There's an allure to imperfection. With his latest drama Lawless director John Hillcoat taps directly into the side of human nature that draws us to it. Hillcoat finds it in Prohibition history a time when the regulations of alcohol consumption were subverted by most of the population; He finds it in the rural landscapes of Virginia: dingy raw and mesmerizing. And most importantly he finds it in his main character Jack Bondurant (Shia LaBeouf) the scrappy third brother of a moonshining family who is desperate to prove his worth. Jack forcefully injects himself into the family business only to discover there's an underbelly to the underbelly. Lawless is a beautiful film that's violent as hell striking in a way only unfiltered Americana could be.
Acting as the driver for his two outlaw brothers Forrest (Tom Hardy) and Howard (Jason Clarke) isn't enough for Jack. He's enticed by the power of the gangster figure and entranced by what moonshine money can buy. So like any fledgling entrepreneur Jack takes matters into his own hands. Recruiting crippled family friend/distillery mastermind Cricket (Dane DeHaan) the young whippersnapper sets out to brew his own batch sell it to top dog Floyd Banner and make the family rich. The plan works — but it puts the Bondurant boys in over their heads with a new threat: the corrupt law enforcers of Chicago.
Unlike many stories of crime life Lawless isn't about escalation. The movie drifts back and forth leisurely popping in moments like the beats of a great TV episode. One second the Bondurants could be talking shop with their female shopkeep Maggie Beauford (Jessica Chastain). The next Forrest is beating the bloody pulp out of a cop blackmailing their operation. The plot isn't thick; Hillcoat and screenwriter Nick Cave preferring to bask in the landscapes the quiet moments the haunting terror that comes with a life on the other side of the tracks. A feature film doesn't offer enough time for Lawless to build — it recalls cinema-level TV currently playing on outlets like HBO and AMC that have truly spoiled us — but what the duo accomplish is engrossing.
Accompanying the glowing visuals and Cave's knockout workout on the music side (a toe-tapping mix of spirituals bluegrass and the writer/musician's spine-tingling violin) are muted performances from some of Hollywood's rising stars. Despite LaBeouf's off-screen antics he lights up Lawless and nails the in-deep whippersnapper. His playful relationship with a local religious girl (Mia Wasikowska) solidifies him as a leading man but like everything in the movie you want more. Tom Hardy is one of the few performers who can "uurrr" and "mmmnerm" his way through a scene and come out on top. His greatest sparring partner isn't a hulking thug but Chastain who brings out the heart of the impenetrable beast. The real gem of Lawless is Guy Pearce as the Bondurant trio's biggest threat. Shaved eyebrows pristine city clothes and a temper like a rabid wolverine Pearce's Charlie Rakes is the most frightening villain of 2012. He viciously chews up every moment he's on screen. That's even before he starts drawing blood.
Lawless is the perfect movie for the late August haze — not quite the Oscary prestige picture or the summertime shoot-'em-up. It's drama that has its moonshine and swigs it too. Just don't drink too much.
At some point in the early years of the 21st century a bunch of Hollywood executives must have gotten together and decided that animated films should be made for all audiences. The goal was perhaps to make movies that are simultaneously accessible to the older and younger sets with colorful imagery that one expects from children’s films and two levels of humor: one that’s quite literal and harmless and another that’s somewhat subversive. The criteria has resulted in cross-generational hits like Wall-E and Madagascar and though it’s nice to be able to take my nephew to the movies and be as entertained by cartoon characters as he is I can’t help but wonder what happened to unabashedly innocent animated classics like A Goofy Movie and The Land Before Time?
Disney’s Winnie The Pooh is the answer to the Shrek’s and Hoodwinked!’s of the world: a short sweet simple and lighthearted tale of friendship that doesn’t need pop-culture references or snarky dialogue to put a smile on your face. Directors Stephen J. Anderson and Don Hall found some fresh ways to deliver adorable animation while keeping the carefree spirit of A.A. Milne’s source material in tact. Their story isn’t the most original; the first part of the film finds Pooh Piglet Tigger and Owl searching for Eeyore’s tail (a common plot point in the books and past Pooh films) and hits all the predictable notes but the second half mixes things up a bit as the crew searches for a missing Christopher Robin whom they believe has been kidnapped by a forest creature known as the “Backson” (it’s really just the result of the illiterate Owl or is it?).
The beauty of hand-drawn animation all but forgotten until recently is what makes Winnie the Pooh so incredibly magnetic. There’s an inexplicable crispness to the colors and characters that CG just can’t duplicate. It’s a more personal practice for the filmmakers and should provide a refreshing experience for audiences who have become jaded with the pristine presentation of computerized imagery. The film is bookended by brief live-action shots from inside Robin’s room an interesting dynamic that plays up the simplicity of youth ties it to these beloved characters and brings you right back to memories of your own childhood.
