Jim Davis (Bale) is an Afghanistan War veteran who still dreams of night vision combat. He seems to find comfort in his Mexican girlfriend but he goes back to L.A. to hang with his “homie ” Mike (Freddy Rodriguez). Mike in turn is married to the lovely Sylvia (Eva Longoria) a successful lawyer who wants her man to find a purpose in life too--or at least a paycheck. Jim thinks the easy ticket will be a law enforcement job so he can take care of both of them but he’s rejected. So the duo hit their old haunts stealing drugs getting high and faking phone calls from prospective employers. But they’ve got to do a quick come down after Jim gets a call from the Department of Homeland Security. The fact he’s already smoked up will not bode well for the urine test. Still Jim finds a way to slip through because this job is more than a power trip for Jim. It could allow him to bring his girlfriend to the U.S. and marry her. Nothing goes exactly as planned though. Mike must choose between his dangerous friend and his loving stable girl while Jim must survive his past to have any chance at a future. If Christian Bale is starring in an indie you know he going to be at least slightly psycho--American Psycho The Machinist to name a few. Few could make Jim as realistic as he does. Denzel Washington successfully does a charismatic street tough in Training Day but the British Bale has the manner and language down. When he says homie and other less printable slang it sounds like he knows how to use it carrying himself like the pompous gangsta. He’s scary seems unstoppable and you actually may want him to meet his end. Rodriguez plays Mike like a naïve man-child going along with his buddy despite evidence that it’s not in his best interest. It’s the less showy part so it’s hard to compare but you always believe him in the role. Longoria has a truly thankless part the totally normal one in a crazy world. The audience will relate and side with her but the actress has no chance to show any crazy quirks. All the time her Sylvia is so much classier you wonder what the attraction ever was to Mike. Some supporting actors also stand out. J.K. Simmons does his authority thing as the Homeland Security recruiter while Terry Crews is the most dimensional drug dealer seen in a while. He’ll do crime but he admonishes the boys to respect their ladies. Everyone will call Harsh Times gritty but what does that mean? Is it because of the language and violence? That’s a no-brainer in a crime story. Is it because the film is all grainy? That makes it look like a home movie but it doesn’t make “Baby’s First Bath” gritty. Is it because it’s dimly lit? That’s just hard to see not gritty. Harsh Times is all those things but the problem is who wants to watch this? Director David Ayer does create a believable world of street life but the plot ambles on. Two unredeemable guys get into trouble. They toke up but aren’t funny about it. They fight and shoot people but for no reason. They amuse each other but their exploits are hardly cinematic. It’s actually not all that entertaining of a world to visit but it achieves the discomfort an audience would feel like driving through the streets with their windows rolled up. Maybe that’s the moral of the story but honestly we don’t need a two-hour lecture; we already know.
Dogtown centers on three teenagers in the 1970s--Jay Adams (Emile Hirsch) Stacy Peralta (John Robinson) and Tony Alva (Victor Rasuk)--who just want to ride. At first it's waves. Living in "Dogtown " a tough and gritty area in Venice Calif. these guys do everything they can to get in with the Zephyr surfers lead by the charismatic owner of the Zephyr surf shop Skip Engblom (Heath Ledger). But the boys are soon transferring their aggressive wave-riding moves to the concrete turning empty pools into arenas of wild beautiful athleticism and revolutionizing a new style of skateboarding. Skip recognizes great money-making potential when he sees it and takes these freestyle wizards on urethane wheels out on the road to show off their skills dubbing them the Z-Boys. The skating world goes nuts. Conventional competitors don't know what to make of their "extreme" ways. Girls are wild for them. And promoters see dollar signs wanting to grab a piece of the action. But what started out as fun way to blow off steam soon turns into big business. Can the friendship between this tightly knit trio survive inflating out of control egos and fast-paced famous lifestyles? Dude that's a tough one to call.
What better way to make a movie about three hot California skateboarders then by casting three hot young male leads to play them. As Tony Alva and Stacy Peralta--the two talented skateboarders on the opposite ends of the spectrum--newcomers Rasuk (Raising Victor Vargas) and Robinson (Elephant) aptly bring sincerity to their portrayals. As the fiery Alva the wild-haired Rasuk is full of bravado taking to the jet-setting life with ease and ultimately becoming the more well-known name. The soft-spoken Robinson plays the easy-going Peralta with quiet determination proving he doesn't have to showboat in order to show how good he is. But it's the more seasoned Hirsch (The Girl Next Door) playing the gifted but ultimately screwed-up Jay Adams who has the harder acting job. As the Z-Boy with probably the rawest talent but nevertheless gives up his chance for fame Hirsch handles Adams' conflicted emotions well. Ledger too does a nice job as Skip Engblom the boys' "mentor" who introduces them to a whole new world rides a great meal ticket for awhile--and then loses it all when the boys move on to bigger and better things. Sorry Skip.
Coming off the heels of his award-winning 2001 documentary Dogtown and Z-Boys writer Stacy Peralta decided he wasn't quite done telling his Z-Boy story trying his hand at dramatizing the whole experience. This time around he elicits the help of director Catherine Hardwicke whose disturbing indie Thirteen proved she can get underneath a teenager's skin. Smart move. Her documentary style of filmmaking with that grainy handheld feel fits the Lords of Dogtown milieu perfectly. The camera chases after the boys as they skate sneak onto private property to surf empty pools and rock like rock stars. Peralta also calls upon his old buddies to help out including the now world-renowned skating champion Tony Alva who choreographs many of the stunts and apparently teaches the actors not only to skate but skate in true Z-Boy fashion. Maybe hardcore skateboarders will notice the errors but for a novice like me it is a fun ride. The only real problem with Dogtown is Peralta's greenhorn attempts at fleshing out a drama. As a documentary the Z-Boys experience is exhilarating as it follows these real-life mavericks' efforts to take skateboarding to a whole new extreme. But as a full-blown feature film it's a little harder to perpetuate the momentum.