The film opens as teenagers Katie (Amber Tamblyn) and Becca (Rachael Bella) are having a sleepover and spooking each other with ghost stories. Trouble is the urban legend Becca retells is all too true as Katie is just about to find out in the most grisly of ways. The story centers on a mysterious videotape that should you be so unfortunate as to view it will kill you in seven days (you know this because someone calls right after you watch it to alert you that you're gonna kick). Katie and her friends watched it and sure enough they're all dead a week later--sparking Katie's aunt an investigative journalist named Rachel (Naomi Watts) to uncover what happened and why. When the trail leads her to the sinister tape she watches it receives the foreboding phone call and consequently sets off on a race against time to somehow save her life by finding out the meaning of what she's seen. She enlists the help of Noah (Martin Henderson) the father of her rather strange and solitary young son Aidan (David Dorfman)--who like all kids in horror movies these days is seeing frightening visions too--and over the course of seven days the two find themselves embroiled in a mystery that involves the tape a twisted family and dying horses.
The acting by all involved is generally good. Naomi Watts who hit the radar with David Lynch's Mulholland Drive last year ably carries the film although there are times in close-up when she looks too self-aware with an almost smug expression as though she's about to smile when the situation isn't the least bit funny. Maybe it's because she knows her Rachel does some pretty mind-blowingly foolish things the most noteworthy among them leaving the deadly video out where her curious son (who annoyingly invokes Haley Joel Osment and looks absolutely nothing like either of the folks playing his parents) can pop it in the ol' VCR. Though Watts is a basically likeable fresh face any number of up-and-coming actresses could have done this role--as well or better.
It's been awhile since jaded horror fans have had something to get excited about. Gore Verbinski justifies his career after the miserable The Mexican with this taut thriller which opens with the teen girls in a truly terrifying sequence reminiscent of Scream. Verbinski is keenly aware of the value of keeping things just out of sight and not resorting to cheap horror movie shlock so there are genuine chills to be had (animal lovers will want to cover their eyes during one particularly horrifying scene). Although the moments that'll really make you jump out of your skin are few and far between the secret behind the videotape is compelling as is the imagery. Without overdoing it The Ring displays some fantastic cinematography particularly with the Buñuel-esque videotape (you could have heard a pin drop as engrossed as the audience was at this review screening) and the shots of gloomy mist-enshrouded Washington State are disquietingly atmospheric. However the last third of the movie is somewhat disappointing and contains several utterly ridiculous scenes--particularly one at the ending (which actually has a nice twist).
The British Academy of Film and Television Arts (BAFTA) recognized some of the year’s best films on Sunday. "Gladiator" was chosen best film, and "Crouching Tiger, Hidden Dragon" took away best foreign-language film honors. Each of these Oscar contenders received four BAFTA awards in total.
Producers Douglas Wick, David Franzoni and Branko Lustig accepted the best film award for "Gladiator," praising director Ridley Scott during their acceptance speech, who lost out on the best director prize to Ang Lee for "Tiger."
Besides best foreign film and best director, "Crouching Tiger" also won for music (Tan Dun) and costume design (Tim Yip). Of BAFTA and the United Kingdom, Lee said: "You've always been great to me. This is like a second home to me now."
“Gladiator” also won the Orange Audience Award for most popular film of 2000. Scott thanked DreamWorks and Universal for their courage in backing a $100 million film in a genre that hadn't been touched for 30 years. "It is especially good to win this on my home turf as I spend so much time in the United States," Scott said during his acceptance speech. "I am absolutely thrilled."
Besides the BAFTA honor for best film, "Gladiator" also picked up awards for cinematography (John Mathieson), production design (Arthur Max) and editing (Pietro Scalia).
British effort "Billy Elliot" won three awards, including best British film, best actor (Jamie Bell) and best supporting actress for Julie Walters.
Julia Roberts was named best actress for her performance in the title role of "Erin Brockovich." Presenter Hugh Grant, and co-star in "Notting Hill," picked up the award for the absentee actress.
Best original screenplay and best sound awards went to Cameron Crowe’s "Almost Famous." Crowe's wife, Nancy Wilson, accepted his award, saying that Crowe was unable to attend the event as a double ear infection prevented him from flying. "He meant this movie as a love letter from his heart to music," Wilson said.
Steven Soderbergh's "Traffic" also won two awards, for adapted screenplay (Stephen Gaghan) and supporting actor (Benicio Del Toro).
Veteran casting director Mary Selway was given the Michael Balcon Award for her outstanding contribution to cinema. Actor Albert Finney was presented with a British Film Academy Fellowship for lifetime achievement, receiving a standing ovation.
The complete list of winners:
THE ACADEMY FELLOWSHIP: Albert Finney
THE MICHAEL BALCON AWARD for outstanding British Contribution to Cinema: Mary Selway
THE ALEXANDER KORDA AWARD for outstanding British Film of the Year: "Billy Elliot"
BEST FILM: "Gladiator"
THE DAVID LEAN AWARD for Achievement in Direction: Ang Lee, "Crouching Tiger, Hidden Dragon"
SCREENPLAY (Original): Cameron Crowe, "Almost Famous"
SCREENPLAY (Adapted): Stephen Gaghan, "Traffic"
PERFORMANCE BY AN ACTRESS in a leading role: Julia Roberts, "Erin Brockovich"
PERFORMANCE BY AN ACTOR in a leading role: Jamie Bell, "Billy Elliot"
PERFORMANCE BY AN ACTRESS in a supporting role: Julie Walters, "Billy Elliot"
PERFORMANCE BY AN ACTOR in a supporting role: Benicio Del Toro, "Traffic"
FILM NOT IN THE ENGLISH LANGUAGE: "Crouching Tiger, Hidden Dragon" (Bill Hong/Hsu Li Kong/Ang Lee )
THE ANTHONY ASQUITH AWARD for achievement in Film Music: Tan Dun, "Crouching Tiger, Hidden Dragon"
THE CARL FOREMAN AWARD for Most Promising Newcomer to British Film: Pawel Pawlikowski
CINEMATOGRAPHY: John Mathieson, "Gladiator"
PRODUCTION DESIGN: Arthur Max, "Gladiator"
COSTUME DESIGN: Tim Yip, "Crouching Tiger, Hidden Dragon"
EDITING: Pietro Scalia, "Gladiator"
SOUND: Jeff Wexler/D.M. Hemphill/Rick Kline/Paul Massey/Mike Wilhoit, "Almost Famous"
ACHIEVEMENT IN SPECIAL VISUAL EFFECTS: Stefen Fangmeier/John Frazier/Walt Conti/Habib Zargarpour/Tim Alexander, "The Perfect Storm"
MAKE UP/HAIR: Rick Baker/Kazuhirop Tsuji/Tony G./Gal Ryan/Sylvia Nava, "How the Grinch Stole Christmas"
SHORT FILM Gary Holding/Justine Leahy/Tinge Krishnan, "Shadowscan"
SHORT ANIMATION: Claire Jennings/Willem Thijssen/Michael Dudok de Wit, "Father and Daughter"
ORANGE AUDIENCE AWARD: "Gladiator"