With a just-over-an-hour run time Winnie the Pooh is short enough to hold the attention of children but won’t bore the parents who will love the film mainly for nostalgic musings. Still it’s the young’uns who will most enjoy this breezy bright and enchanting film that proves old-school characters can appeal to new moviegoers.
Bobby Garfield (David Morse) returns to his small hometown to attend the funeral of his childhood friend and remembers the fateful summer in 1960 when his whole world changed. The story flashes back to when 11-year-old Bobby (Anton Yelchin) and his best friends Carol (Mika Boorem) and Sully-John (Will Rothhaar) capture the pure joy of youthfulness. When a mysterious stranger named Ted Brautigan (Anthony Hopkins) moves upstairs and starts to pay attention to Bobby the boy suddenly realizes what's truly missing from his life--the love of a parent. Bobby's mother Liz (Hope Davis) is embittered by the death of Bobby's father and shows little compassion for her son's growing needs. Ted fills a void with the boy opening his eyes to the world around him and helps Bobby come to terms with his real feelings for Carol--and his mother. But Ted also has some deep dark secrets of his own and Bobby tries hard to stop danger from reaching the old man.
The performances make the film especially in the genuine camaraderie of the kids. Yelchin Boorem and Rothhaar never deliver a false move with an easiness that makes us believe we are simply watching three 11-year-old children grow up together. Yelchin in particular is able to get right to the heart of this young boy who misses his father and clings to the only adult who will listen. And his scenes with Boorem simply break your heart. (Davis) does an admirable job playing a part none too sympathetic. She manages to show a woman whose been beaten down but who does truly love her son in her own way. Morse too is one of those character actors you can plug in any movie and get a performance worth noting. In Hearts you want to see more of him. Of course the film shines brightest when Hopkins is on the screen. It may not be an Oscar-caliber performance but the actor is unparalleled in bringing a character to life--showing the subtleties of an old man looking for some peace in his life.
If you are expecting the Stephen King novel you may be disappointed. Screenwriter William Goldman and director Scott Hicks (Shine) deftly extracted the King formula of telling a story through a child's eye and explaining how the relationships formed as a child shaped the adult later. Hicks did an amazing job with his young actors especially Yelchin and Boorem. But where the novel continued into a supernatural theme explaining Brautigan's fear of being captured by "low men in yellow coats" (a reference to King's The Dark Tower series) the movie downplayed the mystical elements instead giving real explanations for Brautigan's man-on-the-run. That was the one problem with Hearts--we needed more danger. Introducing men from another dimension may not have been the way to go but had there been more tension the film would have resonated more especially when Bobby risked his own safety to save Ted.
Clint Eastwood and Oscar-winning writer Brian Helgeland will team up on an adaptation of the best-selling novel, Mystic River, for Warner Bros.
The novel, now in its ninth week on the top 10 New York Times bestseller list, follows three childhood friends whose relationship breaks apart after a tragic incident. They are brought back together 25 years later when they are all linked to a murder investigation.
Eastwood and Helgeland also are collaborating on another Warner Bros. project, the mystery/thriller Blood Work, an adaptation of a novel by Michael Connelly. Eastwood is set to produce, star and direct from Helgeland's screenplay.
Academy Award-winning scribe Helgeland (L.A. Confidential) wrote and directed the upcoming A Knight's Tale with Heath Ledger. Eastwood directed last year's hit Space Cowboys.
Tatum O'Neal is a "Scoundrel"
Making a comeback after more than a 10-year absence, Oscar-winning actress Tatum O'Neal (Paper Moon) will star opposite Tim Curry (Charlie's Angels), Julian Sands and Lacey Chabert (Party of Five) in The Scoundrel's Wife, an independent project.
Set in Louisiana in 1942, a young widow (O'Neal) is suspected of helping the Germans in a small bayou town, after the German U-boats have sunk American ships.
O'Neal, divorced from ex-husband John McEnroe, returns after spending the last decade raising their children.
Hoop dreams for Lil' Bow Wow
Fourteen-year-old double platinum rap singer Lil' Bow Wow will get his feature film debut in Like Mike for 20th Century Fox.
Lil' Bow Wow will play a kid who finds a pair of magical sneakers worn by basketball superstar Michael Jordan. Suddenly, the teen is transformed into a NBA hero.
Written by Michael Elliot, the story was inspired by Lil' Bow Wow, whom Elliot met on the set of MTV's seriesHip Hopera.
"He loves basketball, loves Michael Jordan, and he's an exceptional basketball player" Elliot told Variety.
"It's every kid's dream to play in the NBA, and it's not like Big, where he becomes a man. In this case, it's more fun if he stays a kid."
Lowe gets "Framed"
Rob Lowe, hot off his acclaimed role as deputy communications director in the hit NBC drama series The West Wing, will star in the TNT original movie Framed, based on a BBC miniseries of the same name.
