asking her to the prom, but mostly it's just in there because Zac Efron and Vanessa Hudgens hadn't sung a touching ballad to each other since the pervious movie. However, we do give director Kenny Ortega bonus points for managing to work in a second rom-com staple: dancing in the rain.
Victorious, Multiple Episodes What can we say? Tween movies and television shows love to feature people dancing on top of roofs. No show made more use of this trope than Victorious, where seemingly every performance took place on the school's roof, including a prom number featuring Victoria Justice and a pre-pop stardom Ariana Grande singing a song about having a crush on your best friend's older brother. Again, bonus points to Dan Schneider for managing to work a thunderstorm into this performance, which surprisingly doesn't concern the kid playing the electric guitar at all.
Moulin Rouge In a film that featured characters singing, dancing and falling in love all over Paris, it's no surprise that the biggest, most romantic moment occurred on a rooftop that was covered in flowers, fairy lights, and a giant windmill that was often utilized for dramatic moments. We are, of course, referring to the "Elephant Love Medley," which is less formally known as the moment that everyone fell head over heels in love with Ewan McGregor. Forget "Come What May," this is the dance sequence that teenage girls the world over dream about.
After Dark Films
It seems a bit odd to take on a movie review of Courtney Solomon's Getaway, as only in the loosest terms is Getaway actually a movie. We begin without questions — other than a vague and frustrating "What the hell is going on?" — and end without answers, watching Ethan Hawke drive his car into things (and people) for the hour and a half in between. We learn very little along the way, probed to engage in the mystery of the journey. But we don't, because there's no reason to.
There's not a single reason to wonder about any of the things that happen to Hawke's former racecar driver/reformed criminal — forced to carry out a series of felonious commands by a mysterious stranger who is holding his wife hostage — because there doesn't seem to be a single ounce of thought poured into him beyond what he see. We learn, via exposition delivered by him to gun-toting computer whiz Selena Gomez, that he "did some bad things" before meeting the love of his life and deciding to put that all behind him. Then, we stop learning. We stop thinking. We start crashing into police cars and Christmas trees and power plants.
Why is Selena Gomez along for the ride? Well, the beginnings of her involvement are defensible: Hawke is carrying out his slew of vehicular crimes in a stolen car. It's her car. And she's on a rampage to get it back. But unaware of what she's getting herself into, Gomez confronts an idling Hawke with a gun, is yanked into the automobile, and forced to sit shotgun while the rest of the driver's "assignments" are carried out. But her willingness to stick by Hawke after hearing his story is ludicrous. Their immediate bickering falls closer to catty sexual tension than it does to genuine derision and fear (you know, the sort of feelings you'd have for someone who held you up or forced you into accessorizing a buffet of life-threatening crimes).
After Dark Films
The "gradual" reversal of their relationship is treated like something we should root for. But with so little meat packed into either character, the interwoven scenes of Hawke and Gomez warming up to each other and becoming a team in the quest to save the former's wife serve more than anything else as a breather from all the grotesque, impatient, deliberately unappealing scenes of city wreckage.
And as far as consolidating the mystery, the film isn't interested in that either, as evidenced by its final moments. Instead of pressing focus on the answers to whatever questions we may have, the movie's ultimate reveal is so weak, unsubstantial, and entirely disconnected to the story entirely, that it seems almost offensive to whatever semblance of a film might exist here to go out on this note. Offensive to the idea of film and story in general, as a matter of fact. But Getaway isn't concerned with these notions. Not with story, character, logic, or humanity. It just wants to show us a bunch of car crashes and explosions. So you'd think it might have at least made those look a little better.
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A kids’ movie without the cheeky jokes for adults is like a big juicy BLT without the B… or the T. Madagascar 3: Europe’s Most Wanted may have a title that sounds like it was made up in a cartoon sequel laboratory but when it comes to serving up laughs just think of the film as a BLT with enough extra bacon to satisfy even the wildest of animals — or even a parent with a gaggle of tots in tow. Yes even with that whole "Afro Circus" nonsense.