Lowe will play a New York detective who takes a key member of a money-laundering scheme into custody and prepares him to testify in court. Things gets complicated as the detective's strong ethical code is placed in jeopardy when the witness offers him millions of dollars to help him escape.
The film will be directed by Daniel Petrie Jr. (Toy Soldiers) and executive produced by David Brown (Along Came a Spider) and Kit Golden (Chocolat).
Foley is a "Fuddy" Duddy
NewsRadio star Dave Foley has signed to star in Fox's comedy pilot, What's Up, Peter Fuddy?, with David Steinberg set to direct and co-written by Emmy winner Jay Kogen (Frasier).
The show's premise is Truman Show-esque: a Nightline-style news show follows the daily activities of an insurance adjuster Fuddy (Foley), who is forced to appear on the show to defend his actions.
Foley re-teams with Steinberg and Kogen after working together on the comedy The Wrong Guy. The feature was never released but it won the best screenplay award at the 1999 U.S. Comedy Arts Festival.
The pilot also stars Jamie Denbo (Lost Souls), as Fuddy's wife, and Craig Anton (The Army Show), as Fuddy's next-door neighbor.
"MiB2"'s villainous Janssen
The X-Men's heroine Famke Janssen is in negotiations to play the villainous vamp in Columbia Pictures' Men In Black 2 for director Barry Sonnenfeld.
Production is scheduled to start in June. Although the plot is under wraps, most of the original film's stars will be in the sequel, including Will Smith and Tommy Lee Jones as agents J and K, respectively. Janssen will play bad bombshell Serleena and Johnny Knoxville (MTV's Jackass) will be featured as a two-headed alien. The cast also includes Rosario Dawson (Josie and the Pussycats) as Smith's love interest.
"Annie" and Reba: together again
Country superstar Reba McEntire will reprise her role as Annie Oakley in a CBS-TV movie version of Irving Berlin's Annie Get Your Gun.
Currently starring in the Broadway smash hit, McEntire is a perfect choice to play Annie for the CBS movie, producer Howard Braunstein told Variety. She also will executive produce the film.
Currently in development, the movie could air by the February sweeps, depending on the potential strikes. McEntire will continue with the Broadway production through May 27. She's concurrently starring in an untitled comedy pilot for the WB Network.
"Crouching Tiger" creates Chinese boom
Hot off the tremendous success of Ang Lee's Oscar-winning film Crouching Tiger, Hidden Dragon, co-production partner Columbia Pictures Film Production (an offshoot of Sony Pictures Entertainment) has announced plans for four pictures to go into production in 2001.
First up is Big Shot's Funeral, a comical film about a world-famous director who comes to China to make an epic about the last emperor of the Qing Dynasty (can anyone say The Last Emperor?). It will star Donald Sutherland, Ge You and Rosamund Kwan and directed by Feng Xiaogang. It will be shot in English and Chinese.
Next is another Chinese/English film, a mystery, called Double Vision starring Tony Leung, Ka Fai and David Morse (The Green Mile). The film followed the hunt for a serial killer by a determined Taiwanese police detective and an American FBI expert.
Third is an untitled action flick directed by Corey Yuen, who choreographed The X-Men and Romeo Must Die. The film will kicked it up with technological wizardry while centering on family bonds. Finally, set for production later this year is Heroes of Heaven and Earth, a Chinese-language adventure epic to be directed by He Ping and starring Jiang Wen.
Miramax wants in the "Know"
Miramax Films is negotiating to handle the North American distributions rights for Al Pacino's next film, People I Know.
The film, already in production and co-starring Kim Basinger, Tea Leoni and Ryan O'Neal, is about a New York press agent who gets into the corrupt world of politics, celebrity and illegal drugs. O'Neal plays a client, a famous actor, who is embroiled in a scandal that hurts his plans to become a senator.
Pesci as The Bull
Mafia hitman Sammy "The Bull" Gravano, to be exact.
Oscar-winner Joe Pesci is in negotiations to play the mobster for New Regency Productions. Gravano left the federal witness protection plan to go into partnership with a band of wealthy suburban kids selling ecstasy.
The film, tentatively titled Sammy the Bull, will only have Pesci's involvement if it is released as a feature film. Originally, New Regency was developing the project as a television movie.
"Bridget Jones" part II
Working Title Films, producer of the recent box office hit Bridget Jones's Diary, is already considering a sequel.
Based on Helen Fielding popular novel series, Working Title has optioned her second book Bridget Jones: The Edge of Reason and is negotiating with her for the screenplay.
The producers of other hits, such as Four Weddings and a Funeral and Notting Hill, have never previously made a sequel, "but when you get numbers like this, you've got to think about it," Working Title co-chairman Eric Fellner told Variety.
It is still undetermined whether Renee Zellweger will reprise her role, as well as Hugh Grant, whose smarmy character is not in the second novel.