It’s not often that we find exhaustively franchised films like the Madagascar set that still work after almost seven years. Despite being spun off into TV shows and Christmas specials in addition to its big screen adventures the series has not only maintained its momentum it has maintained the part we were pleasantly surprised by the first time around: great jokes.
In this third installment of the series – the trilogy-maker if you will – directing duo Eric Darnell and Tom McGrath add Conrad Vernon (director Monsters Vs. Aliens) to the helm as our trusty gang swings back into action. Alex the lion (Ben Stiller) Marty the zebra (Chris Rock) Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stuck in Africa after the hullaballoo of Madagascar 2 and they’ll do anything to get back to their beloved New York. Just a hop skip and a jump away in Monte Carlo the penguins are doing their usual greedy schtick but the zoo animals catch up with them just in time to catch the eye of the sinister animal control stickler Captain Dubois (Frances McDormand). And just like that the practically super human captain is chasing them through Monte Carlo and the rest of Europe in hopes of planting Alex’s perfectly coifed lion head on her wall of prized animals.
Luckily for pint-sized viewers Dubois’ terrifying presence is balanced out by her sheer inhuman strength uncanny guiles and Stretch Armstrong flexibility (ah the wonder of cartoons) as well as Alex’s escape plan: the New Yorkers run away with the European circus. While Dubois’ terrifying Doberman-like presence looms over the entire film a sense of levity (which is a word the kiddies might learn from Stiller’s eloquent lion) comes from the plan for salvation in which the circus animals and the zoo animals band together to revamp the circus and catch the eye of a big-time American agent. Sure the pacing throughout the first act is practically nonexistent running like a stampede through the jungle but by the time we're palling around under the big top the film finds its footing.
The visual splendor of the film (and man is there a champion size serving of it) the magnificent danger and suspense is enhanced to great effect by the addition of 3D technology – and not once is there a gratuitous beverage or desperate Crocodile Dundee knife waved in our faces to prove its worth. The caveat is that the soundtrack employs a certain infectious Katy Perry ditty at the height of the 3D spectacular so parents get ready to hear that on repeat until the leaves turn yellow.
But visual delights and adventurous zoo animals aside Madagascar 3’s real strength is in its script. With the addition of Noah Baumbach (Greenberg The Squid and the Whale) to the screenwriting team the script is infused with a heightened level of almost sarcastic gravitas – a welcome addition to the characteristically adult-friendly reference-heavy humor of the other Madagascar films. To bring the script to life Paramount enlisted three more than able actors: Vitaly the Siberian tiger (Bryan Cranston) Gia the Leopard (Jessica Chastain) and Stefano the Italian Sealion (Martin Short). With all three actors draped in European accents it might take viewers a minute to realize that the cantankerous tiger is one and the same as the man who plays an Albuquerque drug lord on Breaking Bad but that makes it that much sweeter to hear him utter slant-curse words like “Bolshevik” with his usual gusto.
Between the laughs the terror of McDormand’s Captain Dubois and the breathtaking virtual European tour the Zoosters’ accidental vacation is one worth taking. Madagascar 3 is by no means an insta-classic but it’s a perfectly suited for your Summer-at-the-movies oasis.
Catalina Sandino Moreno is the latest actor to nab a Twilight role.
The actress, best known for playing the title character in the indie drama Maria Full of Grace, will play the vampire character of Maria in the third film in the saga, Eclipse.
Sandino Moreno will take on the role of a woman who tries to create a newborn army of vampires, recruiting the Confederate soldier Jasper to her cause, the Risky Business blog reports. In Stephenie Meyer's book, the character is described as a petite brunette with a soft voice.
Sandino Moreno's casting comes on the heels of news that Jack Huston will play Royce King II and the controversial switch of Bryce Dallas Howard in for Rachelle Lefevre as Victoria.
Eclipse, directed by David Slade, begins shooting next week in Vancouver while Twihards await the release of the trailer for the second film in the series, New Moon, which begins running tomorrow ahead of the Summit release Bandslam.
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